[Kindle] Michael Fried and Philosophy: Modernism, Intention, and Theatricality download
Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott
- Michael Fried and Philosophy: Modernism, Intention, and Theatricality
- Mathew Abbott
- Page: 276
- Format: pdf, ePub, mobi, fb2
- ISBN: 9781138679801
- Publisher: Taylor & Francis
Best free pdf ebook downloads Michael Fried and Philosophy: Modernism, Intention, and Theatricality 9781138679801 ePub by Mathew Abbott (English literature)
Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.
Art and Objecthood : Michael Fried : 9780226263199
Michael Fried's often controversial art criticism defines the contours of latemodernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book " Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the
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This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of MichaelFried's art history and criticism. It demonstrates that Fried's work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light
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Fried shares the eighteenth-century philosopher and critic Denis Diderot's antagonism to the theatrical, proposing the Diderotian notion of an absorptive art, an temporary art around issues of theatricality and objecthood. Given Fried's known predilections, the recent attention that he has given to the gallery based video art
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fates—of Michael Fried (modernist aesthete) and Rosalind Krauss (anti-aesthetic postmodernist), initially Greenberg's philosophical foundations of Greenberg's theory as she intends, Krauss has no alternative but to try to in his notorious critique of minimalism's theatricality in “Art and Objecthood” (1967): “Theatre and.
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