country - USA

duration - 2hour, 55minute
James Caan
directed by - Francis Ford Coppola
Release date - 1972

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The landlord's acting is amazing as well. one of my favorite scenes in all of cinema. -Friends ask me for some food and chips; okay here you go -When i see my friends having some chips and they hide from me' When did i ever refuse an accommodation. Those of you complaining about the fake punch at 2:08 should realize that not all punches connect in a real fight. Such a classic scene. The most intense part of the whole film. . When I'm down. depressed. rough day at always perks me up. Never fails. Feel good theater. One day Ill call upon you for a shinebox. I really like the movie that was temporarily #1. The Fellowship of the Ring. I agree with a lot of what's in the charts though think some films here are over-rated. And this is what I felt about "The Godfather. It's very well made, etc. but it's also a bit boring.
On a production level, it's hard to fault "The Godfather" and Coppola's handling of events. There's an intense level of detail, as he charts the rise of Vito Corleone to prominence, and the lengths people go to attain power. The direction is great - there's a real sense of epic-ness here. The city and times seem alive before you. There's a great sense of realism - helped, for example, by the use of speaking Italian in the movies because - hey Hollywood - not everyone would want to, or choose to, constantly speak English. It's rich and lush and has a quality nearly all films lack nowadays in their haste to please the lowest-common-denominator.
The acting is spot on. In fact it's probably above that. It's excellent. Pacino is at his height here - wonderful as the naive Michael Corleone who has to learn the family trade. Marlon Brando's "Vito Corleone" has become so infamous that seeing him is almost like watching a caricature (as are many of the lines) but he's on fine form, though I preferred his fresher, more engaging role in "On the Waterfront.
And yet for all the unquestionable production values and acting. I found it all a tad dull. I don't have an aversion to the genre. Goodfellas" and "The Sopranos" are superb - but I found the pacing slow, almost monotonous in places. There is an attention to detail, and an epic scope, but that doesn't necessarily translate to interesting viewing. "Lawrence of Arabia" dragged me into the sweeping sands, yet I wasn't dragged in here to anything approaching the same degree. There's character development but, as we touch up and down upon certain moments in the lives of the Corleones, we're never given any sense of more fluid developments. We see their actions from a distance and find it harder to empathise or care about them. It all adds up to a muted viewing experience for me, and I felt indifferent to his hailed classic.
I can't knock "The Godfather" too much, because it has a lot going for it. As one reviewer commented it, even those who don't like it feel forced to rate it highly because they must acknowledge the craftsmanship here. For all that I was quite disappointed by this movie and can only give it 8/10 (and that's because of the talent involved. The "sequel" was better, but not by much. Not deserving of #1 in my opinion.

The essence of what makes this scene so powerful is that Roth's elaborate, allegorical answer (to what is, on the surface, an unambiguous and simple question) isn't an answer at all. By avoiding the substance of the question, he recontextualizes the act of asking who gave the order for a hit as something unseemly. And if it's unseemly, then Michael should feel ashamed for even having the thought of asking that question. In this way, Roth has the skills of an expert interrogator. He uses his own experiences to embroider rapport with Michael, and he minimizes Moe Greene's death to support the yarn he spins. He paints with broad but bold strokes: Even when I lost someone who was very important to me, it wasn't personal. We all know it's not personal. I know you did it, but I can understand that. So I didn't take it personally. So if someone takes it personally, they are foolish. If you ask me that question, you are a fool. And I don't do business with fools. All implicitly. His story has power because it's all implicit. He's not saying any of this directly to Michael, but it only has the appearance of opening himself up.

Tattaglia is a pimp. Most watched and evergreen movie in Film Industry. In real life there is someone who will be your godfather in your work. I consider this masterpiece with all the life issues and attitudes within it is a way to understand and deal with life but you have to look with more attention. Iconic Scene played a big part in the movie.  Great writing. One of the greatest scenes ever captured on film. Maybe the greatest. Sonny was hotheaded but I loved his character. Michael was more cold and calculated, his fathers control but deadly. Watch*The*Online*Nosvideo The english download watch The full movie cam. Al Neri was one of my favorites. Real cop that turned bad after beating a couple men with his Billy cub and Michael exposed that.

When your little brother and his friends are asking for help cause a bunch of kids messed with them. The kick wasnt actually necessary, it was just really disrespectful. He wouldve died from blood loss anyways. YouTube made me a recommendation I couldn't refuse... I'm going to baptize my nephew 👺👹🤬☠💀👀. That organ ! SCARY. @ 2:28 - is the dude from Goodfella' was gonna take the coffee perculator with him when Stacks got killed. he ends up frozen in the meat truck. Then came “Bugsys Bar”. 🍩•Marge Simpson brought here 😅😅😅 🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷BRAZIL.

If this would have been at a Greek restaurant they would have chased after Michael for not paying.

De Niro is the epitome of class in this scene. If only more crime bosses were like Vito Corleone.

Download,The,Godfather,Youtube The Godfather On the page.

I really enjoyed the head dbag getting clipped on the steps. When my friends ask to borrow money. I turn into corleone.

Carlo never had the makings of a varsity athlete. My god he was gorgeous.

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