Who is george brummell

There is a slight tongue-in-cheek Quadrophenia feel to the episode, with the fops and the dandies taking the place of the mods and rockers. I think not. The well-fitting coat was key to dandyism. The pattern of the coat was equestrian in nature and is a close relative of the contemporary Savile Row dress coat still worn for white tie occasions.

This was worn with full-length trousers rather than knee-length breeches and I think we can all thank Beau for this development. Although he is often cited as the inventor of the modern suit, it is interesting to note that the trousers he wore were made in a complementary fabric rather than the same cloth. The matching suit did not become fashionable until much later in the 19th century, before dominating the 20th century.

Fitzgerald, Life of George IV. London, ; R. Boutet de Monvel, Beau Brummel trans. Hidden category: Subpages. His dress and demeanor established many of the canons of dandyism.

Although he was not an aristocrat by birth, he rose in the ranks of Regency society and belonged to the circle of the Prince of Wales, known as the Prince Regent, who became King George IV.

His father was a civil servant and secretary to Lord North, though his grandfather was probably a valet. Brummell was educated at Eton and left Oxford at the age of sixteen when he inherited a sum from his father estimated to have been 15, to 65, pounds. He became a cornet in the Tenth Hussars, the Prince's regiment, known as "the Elegant Extracts," and was a captain by the time of his retirement from the military in He then began his life as a stylish gentleman in his houses in Chesterfield and Chapel Streets in London and was a member of Brooks's and White's on St.

James's Street, the most exclusive gentlemen's clubs of his day in an elite founded on the principle of exclusivity. Brummell lived above his means, but his association with the Prince of Wales and his personal sense of style and cutting wit assured him a privileged place among the fashionable set. Many anecdotes mythologize his life, and though there is speculation as to his possible homosexuality, he was never linked specifically with a man or a woman, which the writer Jules Barbey d'Aurevilly took as a sign of his narcissism.

In the second decade of the nineteenth century he fell out with the Prince Regent, and his creditors became more insistent. On 16 May he left Britain for Calais, France, because of his mounting debts and spent his last twenty-four years as an impoverished exile in Calais and then in Caen, Normandy, where he finished his life in a sanatorium.

Brummell's dress was austere and elegant. It was not flamboyant or extravagant but consisted of impeccably clean linen and finely tailored clothes. As Captain William Jesse who published his biography in noted and Robert Dighton's portrait of illustrates, "His morning dress was similar to that of every other gentleman-top boots and buckskins, with a blue coat and a light or buff coloured waistcoat….

His dress of an evening was a blue coat and white waistcoat, black pantaloons which buttoned tight to the ankle, striped silk stockings and opera hat. The casual equestrian origins of his dress challenged courtly protocol and heralded the pared-down simplicity of masculine attire in the later nineteenth and early twentieth centuries.

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