How fast can donnie yen punch

I will never tell you that there is a fixed method. Among his many collaborators, Yen said that kung fu superstar Jet Li and the American heavyweight boxer Mike Tyson were two opponents that challenged him to work to his highest level. Jet Li is really fast but I want to be faster, so then he will learn to be faster too. Jet Li is indeed a formidable opponent.

Tyson was invited to participate in "Ip Man 3" and Yen quickly became aware that Tyson was first and foremost a fighter rather than an actor, so he wouldn't show any mercy when filming. You really have to treat him as if you are fighting him in a boxing ring. Being a little bit careless will be deadly. Adjust font size:. ChinaNews App Download. And one-liners. So many one-liners.

A 3D spectacle down to its fat nuts and bolts, Tai Chi Zero recognizes no bounds, no lines, and no walls preventing it from being anything—and everything—it wants to be. A breathless mess of steampunk, underground comics, slapstick, farce, historical romance, and top hats, all duct-taped to a restless skeleton of fantasy cinema, Tai Chi Zero has its precisely placed thumbs in pretty much every proverbial pie.

Stay tuned: his Kickboxer reboot emerges later this year. Set in an alternate universe where the Three Stooges were down-on-their-luck monks and kung fu nothing more than a silly distraction from more lucrative adult matters, Shaolin Soccer somehow—between impromptu dance numbers, confusing body dynamics, self-help homilies, a whole lot of hilarious screaming, and an utter commitment to CGI—tells a warm-hearted tale about how martial arts is so much more than a way to kick your enemies in the face really hard.

As such, Stephen Chow shines, suffusing every shot and every bit of visual minutiae with the unbridled excitement of both those who make action flicks and those who adoringly watch them.

Night Shyamalan attempted with The Last Airbender and then failed. This is the first film on the list both directed by prolific kung fu auteur Chang Cheh and starring the Venom Mob , but there will be several more. Sword Stained With Royal Blood is one of their minor classics, but displays many of the classic trademarks, with beautifully choreographed action sequences, wonderful athleticism and a mix of different physical styles.

Expect flying swords and acrobatics galore. As much romance as martial arts, The Bride With White Hair is nonetheless filled with ultra-stylized, gory, head-scratching mayhem. In some sense, it has a Romeo and Juliet tinge of doomed lovers, if those lovers had the ability to fly and attack people with prehensile hair. The title character is a young woman who undergoes a terrible transformation when rejected by her lover, using her newfound powers to seek out those who have wronged her.

The whole thing is shot in a very gauzy style with cold colors and odd, unnatural lighting that makes it feel like an especially vivid nightmare.

In Equilibrium , Taye Diggs plays a future fascist law enforcement officer named Brandt, and near the climax of the film, Brandt gets his face cut off. But also like his face, the fact that I just gave away a meaty part of the climax should be easily disconnected from whether or not you should still watch Equilibrium.

Miyagi, the sensei who trains the bullied Daniel LaRusso in martial arts. It was the sort of feature that defined karate to an entire generation of young kids and must have inspired countless dojo openings and yellow belt ceremonies.

The Cave of Silken Web is technically supposed to be the latter, but wow, is it surreal to watch. The villains are spider demons who take the guise of attractive women and scheme to achieve eternal life by eating the pure flesh of the monk. Like many other Shaw Brothers films of the period, the production values are actually pretty high and the color photography really pops. A hilariously sincere American cheese-fest, Best of the Best is essentially Cool Runnings , except the stakes are a life-and-death martial arts tournament against that evil foreign superpower we all love so much: Korea.

The ending in particular is pure schmaltz: Rather than give in to hate and kill his opponent in the ring, our hero lets Team Korea win to keep his honor. And then the Koreans apologize, hand the Americans their medals, and everyone hugs it out. With James Earl Jones as the coach who yells stuff! By , Jackie Chan was fairly well known to Hong Kong audiences as an ascendant performer who, along with the likes of Sammo Hung, was introducing a new dimension of comedic martial arts films.

An absolutely superior athlete and stunt coordinator, he had already starred in more traditional kung fu comedies such as the original Drunken Master , and was now experimenting with expanding his stunt action sequences in a period setting.

