Font outline file

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This is so they can open your files without needing to load the proper fonts onto their system. It not only simplifies their workflow, but streamlines the file transfer process for everyone involved. Instead, I recommend converting fonts to outlines in your PDF files.

This is a much safer option, not to mention super simple and fast. Just follow the steps below. However, after fonts have been outlined, and are now considered artwork, the text can no longer be edited.

It is always a good idea to only save the print file with the outlined fonts. Make sure you do not save over your working file with the outlines. When uploading your files to our site, if you see the below warning, it means your fonts are not outlined, and the appearance is not preserved. Left: Text is editable. Actual table lengths recorded in the TableDirectory should not include padding, however.

To accommodate data with a length that is not a multiple of four, the above algorithm must be modified to treat the data as though it contains zero padding to a length that is a multiple of four. When generating font data, to calculate and write the 'head' table checksum and checksumAdjustment field, do the following:.

An application attempting to verify that the 'head' table has not changed should calculate the checksum for that table assuming the checksumAdjustment value is zero, rather than the actual value in the font, before comparing the result with the 'head' table record in the table directory. Within a font collection file see below , table checksums must reflect the tables as they are in the collection file.

The checksumAdjustment field in the 'head' table is not used for collection files and may be set to zero. The format for font collections allows font tables that are identical between two or more fonts to be shared.

By allowing multiple fonts to share glyph sets and other common font tables, font collections can result in a significant saving of file space. For example, a group of Japanese fonts may each have their own designs for the kana glyphs, but share identical designs for the kanji. With ordinary OpenType font files, the only way to include the common kanji glyphs is to copy their glyph data into each font.

Since the kanji represent much more data than the kana, this results in a great deal of wasteful duplication of glyph data. Font collections were defined to solve this problem. Note: Even though the original definition of a Font Collection as part of the TrueType specification was intended to be used with fonts containing TrueType outlines, and this constraint was maintained in earlier OpenType versions, this is no longer a constraint in OpenType. Font collection files may contain various types of outlines or a mix of them , regardless of whether or not fonts have layout tables present.

Note: An OpenType variable font is functionally equivalent to multiple non-variable fonts. Variable fonts do not need to be contained within a collection file. A collection file can include one or even multiple variable fonts, however, and may even combine variable and non-variable fonts. A font collection file consists of a single TTC Header table, one or more Table Directories each corresponding to a different font resource , and a number of OpenType tables.

The TTC file must contain a complete table directory for each font resource. The same TableDirectory format is used for each font in a collection file as in a non-collection file. Each OpenType table in a TTC file is referenced through the table directory of each font which uses that table. Some of the OpenType tables must appear multiple times, once for each font included in the TTC; while other tables may be shared by multiple fonts in the TTC.

The fonts have different kana designs Kana1 and Kana2 but use the same design for kanji. In practice, any tables which have identical data for two or more fonts may be shared. When building a collection file from separate font files, close attention must be paid to the issue of glyph renumbering in a font and the side effects that can result, in the 'cmap' table and elsewhere.

The fonts to be merged must also have compatible TrueType instructions; that is, their preprograms, function definitions, and control values must not conflict. Collection files containing TrueType glyph outlnes should use the filename suffix. Version 2. If a digital signature is used, the DSIG table for the file must be located at the end of the TTC file, following any other font tables.

Signatures in a TTC file are expected to be Format 1 signatures. It consists of an identification tag, a version number, a count of the number of OpenType fonts in the file, and an array of offsets to each. OpenType fonts may also contain bitmaps of glyphs, in addition to outlines. Hand-tuned bitmaps are especially useful in OpenType fonts for representing complex glyphs at very small sizes.

If a bitmap for a particular size is provided in a font, it will be used by the system instead of the outline when rendering the glyph. For details regarding which tables are required or optional in variable fonts, see Variation Data Tables and Miscellaneous Requirements in the Overview chapter.

Note that some variation-related formats may be used in tables other than the variations-specific tables listed above.

A CFF2 table in a variable font can also include variation data, though using formats that are specific to the CFF2 table.

Note that several of these tables were also listed in other sections for tables related to SVG outlines, and for tables related to bitmap glyphs. Note that the STAT table is required in variable fonts.

Also, the 'hdmx' and VDMX tables are not used in variable fonts. Skip to main content. This browser is no longer supported. Download Microsoft Edge More info. Contents Exit focus mode. Please rate your experience Yes No. Any additional feedback? Submit and view feedback for This page. View all page feedback.