Notte da leoni las vegas

L'albergo propone Villa The Nabu alla "modica" cifra di La stanza infatti costa Stiamo parlando dell'hotel Encore che propone una stanza su due piani con tre camere da letto alla "esigua" cifra di 4. Insomma avete soltanto l'imbarazzo della scelta su dove passare la vostra notte da leoni a Las Vegas anche se ricordiamo una frase di un altro film, stavolta italiano. Ci riferiamo a Scusate il Ritardo, uno dei capolavori di Massimo Troisi.

Nella pellicola, quando il personaggio interpretato da Lello Arena gli chiede se sia meglio vivere giorni da pecora o uno da leone, con una battuta geniale risponde "ma io farei 50 da orsacchiotto"…. Mi chiamo Silvia Scali e sono una badante. Vengo a testimonianza di un prestito tra privati che ho appena ricevuto. Brody Stevens Officer Foltz. Todd Phillips Mr.

Mike Vallely Neeco. James Martin Kelly Police Clerk. Murray Gershenz Felix. Andrew Astor Eli. Casey Margolis Budnick. Joe Alexander Pit Boss. Constance Broge Woman in Elevator. Sue Pierce Mini-Mart Cashier. Floyd Levine Tailor. Robert A. Ringler Minister.

Britt Barrett Bridesmaid. Chauntae Davies Bridesmaid. Alisa Allapach Bridesmaid. Nicholas Furu Stun Gun Boy. Angelica Flameno Stun Gun Girl. Lily Winn Screaming Girl.

Katerina Moutsatsou Eddie's Assistant. Faleolo Alailima Tyson's Bodyguard. Rio Ahn Orderly uncredited. Guile Branco Guest at Casino uncredited. Joey Brander Student uncredited. Kaitlin Clark Girl in Elevator uncredited. Natalie Cohen Casino Patron 6 uncredited. And frankly, let's be honest, this is a breath of fresh air: it's one of the best R-rated comedies of the decade, and certainly the most uproarious since Superbad was released two years ago.

Most R-rated comedies produced today are defiant; the R-rating has become a hindrance to film studios' sensibilities — everything is PG, saving the shameless Unrated schpeel for the DVD cut. The occasional theatrically-released R-rated comedy, as such, is infrequently modest; the ads stress the rating to remind us what we've been missing.

For every legitimate offer, such as Forgetting Sarah Marshall, we're treated to movies like College that attempt to lure us into theaters based on the promise of raunchy decadence. The problem is that it's all so coldly calculated; these films are not funny because a majority of the time they are simply lazy and dishonest. The simplest reason for The Hangover's success in being genuinely funny is the fact that it achieves a rare balance of character and vulgarity.

We laugh at the characters' misfortunes because we like them, we empathize with them, and they are distinctly actualized. Are they stereotypical? It's a testament to the strengths of these actors that they make their characters endearing and believable, even in the face of total lunacy. Helms has been an underrated highlight of the American Office for the past several years, never quite earning the praise he deserves. His character on the show is played with pitch-perfect perversity: he's not overtly creepy like the program's other weirdo, Creed , but rather subtly unnerving.

Helms invests a great deal of nuance into what is ostensibly a throwaway, supporting goofball; this movie, if nothing else, will justly reveal his talents. Cooper uses his looks to his advantage: it's funny to watch handsome people exploit their securities. Cooper essentially turns your typical Leading Man figure into a bumbling idiot, self-absorbed and clueless. It's effective, he's got great chemistry with the other guys, and it's fun to watch such an immoral and ruthless character take center stage in a mainstream comedy.

Galifianakis, a cult comedian who I've admired for years, has been struggling quite a while. Not many people other than myself and Sean Penn saw his comedy Out Cold, probably because it wasn't all that great; but he was easily the most amusing aspect of the picture. He once described himself as being gifted by the opposite of the Midas touch, with more than a few canceled TV shows to his credit including Comedy Central's unheralded Dog Bites Man , but it seems his persistence has finally paid off: he has discovered, at last, a movie of strong enough quality to reflect his talents.

Galifianakis has a fair share of the film's funniest dialogue; as far as fat funny guys go, many of them such as Chris Farley made the ill-fated mistake of playing dumb in a sharp fashion: hurtful quips and silly one-liners, all self-aware.

Galifianakis plays his character straight and the laughs are subsequently heartier; when he embraces his brother-in-law while nude, the act seems innocently awkward rather than deliberately awkward, and that's what makes it so funny. He's described in The Hangover, by another character, as a child with a beard. Imagine how funny it is when he names a Caucasian baby Carlos, without any shred of condescension or knowing humour.

The Hangover is surely destined to become the sleeper comedy hit of , and, more likely, a cult flick in the years to come. It's more deserving of such acknowledgment than many recent successes, and while we may live in an era saturated with unnecessary sequels, I actually left The Hangover hoping to see these guys again. And that's a rare feeling these days. MovieAddict Jun 7, FAQ 7. Is "The Hangover" based on a book? What movie was Alan referring to?

Where did the chicken come from? Details Edit. Release date June 5, United States. United States Germany. Official Facebook Official site. Warner Bros. Legendary Entertainment Green Hat Films. Box office Edit. Technical specs Edit. Runtime 1h 40min. Related news. Sep 27 QuietEarth.