Jason Scott Lee is inherently likable as Bruce, in a story that spans from his childhood to his time in the United States and breakthrough on American television in The Green Hornet. As a style icon and source of one-liners , few can compare. Portrayed by director Lo Lieh, he projects such a perfect sense of menace and sheer invincibility that Liu has to train in multiple new and inventive styles to even stand a chance. Kung fu movies can sometimes come off as weirdly compartmentalized between humor and really dramatic, serious action.

When she commits suicide in an attempt to end the fighting and keep everyone safe, they end up in an epic, knock-down, drag-out kung fu battle that ends with a rather spectacular finishing move—a pro wrestling-style giant swing. Many of the themes are the same, though—killers for hire, deception, organized crime and revelations about who is really working for whom. Last Hurrah For Chivalry is definitely a film that leans on its stuntwork and choreography rather than any story of particular interest, but lovers of stage combat will certainly appreciate the fast and furious swordplay.

Stephen Chow is probably the biggest name in martial arts comedy since the days of Sammo Hung, and Kung Fu Hustle will likely remain one of his most well-regarded films both as a director and performer.

The action has no basis in reality, being closer to a real-world depiction of Looney Tune physics. The plot revolves around two warring clans: the honorable Shaolin fighters and the deplorable Wu Tangs, who use seemingly magical throwing knives that bend the hell out of the laws of aerodynamics. A convoluted series of alliances and allegiances are forged and tested, leading to a final fight that goes full Hamlet and kills pretty much everybody.

Responsible for first bringing the so-called jiangshi subgenre into vogue, Mr. Oh, and you can repel them by holding your breath.

The movie is a cinematic fever dream, which a few seconds of the trailer, with its flying heads and hopping vampires , should make abundantly clear. Imagine him a gruffer cousin to Jean-Claude Van Damme, just as given to finding himself shirtless, but more apt to preserve his mopey loner status—at least until some beautiful upstart maiden enters his life and throws herself at him. There are tomes to be written and classes to be taught on the perplexing existence of Bloodsport , but perhaps the film is best summarized in one moment: the infamous Scream.

Because in these 40 seconds or so, the heart and soul of Bloodsport is bared with little concern for taste, or purpose, or respect for the physically binding laws of reality—in this moment is a burgeoning movie star channeling his best attributes astounding muscles; years of suppressed rage; the juxtaposition of grace and violence that is his well-oiled and cleanly shaven corporeal form to make a go at real-live Hollywood acting.

Schwarzenegger and Stallone? These were beefy mooks that could believably be action stars. Chiba appears in the film in a supporting role instead of as his Terry Tsurugi character from the first two films, but the actual star of the show is Sue Shiomi as Tina, a young woman searching for her missing brother, a drug agent who goes missing while investigating a criminal organization. All of the classical elements are there—an obnoxious pupil who becomes a fighting machine.

A team of literally animal-based martial artists with varying styles. And a secret technique that the hero needs to learn in order to conquer that villain. If you like classical martial arts filmmaking, Kung Fu Panda is probably the most faithful animated twist on the genre that anyone has pulled off so far.

Jet Li was a Hong Kong superstar who came across the sea to America, likely with hopes of a Jackie Chan-like career trajectory in his mind.

Kiss of the Dragon brought things back down to Earth a bit, in a John Woo-style feature starring Li as a Chinese intelligence agent hunting for a drug lord in Paris. The rest of the action is fast-paced and violent, mixing gunplay and a greater than average prevalence of broken necks. Another film directed by Sammo Hung, Prodigal Son reins in the comedy for once to present a unique story about privileged children and the price of true knowledge.

Yuen Biao stars as Chang, the son of a wealthy man who believes himself to be a kung fu master. However, because he lacks any real skill, his father has clandestinely been bribing all of his opponents to lose. When the ruse is revealed, Chang must join up with a traveling circus troupe and its Wing Chun-employing leader to learn true kung fu. With that said, the guy with no eyebrows still sort of creeps me out. Nearly five years in gestation, The Raid 2 feels like the exact kind of movie that Gareth Evans has always dreamed of making.

