[PDF/Kindle] Modern Art 1851-1929: Capitalism and Representation by Richard R. Brettell
Modern Art 1851-1929: Capitalism and Representation by Richard R. Brettell
- Modern Art 1851-1929: Capitalism and Representation
- Richard R. Brettell
- Page: 272
- Format: pdf, ePub, mobi, fb2
- ISBN: 9780192842206
- Publisher: Oxford University Press, USA
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Richard R. Brettell's innovative and beautifully-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development ...
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Available now at AbeBooks.co.uk - ISBN: 9780192842206 - Paperback - Oxford University Press - Book Condition: new - BRAND NEW, Modern Art, 1851-1929:
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Title Information, Modern art 1851-1929 : capitalism & representation
Class, 709.034 BRE. 709.04 BRE. Author, Brettell, Richard R. Title, Modern art 1851-1929 : capitalism & representation. Imprint, : Oxford University Press, 1999
Modern Art 1851-1929: Capitalism and Representation - Goodreads
Modern Art 1851-1929 has 33 ratings and 1 review. Stephen said: A great text on the subject. Also, great photo representation of the work. I like Oxford'
Schools, Periods & Styles: Modern Art 1851-1929: Capitalism and
Modern Art 1851-1929: Capitalism and Representation. Product Description Richard R. Brettell's innovative and beautifully-illustrated account,
Modern Art 1851-1929: Capitalism and Representation - AbeBooks
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Modern Art, 1851-1929: Capitalism and Representation - Richard R
Brettell examines artists' responses to modernism, including changes in representation, vision, and "the art of seeing." Combining the most recent scholarship
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