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Modern Art 1851-1929: Capitalism and Representation by Richard R. Brettell
- Modern Art 1851-1929: Capitalism and Representation
- Richard R. Brettell
- Page: 272
- Format: pdf, ePub, mobi, fb2
- ISBN: 9780192842206
- Publisher: Oxford University Press, USA
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Richard R. Brettell's innovative and beautifully-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development ...
Richard Brettell - School of Arts and Humanities - The University of
Impression: Painting Quickly in France, 1860-1890, 2000. Modern Art: 1851-1929 ; Capitalism and Representation, 1999. Monet to Moore: The Millenium Gift of
Modern Art, 1851-1929: Capitalism and Representation - The Book
The period 1851 to 1929 witnessed the rise of the major European avant-garde groups. This volume explores the aims and achievements of
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Modern art, 1851-1929 :capitalism and representation
BRETTELL, Richard R. Modern art, 1851-1929 :capitalism and representation. 1st publ. Oxford: Oxford University Press, 1999. ix, 258 s. ISBN 0-19-284220-X.
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Modern Art, 1851-1929: Capitalism and Representation 9780192842206 Richard R. Brettell Oxford University Press 1999 | World of Books Australia.
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Modern Art, 1851–1929: Capitalism and Representation, by Richard R. Brettell. Oxford, 1999. Modern Art in the Common Culture, by Thomas Crow. Yale, 1996.