Tobe tai hok uncut version download

Add content advisory. User reviews 1 Review. Top review. Pretentious and Painful. Watching this movie was like having a root canal - without anesthesia.

The movie begins and ends with two characters falling from a roof and dying - and in the end you too would wish you had done the same and saved yourself the pain of watching this movie. Arya Samadarshi is a painter who paints on the bare backs of women - as canvas no longer interests him.

Tilottama Swastika is his girlfriend - who is not ready to be one of his living canvases. Amartya Joy Sengupta is the last scion of an old zaminder family - and a psychiatrist. Both Tilottama and Arya are his patients unknown to each other. After Tilottama snubs Arya's 'living canvas' offer, she marries Amartya. During one of Arya's visits to him, Amartya realizes that Arya and Tilottama were lovers - and he invites Arya to his ancestral house on the pretext of commissioning a series of paintings of the ancestral house.

Thankfully Arya decided to do this on paper - and doesn't bring a team of bare backed ladies with him. Tilottama displays displeasure on seeing Arya - but gets cozy with him the very next day.

Arya behaves like a proper gentleman gets drunk and shouts to the entire world that he and Tilottama are lovers. In the end , Tilottama entices him to go to the roof with her and manages to get him fall from it. Arya dies with an expression of pure bliss probably he was just happy that the movie is about to end.

Swastika looks like Samadarshi's aunt and its difficult to accept them as lovers. No explanations are given about Amartya's actions. No explanations would have been enough anyway. Details Edit.

Release date November 30, India. Official site. Burdwan, West Bengal, India. VIVA Entertainment. Box office Edit. Technical specs Edit.

Runtime 1 hour 45 minutes. Contribute to this page Suggest an edit or add missing content. Edit page. Hollywood Romances: Our Favorite Couples. Salman Khan's on 'end of the superstars' era': It will always be there, we will not leave it for the younger generation to take it easily. The script could have been tighter. The first half stretches on, and seems unconnected at times, the end is quite predictable. The film moves between two worlds. One is a dark collage with vignettes of fantasy, the other a sunny happy real world.

And three mortals are caught up in a web of deceit, love and overwhelming passion. Arya Samadarshi is a painter caught in his transcendental world. He paints on live canvasses, usually semi clad voluptuous women. Tilottama Swastika is a woman deeply in love with him, but she is also someone who cannot give up her individuality. She refuses to be his canvas. Enter Amartya Joy , last of the mohicans of the Hridaypur Rajbari, an uber cool doctor, who finds true love in Tilottama. He still has a penchant for royal intrigues, which we find out as the movie unfolds.

Swastika has a difficult part to play, deeply in love with her husband, yet unable to refuse the fantasy world of surreal love offered by Samadarshi. She has a worried face throughout the movie, understandable, the lady has a lot on her mind, but why so distressed even in happy moments?

And more spontaneity in acting was expected from someone who has done Kadalibala. She looks tired in the close-up shots and has her right brow up in most emotional scenes throughout the second half. However, when she faces her husband after a rain and songs outing with her lover, the portrayal of guilt that gradually replaces her happiness was really good. Samadarshi is evolving with each film.

With his unkempt look and dreamy yet intense eyes, he plays the part of a bohemian painter to the hilt. Twice in the film he confronts the man who has taken his love. Both the actors are intense, and their cerebral duel reaches a high plane.

He enters the world of Tilottama in a whirlwind of dream and reality where he is confronted a second time by Joy. The tired helplessness in his eyes, yet the yearning for lost love touches the heart, and so does the other brilliant actor in the film, Joy Sengupta. The suave and successful doctor of royal heritage is lenient with his beautiful wife. But the moment he enters the screen you know he has more to him than meets the eye. Be it his patient handling of an alcoholic Samadarshi or deep veneration for Jethima Angana Basu , his love for Tilottama yet his royal indifference as he understands everything, his attitude 'tobe tai hok', let it be, is sure to charm the audience.

When the two lovers confront, which is actually a clash of two worlds, his passively dominant self meets the lovelorn world of Samadarshi head on. The music of the film is good and the songs, Amar angahara sangachara and Mone porche mone porche are really good.

The camera work is interesting, and the director has used myriad nude forms effectively. The play of light and surreal semi darkness is good.

However the script could have been tighter. The scene where Swastika leads on Arya towards a finality, is unnecessarily prolonged. Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive.

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