Who is gonzalo rubalcaba

His father, Guillermo Gonzalez Rubalcaba, was a pianist who played with Enrique Jorrin, the violinist credited with inventing the cha-cha-cha. Gonzalo began piano studies around age eight or nine, but he already was playing drums — and played them in the family band into his teens. It was his mother who insisted that he return to conservatory to study composition. Even if I wanted to, I cannot repeat that, because this is a different reality, a different moment.

But I have more experiences, more stories behind me, and all these things are reflected in my music. At the end, what is present there is our spirit. We use cookies on our site to improve your experience. To find out more, view our Terms of Use and Privacy Policy for more details.

It made him a more complete musician. Originally posted on April 17, In , he toured France and Africa with Cuba's longstanding Orquesta Aragon , and formed his own band, Grupo Proyecto , in , the same year he was discovered by Dizzy Gillespie. In , Rubalcaba played the Havana Jazz Festival with the American rhythm section of Charlie Haden and Paul Motian , and with Haden 's support soon appeared at major international festivals like Montreal and Montreux.

Rubalcaba 's early dates for Blue Note -- 's Discovery: Live at Montreux and the following year's The Blessing -- were instant classics, breaking him among American jazz audiences and showcasing his virtuosic technique and dense improvisations.

Rubalcaba was finally able to play for American audiences beginning in , including a star-making appearance at Lincoln Center, and soon emigrated from Cuba though not to the U. Rubalcaba recorded for several labels, including Blue Note, which was home to much of his best later work, including 's introspective Inner Voyage , 's Grammy-winning Supernova , 's Paseo , which offered new interpretations of old songs, and 's aptly named Solo.

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. It sounds like that moment was never finished. Maybe two and a half years is too long, but two albums a year is too much. Paseo reprises the quartet format the pianist has used to great advantage on such recordings as Rapsodia and Antiguo, but one he hasn?

Paseo presents what he calls his New Cuban Quartet and reinterprets some self-penned works that originally debuted on earlier recordings. About half of the record is what I did earlier in my career, but the result, I believe, is totally new. And I put the music in the hands of new musicians. We were totally free to do a new version of the music, with everyone adding what each believed would make the music richer.

Not only as a musician but as a religious man, I have a deep connection with the meaning of that music. As with his previous Blue Note recordings such as Antiguo, Supernova, and Paseo, Solo explored this inner dialog through compositions consisting almost exclusively of themes from the Afro-Cuban culture.