about wayan yusa dirgantara

about wayan yusa dirgantara

While still a student at the Indonesia Institute of Arts Yogyakarta, Yusa is already a young genius artist of yogyakarta who is energetically holding exhibitions in various places.

 In parallel with his work presentation, he has also successfully exhibited a group exhibition with talented artists of his classmates at the same university in the sangkring art space and other galleries.

 After graduating from school in 2020, he has been energetically continuing his art work and is an artist who is active in various exhibitions inside and outside Indonesia such as Korean fairs.

.-wayan yusa dirgantara concept -

The concept of work  The core concept is to play with the mindscape by recording it in your mind and trying to reproduce it in different pixels and shapes. 

The abstract visualization chosen tends to emerge because taste, color, shape, composition and events only flash through the memory landscape, so that when Kan is re-expressed in a work it becomes very unique. The lost parts of memory tend to create new compositions, even experiences that may never be remembered and felt.

With reference to the artist comment above, keita ando, the author of this review, will try to capture Yusa's work and so on.

 I met Yusa on the premises of sangkring in 2019. He used to come to sangkring to play, and as he ate meals with him, he became friends.

 One day, he planned a tour of the production studio where he usually does art work, and a tour of the studios of his school's classmate artists.

 The area around Yusa's studio was full of rural scenery and emotional. (I remember being impressed by the atmosphere of Adhan and the fields flowing from the speakers)

 He often said that he would meditate outside the studio while smoking and head to art work in a relaxed state.

 It was an impression that he cherishes the driving force of his own mind to make paintings. (The word "mood" often appears in his work, and I think he senses and draws the real emotional movements at that time.)

 And on Yusa's arm, tatu of paintings of various painters are drawn.

 He said, "I will draw the painters I admire on my body and finally turn my whole body into a museum," and I remember being impressed by that story.

 Living honestly in my own heart seems easy and difficult for me, so I always meditate in a rough state like Yusa every day, and sometimes play and paint my state of mind. Looking at the work drawn by the method may wash heart & so moved.

 No matter how far you live, it's nice to love the same historical painter and get excited about it!

 terima kashi YUSA !!

 I was impressed with the wonderful work!

Kei Ando's review