Where is the bfg set

The branches are full of dream jars and amongst them is a nook for Sophie to sleep in with her blanket. It was also an actual built tree with our jars, into which the Vis effects team added the dreams. I thought this was magical. SET DECOR: Mark Rylance, who plays the BFG , says that he appreciated the great care and detail that went into these sets, some of which were created exclusively to give the actors and the filmmakers a tactile feel for the worlds they were exploring.

It was just there to encourage a sense of playfulness for us, and for Steven as well. The vis team scanned all these props, so they certainly look like the ones that ended up in the film. The Weta Digital teams were here for the entire shoot, and we learned quickly what we needed to do to accommodate them.

There was a lot of action on the sets with Caesar, the leader of the genetically evolved apes, played by Andy Sirkis. So there were certain structural requirements from the stunts department. This all requires time, so all that had to be built into the prep schedule. After we had finished shooting, the sets had to be Lidar scanned [laser-scanned], so we had to allow time for that as well.

We also found that we were building and acquiring dressing and props solely to be scanned and photographed to be built into the CG sets at a later date. They were scanned for elements that would then show up in the CG environment. For the Orc tents, we developed huge hides that were supposed to be a cross between oversized elephants and dinosaur hides, made from canvas with latex and all sorts of gunk on them.

They were all completely dressed with skulls, banners, hides, tusks, torches—all that we manufactured—then everything was scanned to use in the CG environment.

It was a lot of fun very creative. It was a great help to have some continuity with them. I thought the vis effects team did an amazing job blending the real sets with the CG sets. Wilcox: Well now that you mention it, the windows were significant, for both interiors and exteriors. Always when there is actor action we have to pay special attention to the window hardware, ensuring it is correct to the building both in style and period.

We also have to pay special attention to the drapes, making sure they open and close exactly as needed and as smoothly as possible.

At one point the sheers were hanging on the outside of the window for purpose of photography. And, of course, they had to be the right color and density for Janusz to light through. Although it had no window treatments we had fun with the dressing on the sill: the wire spools that she knocks over, the hay bale with swords that the BFG uses for needles and thread. It has to be the right color and aged correctly. After all that is taken care of, the fun part begins—the choice of fabrics—I love working with fabrics!

It gave such a rich look to the room. Probably the windows that were the most difficult to deal with were the ones for the ballroom in Buckingham Palace , because of the size.

We found the original design sketches for the drapes and the tassels In the Royal Trust Archives, and based ours on them. We had to have the velvet milled for us offshore to get enough of it, which meant ordering well in advance, hoping it would arrive on time, as well as the trims and tassels made for us in India. Wilcox: With Buckingham Palace comes salvation and a wonderful breakfast!

There was one research photo in particular of the Queen sitting at her writing desk by a window, which we used as our reference for her desk area. We chose to make her bed simple, surrounding it with drapes and using the finest linen sheets so she has comfort but is not seen to be ostentatious. When I first started on the film, one of the first things I did was to figure out the ballroom. The inspiration for it came from the Green Drawing Room of Buckingham Palace for the carpet, the State Dining Room for the portraits and their elaborate frames, and the Dining Hall at Windsor Castle was referenced for window treatments, furniture, standing candelabra, fireplace etc.

The Ballroom carpet arrived in 6 rolls and was seamed together in place. Steven commented on how fantastic it was several times. We had all the frames for the portraits built and then augmented by our sculptors to replicate the ones in Buckingham Palace. Our construction team built all the sideboards and the standing candelabra, which I was particularly pleased with. A lot of the other furniture was rented, although we did have several sets of heavily carved sofas and chairs shipped in from Egypt.

Had to take a deep breath on that one to get them here on time! Everything arrived and, of course, it all went together at the 11 th hour. We encourage you to use the tools and information we provide to compare your options.

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Stephanie Yip. Updated Sep 7, Learn more about how we fact check. Navigate Travel Inspiration. It looks like we don't have any coupons at the moment. Take a look at our most recent deals. Find Deals. Sign up to receive the best weekly deals straight to your inbox! The Old Man of Hoy, Scotland Look closely during the film and you may spy this natural icon in the background.

Bamburgh Beach, England Visiting a beach might not be the first thing that springs to mind when you think of England but Bamburgh Beach is one of note — particularly for its dramatic setting. The Roald Dahl Collection Booktopia. View details. Matilda The Musical in London Viator. Was this content helpful to you? In another interview with the Vancouver Sun , Daniel Bacon, an actor who plays a not-so-friendly giant named Bonecrusher, explained that some parts of the film were shot in Europe, but most of it was in the studio Spielberg described, in the Vancouver area in a city called Burnaby, located directly east of Vancouver.

Bacon, who's 5-foot-9, said that he was shocked when he got the call to audition to play a giant. It's always incredible to imagine how and where films are shot, and to see the magic unfold on screen.

We were on a big sound stage. Not even a sound stage. I think it was a former — what was that space we shot in? What did it used to be? Was it a big food processing storage plant or something?