Or…scratch that: this is the kind of movie that every fan of martial arts cinema has always dreamed of watching—the pure and unhindered manifestation of brutal hand-to-hand action shot with unrepentantly magnanimous scope. Where the original film exposed the world to a rapid-fire form of Indonesian martial arts called Pencak silat , The Raid 2 made that style of fighting the only key to survival in a society on the verge of total nihilism.

Practically every scene is the result of filmmaking bravura, but perhaps the most trenchant is one in which hero Rama Iko Uwais , barely holding himself together after hours of fighting, walks slowly back through the now-quiet graveyard of defeated bodies he left in his wake not long before.

Self-aware and yet unstoppable despite that, The Raid 2 is a new standard for action cinema. Knockabout is like the perfect template of a Sammo Hung movie: Simple, crowd-pleasing, good-natured and infinitely rewatchable, like martial arts comfort food.

Like Chan, his lithe athleticism and comedic chops make him instantly likable, but in terms of physicality he might be an even more acrobatic if not intimidating fighter. Magnolia split the film more or less in twain for its U. The plot of The Invincible Armour is a bit on the inscrutable side, revolving around assassination and people being framed for various crimes, but none of that really matters because the majority is spent indulging in some cheesy kung fu goodness.

Accompanied by helpful visual metaphors. Chan plays an orphan adopted into a kung fu school, where he is abused and beaten up by the teachers and students regularly until a beggar teaches him snake-style kung fu. It integrates tropes, such as a man on the run begging entry into the temple, with the expected training sequences established by The 36th Chamber of Shaolin. But it also gets the best it can from its modern effects budget, and features Jackie Chan in the most sensible way one can use him in the s, which is as fluid comic relief.

This is the kind of premise that could have simply felt like nostalgia or a cash-grab, but is pulled off with excitement and reverence in equal measure. After his somewhat underwhelming Hollywood period, Jet Li returned to Hong Kong to pull off his last great historical kung fu film, Fearless. The film ends with a great, tragic fight sequence as Yuanjia takes on an honorable Japanese swordsman but is simultaneously poisoned by scheming aristocrats.

The choreography is beautiful but appreciably restrained in reality, which was rare to see in a high-budget film in the years following Crouching Tiger, Hidden Dragon. Chocolate is a pretty odd premise that succeeds because the action is just so good. After a childhood spent mnemonically absorbing martial arts movies, however, she turns into a tool of vengeance unleashed upon the gangster threatening her mother.

The fight scenes are over-the-top ridiculous but thankfully wireless, which makes for a stylish, exuberant film. If you remember the story of Pai Mei, the white lotus, that David Carradine tells to Uma Thurman around the campfire in Kill Bill , then you essentially know the story of this film. A true monster, he butchers the monks of the Shaolin Temple with his nigh-invincibility, and is only brought down eventually by characters who have trained for decades specifically to find his few vulnerabilities.

Bonus: Gordon Liu appears as a badass monk in the beginning who sacrifices himself against a small army of fighters to help his Shaolin brothers escape. This is a film that feels a bit smaller in scope that some of the other Shaw Bros. The plot concerns a kung fu school being taken over by the titular three evil masters, each of whom has weird, distinctive stylistic flourishes.

A variety of dependable, familiar performers appear, particularly Chen Kuan Tai, who has a great early scene where he fights all three of the evil masters at once. I particularly love the guy in green, who uses his long braid of hair as a whip throughout the fight. Dude smashes through a table with his hair! So proceeds Kill Zone , a prototypical Hong Kong crime flick that, like any salient martial arts hybrid post, devolves into the shady moral gray of umpteen different action genres to prove a point about the malleable nature of our modern moral compass.

Namely: all signs point to nothing—no hope, no love, no redemption; violence only begets more violence, and every action has an equal but opposite reaction. Then, cue Donnie Yen, who will later play the definitive Ip Man, here a whirlwind of limbs in a brutal knife vs.

Way of the Dragon stands as the only film that Bruce Lee ever finished directorial duties on, passing away before he could complete The Game of Death or the co-credit he might have shared on Enter the Dragon. It stands, therefore, as perhaps the most accurate and complete piece of work that Lee personally envisioned, a story about a Hong Kong fighter who travels to Rome in order to protect a family restaurant being threatened by the mob.

As one would expect, it has some great fights, but nobody has quite the same presence on camera as Lee. Similar to the previous two movies, then "Ip Man 3" is loaded with martial arts throughout the course of the movie.

