≈yify≈ The Lighthouse 2019 Full Movie Watch Online Dailymotion
countries: Brazil
Cast: Robert Pattinson, Willem Dafoe
Runtime: 1 hours 49 Minute
Robert Eggers
rating: 98134 votes
As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?
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The Lighthouse follows two men stranded on a small island maintaining a lighthouse in the late 19th century, when a hefty storm surges in on their last day, stranding them even longer, and allowing time for the madness to seep in and take over. But that's only the surface-level. The movie is packed full of interesting concepts and ideas that leave so much open to interpretation. It's Greek mythology, telling the story of Prometheus stealing the flame. It's an adaptation of an early 19th century event where two lighthouse keepers off the coast of Wales were stranded due to a storm, one died and the other went mad. It's a psychological look at the Id, Ego, and Superego. It's the story of Lucifer seeking salvation only to find he's not worthy. It's a story of one man stuck in an infinite loop of suffering, butting heads with his older/younger self, only to suffer it all over again. It's a story of Marxism and capitalism, quashing the working man to reap the benefits of a higher life. It's a highlight of the dichotomy between 'god' and 'dog. It's an old American myth of the sea. It's a Lovecraftian look at madness and the unseen cosmic horror.
This movie is so chock full of themes and interpretations that I don't know where to begin, but this does have the downside of resulting in a scatty, messy narrative that often doesn't make a whole lot of sense. Scenes are thrown in for their aesthetic or artistic merit without consideration for the superficial story being told. For instance there's a gorgeous shot modelled after a painting by Sascha Schneider, where a nude Wake holds Winslow by the wrist and beams a light from his eyes into Winslow's face. It doesn't hold a whole lot of significance to the movie's plot, but it's gorgeous to look at and opens up a lot of room for various interpretations as to its meaning. That said, not once did I feel like I was particularly lost, mainly because I didn't treat it as a movie to be followed, but more as a movie to be experienced and swallowed by. In truth, thanks to the two characters being unreliable narrators, the idea of a linear plot that makes sense would be anathema. It's so rife with hallucinations, dream sequences, and symbolism in order to embody the madness and insanity.
The Lighthouse is a marvel in its technique as well, most obviously in the film's visual quality. The cinematography is like nothing I've seen from a modern film, jumping through hoops in order to make it feel as authentic as possible, using cameras and lenses from the early 20th century, completely devoid of colour, with an aspect ratio almost square. Instead of looking bad and low quality, it gives the movie a visual identity all its own, and is used to fantastic effect to create some of the most striking scenes that will burn a hole in your retinas, and which wouldn't have been achievable with a more modern setup. The lighting and high contrast between light and dark makes everything standout, while the greyscale of daylight keeps the movie from looking too artistic.
This authenticity bleeds into the dialogue and performances by the film's powerhouses. The dialogue is filled to the brim with the slang of the time, and neither Robert Pattinson nor Willem Dafoe stutter in their delivery. In fact they embrace this dialogue and deliver it with equally as authentic accents, accents that have been diminished in modern times. This can make the dialogue a little hard to grasp at times, but it never gets so hard to decipher that it loses you completely. Pattinson and Dafoe also look like they went through hell together in order to give the best performances possible. Pattinson had to wade into freezing cold water multiple times for the perfect take, while Dafoe gets dirt thrown in his face while delivering a complicated monologue. This was some of the most impressive, gruelling, and convincing acting I've seen.
Particular scenes and moments that standout include Wake cursing Winslow with a harsh underlight casting creepy shadows on his face and Dafoe not blinking for over two minutes, Winslow being physically consumed by madness as he cackles and screams, and the high contrast lighting causes his facial features to merge and disappear, a sudden submersion in water to see a mermaid silhouette as it swims closer and screams the most blood-curdling sound, the ever-present sound of a foghorn blaring as if part of the score, amplifying the creepy atmosphere from beginning to end, Winslow complaining about Wake's farts and the smell they produce, the defiant one-eyed seagull that just won't leave him alone, resorting to drinking kerosene because they've run out of alcohol, Winslow jacking off to a mermaid corpse but keeps getting interrupted by visions of dead men. br>
The Lighthouse was something else. Despite my best efforts here, it's a truly indescribable movie. It's claustrophobic and maddening, it's terrifying and hilarious, it's beautiful and disgusting. It's a movie simply quite unlike anything else, so it would be disingenuous to give it anything less than a staggering 9/10.
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