couchtuner Full HD The Boys in the Band 2020 Movie Download 1080p

Liked It: 4282 vote
Rating: 7 of 10 stars
USA
Duration: 121 m
release date: 2020
Genre: Drama

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This movie is so stunning, and brave. Real life gay guy's portraying gay guy's. What an awesome concept. I LOVE this play. I love the original 1970 William Friedkin movie. Despite all its negativity and self-hating angst, it ends with a powerful message (If only we could stop hating ourselves so very much. So many of may favorite quotable lines come from this play.
That being said, I was very much looking forward to this production. I tried to get tickets to the revival in New York, but it was sadly sold out. With the glowing reviews and the high-powered, all-gay cast, I had hoped that this would be a revelatory opening of the play that would make it more relevant to today. Sadly, it was not.
Many of the scenes, particularly the opening, seemed to be exact reshoots of the original movie (remember the Psycho "remake. adding nothing new, except maybe some minor changes (e.g. Bernard now works in a library rather than a bookstore) that don't contribute to the story.
The performances were OK. I suppose that if I had not seen the original, I might be more impressed (although my husband, who had not see it, was decidedly not impressed. Perhaps Robin de Jesus was the standout for me, lending an extra air of strength and dignity to the role of Emory. But the rest of the cast just seemed to lack something. Mostly it all felt rehearsed and precise, rather than natural. I didn't feel the kind of close-knit comradery that the original movie exuded.
The two biggest disappointments for me were Jim Parsons and Zachary Quinto. Parsons seemed to play Michael as a nelly version of Sheldon Cooper. Not bitter and cynical, just depressed and resentful. His screaming confrontation of Alan seemed more of a temper tantrum than the vicious animalistic attack that made the original (for me) so pearl clutching. And the denouement, when the effects of his behavior dawn on him, lacked the fear and desperation, and replaced it with resignation.
Quinto's performance was fine, but flat. It lacked the bite of Leonard Frey's bravura take on the role. Where Frey would seem to be delighting in the show being performed, it seemed, just for him, Quinto seemed to be just another spectator. When Quinto refused the first turn at the telephone game, it is with an air of revulsion, compared to Frey's more effective disdain.
The rest of the supporting cast were basic, adequate and forgettable.
The memory scenes - Bernard with his employer's son, Emory at the Prom - were unnecessary. They simply illustrated what was being said, as if the director felt the audience didn't have the imagination to see within the mind's eye.
I could see this production working quite well on stage. I just wish the film could have given us more.

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