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Tomatometer: 7,2 of 10 1 hours, 25 Minutes Year: 2017 directed by: McG writers: Brian Duffield Audience Score: 44937 votes

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The babysitter's guide to monster hunting. The babysitters. The babysitter. The baby-sitters club. The babysitter killer queen phoebe. The babysitter 2017 allison. A blood soaked blast of raunchy goodness. I usually despise this particular sub-genre of horror film, but I dug everything about it. Samara Weaving- who just became a new personal favorite- is scorching hot, radiant, and so much freaking fun. I might have to watch it a few more times just to relive experiencing the first time I saw her and her electrically charged blonde hair and said, I like her. The babysitter apk. The babysitter subtitles download.

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The babysitter 2 movie. The babysitter killer queen. The babysitter 2017 tv tropes. The Babysitter is an above-average self-aware horror comedy that is nearly rescued by some good performances from young actors but ultimately maimed by some shockingly bad choices on the part of the producers.
Cole (Judah Lewis) is a 12-year-old boy with overprotective parents that is routinely bullied by others at his school for being awkward and shy. We find out that his parents (Ken Marino and Leslie Bibb) have a regular babysitter named Bee (Samantha Weaving) that takes care of him. They leave because. well, basically so the events in this movie can happen without them around. Once they do, Cole sneaks out of bed to find the sitter and her friends downstairs initiating a satanic ritual that requires Cole's innocent blood. He's discovered trying to escape, and the rest of the movie devolves into him defending himself.
The movie definitely has a campy 1980's feel to it mixed with a late-90's ironic detachment that insecurely reminds the viewer of how aware it is that the story is ridiculous. I put the blame for this solely on McG - a cotton candy director with flashy visual style that is completely wrong for this film. McG still seems a little stuck in the music video mode that made him famous back in the 90's, with pop-up subtitles on the screen that is kind of a modern take of that old Batman "Pow" and "Crack. only these are to explain feelings and actions, not to visualize sound effects. They're quirky but distracting, defusing any tension that would otherwise exist from the plot. A more confident director would have slowed things down a bit, dragged out the more tense moments, and spent more time on the characters.
And it's unfortunate that the actors are overshadowed because they actually do a good job playing passably good renditions of those 80's horror movie tropes. Lewis effortlessly portrays sweet and vulnerable, and his ease in front of the camera and his clear affection for Weaving is what makes the movie work. For her part, Weaving was pretty good as the blonde girl villain. She and Lewis shared an unusual chemistry for an older teenager and a younger one, seeming like actual friends that was only slightly forced. As written (and mostly as it was played) their relationship was actually kind of touching, and its sugar- coated complexity was the highlight of the movie.
Unfortunately, those positives were completely overshadowed by one nagging little complaint that kept rearing its head through the film. And that is the strange fact that the movie is kinda racist.
And I don't just mean that the black guy dies first (though he does. there are two black characters in this film, and both are one-dimensional "bad guys." The first is a slapstick clown that gets gratuitously squirted with blood (the horror movie equivalent of a pie in the face) to the joy of other characters, overreacts to the police, baby-whines about his role in the group, makes several comments about his blackness, is the first person Cole kills and has the most gratuitously violent death. The other is the main, unsympathetic bully who's fat, wears headband, has two white toadies that somewhat turn on him, and squeals in melodramatic horror when his bike gets run over at the end. I tried to ignore it but it was so glaring to me that those two might as well have been painted in black-face.
That feeling of uncomfortable embarrassment I had watching parts of this film is hard to rectify with the rest of the film, which is more of an 8. So I figure a movie that has some very good and some very bad aspects should average to about a 5, and there we go.

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