And the martial arts in this third movie was done with great skill, it was graceful and visually impressive to look at. It was nicely choreographed and equally so executed by the martial artists on the screen. There are some very memorable martial arts scenes throughout this movie, as there has been in the previous two, but the elevator scene was especially interesting.

The cast in "Ip Man 3" was good, although I personally didn't like that they had Mike Tyson in the movie. Sure he might throw a powerful punch, but he doesn't have acting talent nor much on-screen appeal. So I think they could have fared better with a different cast for the role of Frank. It was also a nice touch to see a young Bruce Lee make an appearance in the movie, seeking to study with Master Ip Man.

And actor Kwok-Kwan Chan did a good job, although it was a bit over-acted in a way. But it was fun, nonetheless. The "Ip Man 3" movie is a definite must watch movie if you enjoy martial arts, and especially so if you enjoyed the previous two "Ip Man" movies from and KineticSeoul 17 March Although this finale to this kung fu trilogy is a bit disappointing. Mainly because the narrative with multiple subplots aren't edited very well. Because of the poor pacing, which makes it really forced at times and by the numbers.

It's like they came up with a bunch of ideas for subplots and decided to make a movie out of it, unfortunately it isn't mixed together very well.

It isn't terrible, but it just doesn't seem all that coherent at times which might cause confusion. The first "Ip Man" movie was inspiring, because it's about standing up for yourself and going up against bullies. The second one was pure kung-fu entertainment and it shows what Ip Man is capable of. This third one tries to bring out something different by making it a more emotional and heartfelt closing.

It does get a bit emotional at the end, but for the most part it seemed by the numbers and formulaic. I could also tell for the first time that Donnie Yen is getting old physically. This is a action packed movie, but three fights stands out the most. The most disappointing part about this movie though is that there is almost no master to disciple relationship between Ip Man and Bruce Lee. It's more like a cameo appearance then anything else.

Which I think they did intentionally because they didn't want Bruce Lee to outshine Ip Man because he is suppose to be the star of this movie. I mean let's be honest here, one of the main reason why Ip Man became a popular legend was because he was Bruce Lee's kung-fu master. Overall, this is a alright watch but nothing grand. If there is a 4th Ip Man movie in the future, it should be like the movie "Creed". Hellmant 12 April All three films chronicle the life of legendary grandmaster Yip Man also known as Ip Man ; who is famous for introducing the martial art Wing Chun, to China and the world.

This installment was once again directed by Wilson Yip who also helmed both other movies ; and it was written by Edmond Wong, Tai-Li Chan and Lai-yin Leung Wong and Chan also co-wrote the first two flicks. Donnie Yen also returns to play the title role for the third time.

The story, this time, deals with a ruthless American property developer, named Frank Tyson ; who's trying to gain control of a Hong Kong school, in , that Ip Man's son attends. Ip Yen , of course, comes to the school's defense.

He also must deal with his wife Hung becoming ill, with stomach cancer, and a new Wing Chun grandmaster challenger Zhang. A young martial arts student, named Bruce Lee Chan , also wants Ip to train him. The movie has some pretty impressive martial arts fight scenes; I also especially enjoyed the battle between Donnie Yen and Mike Tyson. Tyson actually makes a good menacing villain; considering he didn't have to say much that was a very wise move, of the filmmakers.

Other than the action, the movie doesn't have a lot to offer; I don't feel like I actually learned much about Ip Man, and the story is kind of a mess. FeastMode 26 June Not only do i see donnie yen as super talented, both as a fighter and as an actor, but i have basically grown to love him. CinemaClown 17 March Set in Hong Kong during the late s, Ip Man 3 follows the legendary Wing Chun grandmaster as his peaceful life is disturbed once again when a group of thugs working for a property developer attempt to acquire the land that belongs to a local school.

Directed by Wilson Yip, Ip Man 3 does up the action segments without exaggerating it but it fails to duplicate the amazing balance that the original exhibited in all departments from beginning to end. Coming to the performances, Donnie Yen reprises his role of Ip Man for the last time possibly but since the writers failed to give him anything new to work with, his performance is more or less the same as before.

