What kind of character is kino in the pearl
He lies to Juana, telling her that he sees a rifle, a marriage in a church, and an education for Coyotito. Begin typing your search term above and press enter to search. Press ESC to cancel. Ben Davis April 11, Why is Kino a dynamic character in the Pearl? This is an example of his selfless love that he presents himself to have for his son. The ability to risk ones life in order to save someone else is the characteristic that makes him the protector and loving person to his family.. The fight and determination that Kino reflects throughout the novel was that of a warrior.
When he sees the demise and Continue reading this essay Continue reading. Toggle navigation MegaEssays. Kino cleans his knife by plunging it into the earth. Morning sounds enter the house and Chapter 4. All under the control of a The importance of this day for Kino and Juana is felt very strongly. Juana dreams of a baptism for Coyotito. All the neighbors go, as expected, to follow Kino and Juana to the pearl dealers.
Juana and Kino prepare to go with Coyotito, Kino tilting his hat forward to convey his serious intentions Kino posits that that old system was a good idea, but that it went against the The brothers resemble their ancestors and Kino uses his only defense—a stolid facial expression. The dealer continues to play with the coin behind his desk as he speaks to Kino , asks to see the pearl, and promises the best price.
Kino brings out the bag He assesses it at a mere pesos. Kino tries to defend the pearl and accuses the dealer of cheating him. The dealer, now Kino feels evil swell about him, but gains strength when he looks at Juana. Some think that Kino has destroyed himself. Others think that Kino is brave. In his house, Kino mulls over the possibility of going to the capital, at first wary of the idea Juan Tomas comes in and is silent for a long time, before expressing fear for Kino now that has acted against the dealers and the whole system they represent.
Juan encourages Kino insists that he must go, at least to give his son a chance, and proclaims Kino senses something outside the house and clutches his knife as he walks outside. Juana hears Juana brings Kino , half conscious, into the house and wipes off his blood. Kino reports that he could Chapter 5. Kino awakes in the middle of the night to see Juana arise from the bed mat, Kino hisses at his wife with bared teeth, while Juana looks back with brave eyes.
Juana, meanwhile, lifts herself up and reassures herself that Kino is necessary for her survival. She acknowledges and appreciates the differences between the values of Following after Kino , Juana comes across the pearl. She is considering whether she ought to try disposing of Seeing that Kino has killed the other figure, Juana recognizes that she and Kino have left the life Kino begins to complain of having lost the pearl, but Juana silences him by presenting it Kino instructs Juana to get Coyotito from the house while he brings the corn and prepares The sounds and smells of morning activity arrive and Kino , determined, runs towards the house, only to find it engulfed in flames.
Juana comes towards Kino tells Juan about the attacks and the murder he committed in self-defense, to which Juan Kino and Juana sit in silence during the day and hear what the neighbors are saying Kino says that he intends to go north and Juan informs him that men from the Kino and Juana leave the house before the moon has come out. Juan calls to his Chapter 6. In strong wind and under a black sky, Kino and Juana begin to follow the sandy road that leads to Loreto, the home of Something ancient and animal awakens within Kino and exhilarates him.
The moon rises and the wind has calmed. Without the wind to erase their tracks, Kino tries to follow an existing wheel rut. Coyotes and owls make their night noises. Evil lurks about. Kino and Juana walk all night, and Kino hears the song of the pearl and the At dawn, Kino finds a clearing by the road to sleep in for a bit.
While Juana nurses Kino watches ants at his feet as he eats a corncake Juana has offered him. Juana and Kino discuss the likelihood of whether they are being followed. Later in the text, Kino discovers Juana trying to destroy the pearl, causing Kino to become very angry, and resulted in him beating her. Although Juana was in very much pain she accepted the beating as if it were a punishment and stayed with Kino.
A while later Kino was attacked by another man who wanted the pearl for himself and defended his pearl by killing the man. It is around this point in the story where Kino displays his greatest point of greed and selfishness.
When Kino gets ready to attack the trackers Coyotito lets out a cry awakening one of the sleeping trackers. The tracker on watch described the cry as being the cry of a baby, however, the tracker who had just awoken described it as being a coyote.
The tracker on guard then lifted his rifle and shot in the direction of the sound. This sparked the deadliest of fuses in Kino, which turned him from a normal man idown a fearsome and uncontrollable path. When Kino returned to the village he looked at the pearl and began to realize the effect it had on him, his family, and his village, and decided to throw it back into the ocean where it came from.