Why avenged sevenfold is the best

While today we don't think of Avenged as a metalcore band, once upon a time in the O. With an unforgettable melody, an earworm drum pattern and seething lyrics, this is one for the OGs and your No. Skip to main content. Video of Avenged Sevenfold - Buried Alive. Fan Poll avenged sevenfold.

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Here is A7X's back catalogue ranked from worst to best. Released on Belgian punk label Good Life back in , STST is by no means a bad first go at releasing a record, even if it is very derivative of the goth-leaning metalcore that was bubbling up through the underground courtesy of 18 Visions, xCanaanx and more, but the band would go on to outstrip it considerably with pretty much every release they recorded after that.

Still, the stomping We Come Out At Night will still get fans of old school metallic hardcore moving all the same. Brilliant opener Shepherd Of Fire is the exception, but Hail To The King is more remembered for the huge stage show that accompanied it. Waking The Fallen takes that sound as far as it could really be pushed, and, with a band as ambitious as A7X, topping the pile of goth-metalcore bands was never going to sate their commercial ambitions.

The surprise-released follow-up to the disappointingly linear Hail To The King was a bolt from the blue from anyone expecting more of the same. It resulted in a record that was, even by their lofty standards, conceptually loaded and densely layered — which is probably why God Damn served as such a perfectly placed, heads-down, tits-out metal banger.

The first track officially released from City Of Evil showcased Avenged embracing their 80s influences in style, deliriously pompous twin-guitar attacks and galloping drums setting the tone for what was to come.

And we loved every single second of it. We heard it and flipped out. Its pop sensibilities were underpinned by some immense musicianship and a sense of sombreness carried by its subject matter: a man who has reached the afterlife and is pleading that he has unfinished business back on Earth. Roping in spooky piano tinklings, violas, trombones, clarinets, a choir — hell even a saxophone or two pops up — it bounces along with equal parts mischief and melancholy, eventually exploding in a blizzard of demented horns, drum rolls, screams and strings.

Then he wanted to finish it because it started picking up momentum and he really got a kick out of the chorus. He thought it was such a cheesy kind of jingle, so catchy and so syrupy.