Tyson fails to convince as another character but his stand-off with Ip Man is one highlight for sure. On an overall scale, Ip Man 3 had all the resources to put up a spectacular action extravaganza but what it packs in the final product is much different from what its trailers promised. While the action choreography is commendable, it unfortunately doesn't amount to much in the end for there isn't anything personal at stake in those sequences.

Yes, I do "get" that the third entry is intended to be more spiritual and more metaphysical and less exploitative. No problem. But, that said, there a fight scene in an elevator which will have even the most jaded viewer standing up because of the sheer exhilaration of the moves.

And is worth the price of admission. Just as Matt Damon seems destined to be the ultimate Jason Bourne, fans all over the planet have voted with their wallets and proclaimed Donnie the ultimate Ip Man.

He does not disappoint. Cool as ever, I never get tired of watching his punches speed up at the end of a fight which is how the viewer knows that maybe, possibly, he is getting just a little annoyed.

As a token of my respect for this film, I will not mention the performance of Mike Tyson. Which takes more self-restraint than you realize. A tiny bit slow here and there, but a wonderful film overall and highly recommended. A little weaker than the others though. As always, the fight choreography was great. Reno-Rangan 24 March A few movies about Yip Man were made in the past, but Donnie Yen's version rewrote the history. Because the craze about martial arts in the last two decades and of course digital world made it to reach every corner of the world.

Followed by a sequel and its massive hit, then came many unofficial versions to this series that set in a different timeline of the martial art legend's life.

With this movie, the narration gets lots closer to tell the personal life of Yip Man. But in the first half, like the previous two films, focused on the social issue. Yip Man is fighting for the children's education, when a real estate tycoon plans to replace the school building to a commercial complex. That's it, later the story begins to take us to the random events like a man who's hungry for the best fighter in the town title who end up challenging Yip Man to face him.

From there, it's all about Yip Man and his ill wife where the movie switches from action mode to sentimental. That's not what we expected from a man who's famous for his martial art. Surprisingly, this different approach in storytelling was refreshing. Saving school, the clash for the title and ill wife, so the overall movie was like had three episodes and each dealt on a different motive.

Being a biopic and also a martial art movie, it exploited the theme fairly. I can't say Mike Tyson's acting was so good because it was weird him to speak Cantonese.

He was in a minor role, but his presence was a big boost for the movie. If we see him in an action movie, then we all know what to expect and it did not fail to fulfill our wish. The other reason to shorten stunts in the movie was to get closer to the legend's personal life. After the survival and fighting the foreign forces, now the time to focus on his own life issues. The first two films were breathtaking, no one can doubt that.

I don't know why it took so long for this third movie, but it still worked. Yet not the best in the trilogy, but remained very close to them with unlike storyline and action sequences. I was disappointed for not continuing from where it ended in the 2nd part. I mean the story has a clean flow, but not what I expected, like, I wanted Bruce Lee and the grand-master coming together. Actually, I never expected the third installment, I considered it was one of the best duologies you could find in world cinema.

But I'm happy they made this one and I'm very much sure there will be fourth. I was waiting for that from a very long and I believe it won't let me down this time. All the above, I'm looking for the official announcement. Unlike the previous Ip Man instalments, the story of this film felt a little too contrived. While the previous films had a grounded historical feel, this one was more like a typical melodramatic Asian movie plot with one-dimensional gangster villains, a feel-good story arc and some cheap "think of the children!

To be honest, it was not bad. It just did not fit in well with its predecessors. If you have already watched the two previous Yip Man movies then I believe that you will be disappointed by it. In my opinion "Yip Man 3" is a very good movie with many hidden details laying all over it but it's very different from the previous two movies and this is its disadvantage.

Many people expected it to be just another Yip Man movie in which there will by many fights and nothing more. Well, this movie is something more than this and it would be better for you to be prepared for it before watching it. Was this 2 movies mashed together as one, or did Mike Tyson pay big bucks last minute to be added to the script?

The story just didn't make sense. Nevertheless and as always, excellent choreography, directing and acting. I just wish the writing was tighter without the plot and technical issues. Mike Tyson wishes he was that good again, but the movie wouldn't be any good with out him. Sure Yip Man was a real martial arts master, but by the time they finished Part 2, I was sure that there was nothing else to his life.