Pro tools 8 vs cubase 5

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You can try this software because both offer you a free trial version to start working with them and enjoying their number of good features. This is a guide to Pro tools vs Cubase. Here we discuss the key differences with infographics and comparison table.

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Usually years old. Even TDM. Cubase 9 overall is a fantastic tool. So …last night after working in pt for a week opening cubase again is like going home on a snow filled night and the fireplace is lit and chicken noodle soup is cooking on the stove and you cuddle up to a chocolate lab on the couch watching a good movie!!! Hygge is a Danish word that means something like: going home on a snow filled night and the fireplace is lit and chicken noodle soup is cooking on the stove and you cu….

There are things PT has that would be a big help for Cubase like the way it handles group editing and playlists, its automation editing features, the multi-tool, the massively useful and advanced session import, and some other things.

PT has some things that without a doubt save me time, and Cubase does as well in some other ways, but keep in mind that I spent years on PT and am insanely fast on it. As I said: I am on Cubase as well, so the comparison is pretty even from my personal standpoint. I use both Cubase and Protools. I generally compose using virtual instruments and in this area, Cubase has no peer. It stands alone! I do prefer to do my main mixing in PT though because I mostly use stock plugins and some Izotope ones.

Protools reverb and delay is also better IMO so while I may start my mixing in Cubase; variaudio, chord track stuff, and with Cubase 10, audio alignment, things PT is not even thinking about. I prefer PT for the main mixing. Dont under-estimate how useful this is to visually group things that are similar together. I rarely get access to PTHD any longer. Or, if you are not sure, what are you hearing differently between the two?

Personally, I use the Cubase console EQ by default with no issues. I wish you good luck and don't forget to grab demos and dig in. It is more important to me to work with a solid rig, then have every bells and whistles and the latest up to the minute OS running. I suggest spent time asking, demoing , reading manuals before buying that license or time restricted plan again.. For Music? Cubase all the way! Highly recommended: Reaper. And a lot more. Dont think about any alternative, there is none.

And you can check out Reapers full version without any limitations for 60 days. After that you will have a nag screen for 5 seconds at every start. I dont see anywhere a real alternative. Dont be fooled by the lack of marketing for Reaper. If you buy Pro Tools or Cubase you pay for the marketing and the hype.

With Reaper you pay for a DAW. And that is what you want. I was in a similar boat a few months ago, moving from a dedicated hard disc recorder into computer based recording. I tried protools, found it to be pretty easy and intuitive to use.

Checked out Cubase as that was recommended by some respected engineers who pushed me to try it. I found it difficult to get going and not very intuitive at all but I was determined to give it a chance. I studied up and joined the Steinberg forum, asked questions, got answers, tried different features, experimented and now there is no going back for me. I record a full live band as well as solo projects with multiple instruments and find it is perfect for either tracking, over dubbing or just composing.

The built in plugs are great and it has some features not found in other daws, I mean it is really deep and I have barely scratched the surface. Give it a chance to see if it is right for you. I'm a Cubase user, just recently moved to Cubase 8. It is a massive upgrade and for the better in my opinion adding the much needed VCA groups and better workflow.

I find Cubase is great for composing and great for recording a band if you have enough inputs to get all the drums the first pass. I've heard great things about Reaper and it is very attractively priced. I haven't used Protools but I once printed all the tracks from a Cubase project to be remixed by a reputable engineer using Protools. In my dismay, they told me Protools couldn't handle that many tracks.

I asked if they were using a 'lite' version but they stated the full version was only good up to 96 tracks was it? I don't believe there is a limit in Cubase. Reason looks like fun for electronic music composition. You also have studio one, Live, Logic, bitwig, Sonar, Performer and more.

I had read once sonar didn't have good video support, not sure how old that was. I do audio for video quite a bit so I like Cubase for that. Note I don't think Cubase is super intuitive however. I vote Cubase. BTW, Geist is really fun to use with Cubase for drums. Unless you plan on working for other people and transferring session back and forth from a rented professional studio there is no reason to get Pro-Tools. It isn't as buggy as people make it out to be, and it is a pretty easy software to use, but it does have a stigma.

I am not going to offer alternatives that you have already ruled out, sounds like you did your research and you know what you want to choose between. For what you do though it would not really matter what you choose. As long as you don't blame your choice of software when you get stuck and figure out the method required for implementation you will have many many many years of use of which ever one you choose.

The included plugins are good too. I just knew when opening this thread there would be someone recommending Reaper. Anyway, based on your description of creation and recording, Cubase without a doubt. It is leaps and bounds ahead in terms of Drum programming.