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It's a powerful condemnation of slavery using the language of Stowe's Christian faith, and her moral outrage at it seeps through nearly every page. This I expected; what I didn't expect was how she developed her characters.

While her African American characters are uniformly dignified and good, most of the slaveholders received surprisingly nuanced treatments, with some good if hypocritical characters among them and only the infamous Simon Legree really embodying in full the evil and corruption resulting from slavery.

Yet for all the positive nature of her depiction of her slave characters Stowe cannot help but reflect the racial attitudes of her time, with descriptions that have not aged well. In this she demonstrates the limits of even antislavery activists in their attitudes towards African Americans, yet this is all of a piece in a work that arguably serves as the most historically significant novel in American history, one that helped galvanize opposition to the institution that was corroding the nation's soul.

Within a few pages I quickly understood why they aren't teaching this one in schools anymore. It's not nearly so bad as adaptations would have you believe, but yeah, it's bad. The author's heart was clearly in the right place, but several times she assigns blanket characteristics to an entire race. It's a fascinating historical artifact, but far from politically correct by today's standards.

What's most engaging about reading it now is its perfect capturing of the voice of its times. It's difficult to fathom a world where slavery is the number one pressing political issue, but here it is in all its grimness. This is no great work of literature - the author's insertions, the staggering pacing, and the giant Christianity club can be wearing - but every bit worth a read for a chilling visit to a not-distant-enough past. However, I found the act of ploughing through this novel to be one long exercise in patience.

As someone who does not adhere to any religion, the endless passages about The Lord, quotes from the Bible, and descriptions of religious activity were increasingly tedious and I found myself skipping swathes of text just to get on with the story.

Ah, the story Having done a little more research since completing this book, I understand that Beecher Stowe originally wrote this as a series, published weekly in a paper.

Therefore, the introduction to each chapter, which reminds 'our reader' who we are catching up with next and apologises to 'our reader' for not having had time to describe Mrs Such-and-Such last night with 'all the activity going on' became equally as wearing as the Bible-bashing after a few chapters.

The other consequence of this approach means that Beecher Stowe introduced a plethora of new characters with each section. I ended up losing interest in 'meeting' yet another person because I couldn't get into any of the characters enough to care about them. The titular Uncle Tom is absent for more of the book than he is present and this makes it especially difficult to root for him by the time his story reaches its climax.

The final chapters are ludicrous in their reliance on coincidence - at least Oscar Wilde made sure his tongue was firmly in his cheek during the reveal. The only aspect of the book I found interesting was the final word by the author, highlighting the plight of the slave to her Southern cousins and Northern friends.

I would have been happy to read that part on its own and still come away with the same level of understanding about attitudes and issues at that time. Others have described the entire novel as reading more like an essay and I agree. Had Beecher Stowe not used such a clunky, preaching approach I am sure this would have continued to shine as an illuminating example of literature's powerful role in society.

As it is, the author lacked the talent of her contemporary peers to create a wonderful narrative and the result, a century and a half later, is painfully dull. Summary: Stowe blows the lid on slavery during the time when people were still insane enough to believe that it was an acceptable way of life. Although the character Uncle Tom has been criticized for being too meek and utterly subservient, and too gentle and religious when maybe a real person would have been bitter and rebellious instead, that's hardly the point of this book.

Stowe, the daughter of a preacher, opposed slavery on the grounds of her faith. That is evident throughout the book, and regardless of the reader's religious persuasion, the truth about slavery and its inherent injustice is brought to light and boldly condemned.

In this book, she represented an entire range of slaves and slave-owners, from the persistent superlative meekness and gentleness of Uncle Tom to the desperate rebellion of others, and from the kindness of one slave-owner to the insane cruelty of Simon Legree. She draws special attention to the tragedy of mothers and children being separated and the inability of slaves to protect themselves or their families, and even the futility of a kind master's good intentions.

