1. brief=When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see
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3. 87842 votes
4. release Year=2020
5. star=Elisabeth Moss, Oliver Jackson-Cohen
6. Writer=H.G. Wells

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I went on to the movies to watch this film without even watching the trailer, or hearing from it from friends or reading any reviews, so my judgement of the plot was based on the last movie I went to see which was about invisibility, and that was John Carpenter's Memoirs of an Invisible Man (1992) starring Chevy Chase and Daryl Hannah, a film I don't have words to describe, but maybe you should check it out if you found your taste in the garbage can like I did.
My expectations were below the line and I got pleasantly surprised by this film. It is not a film about discovering invisibility or about science fiction, it's not even about the social implications of invisibility. Science play a minor part in this film, which is great because when you go for the title, you expect to watch something that will develop around the amazement of the possibility of being a transparent and how well the FX team got it on screen. Like Chevy Chase chewing gum or wearing makeup in that scene.
Well, but what is it about? It is about abuse in a relationship. And in here I draw an outstanding reference (which I think the director had in mind) from another movie, a classic called Sleeping With the Enemy (1991) with Julia Roberts in her prime, and Patrick Bergin vigorously playing the villainous husband. In this film, Julia Robert's character, Laura, is a captive wife in an awesome designer house by a beautiful beach. The movie theme explores how a marriage can seem perfect from the outside and abusive from the inside, how people can turn whatever feelings of love they have into possession an then into obsession and of course, it explores fear (it's a dramatic thriller.
This film has left a huge mark on me because, being a young man, I couldn't understand how women let themselves be involved in abusive relationships to the point of being violated in every way by someone who should love them (and clearly does not) and chose to stay in that situation only waiting to be abused again. This film made me understand the part fear takes in an abusive relationship, and how trauma is driven from this fear and instrumentally placed over the love as to drive women so insecure, so fragile that they become highly paranoid and obsessive about their own actions and how those actions could trigger a situation they want avoid at all costs. It's a really powerful movie and a powerful feeling, and the thrill of being able to experience the point of view of a woman in this situation is even more powerful as a statement. The film also gives a statement about a the heroic courage of the character to engineer a fail-safe plan to leave this relationship, and has a "rebirth from the ashes" theme also.
The Invisible Man drinks HEAVILY on that, as even the designer house by the beach (but in a cliff by a beach) is in the movie. There's an abusive husband, a "perfect" marriage, and the overcautious and brave abused wife, which escapes violent obsessed husband only to be haunted by the trauma of him suddenly appearing and hijacking her back to him.
The elements are all really well placed, but the movie then tweaks this by turning the husband invisible. And here's when the thriller alarm goes wild and you start to scratch the arms of the movie seat as the point of view of the paranoid abused wife becomes THE moral question. Gaslighting is brought on screen as we watch our heroine pour coffee powder on the floor trying to proof that someone who shouldn't be there is actually right there. It goes on taking from us all the possible flooring we could stand on, as we watch the invisible man cornering her more and more into madness, even murdering people and blaming it on her. And as a brave female hollywood protagonist could only, she crawls out from the bottomless pit of structural female discredit (she gets institutionalized) and finds a way to hurt her creepy ghost stalker back by herself as help won't come from anyone - even the tall, muscular, mindful and terribly handsome police officer who takes her in after she escapes from her husband. and finally gets to higher ground.
This film has a really well balanced measurement of pain and pleasure, as it ends with a vindictive ingenious supper with protagonist and antagonist giving perfect closure to the story. I couldn't really ask for more.

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