I loved this! Beautiful and heartbreaking though some of my emotional bonds were stronger with side characters. It's fascinating to see how our perspectives of Uncle Tom have evolved throughout history. Propaganda as art: That is how Harriet Beecher Stowe has presented the story of slavery in the midth century.

There are times when Stowe beats you over the head with the message that slavery is an evil that should not survive in a "Christian world. Some of Stowe's viewpoints are outdated, with a kind of "noble savage" perspective of blacks, whom she portrays as pitiful creatures at times. The final chapters are a bit overwrought, with a drawn out tying up of loose ends and a call for African nationalism, but not in America, which seems racist in today's society: "Set free the slaves and send them back to Africa rather than allow them to be equals in America.

Despite its dated language and ideals, it remains a powerful argument against America's worst transgression. The plot moves along quickly, as you can tell it was first published episodically. There is a lot of action, and the plot only stalls for a few chapters here and there.

Some of the scenes will make you cringe, and that's the point. Stowe leaves no one out of this book. Every character archetype is here: from meek and subservient slaves to the revolutionary firebrands, from the well-meaning slave owner to the brutal plantation master.

Stowe addresses every man, woman and child in her treatise to end slavery. While today's reader must look beyond some of the content here, this novel remains one of the most important novels in U. This is a powerful story of the ills of slavery. The characters come alive and make you feel like you are a part of the story. I really enjoyed the strong females in the book and the portrayal of slavery and its effects on families and individuals.

I found this book to be a compelling story and hard to put down. I highly recommend it. I read this in 8th grade and was duly taken by it. If I was not an abolitionist before I read it I certainly was one after I finished it. Uncle Tom's Cabin was written in Tom and Eliza are slaves owned by Mr.

Shelby, who is a kind master and treats his slaves well. However, when he has money problems, he must sell a couple of them to a slave trader - Tom, and Eliza's young son Harry, are sold. The book follows Tom one direction after he is sold, and Eliza and Harry in another direction as they run to escape Harry's unknown fate once the trader sells him; they are trying to reach Canada.

I was surprised that this was much easier to read than I expected. I don't normally like books written in the 19th century at least the few that I've attempted to read , so I wasn't sure how this would go. I actually quite liked the book. Illustrations include those of Cruikshank, Dunbar, and others; Langston Hughes wrote the captions and an Introduction.

Apparently, Dickens and Trollope praised this book, and the first run, of 5, copies, sold out in two days in in Boston. I believe it. I felt I had to read the classic. The novel was interesting and kept my attention. I hadn't realized how religious it was. It was written to educate as well as to remind future generations. It was a best-seller, selling 10, copies in the United States in its first week; , in the first year. It also sold then, and still sells today, in the international market.

It has been on banned book lists since its publication. Stowe was from the Northeast United States. The United States Congress passed the Compromise of It was intended to address the concerns of slave holding and free states, yet it helped galvanize the abolition movement.

Stowe formed her stance on slavery because of this law. Among the provisions of the Compromise of were the end of the slave trade, but not slavery, and the creation of a stricter Fugitive Slave Law.

Helping runaways had been illegal since , but the law required that everyone help catch fugitives. This law erased any protection that a fugitive had had. Anyone on the street could be picked up and accused of being a fugitive from slavery. Thus free Blacks were often picked up and sent into slavery.

She was angry, believing her country was now requiring her to comply with a system that she believed was unjust and immoral. Now, it is available in 39 million homes, just over a third of all homes in the U. The bilingual channel sometimes is offered only as part of a Spanish-language package.

Latinos are not just some niche market. Although Rivera and her family largely spoke English on her show, Hernandez mostly speaks Spanish, illustrating the blending of cultures and languages that Mun2 attempts to showcase. Networks targeting Latinos have debated for years over which language would be better to reach bilingual audiences.

Bilingual viewers are not limited to the Spanish-language networks. Meg James is a corporate media reporter for the Los Angeles Times, covering the business of television and digital disruption in the entertainment industry.

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