Robert irwin installations

Chattopadhyay, Collette. Artforum December : Glueck, Grace. Kimmelman, Michael. Los Angeles Times , 30 October Thea, Carolee. Weber, Bruce. Anderson, Kurt. Muchnic, Suzanne. Alvarez, Juan A. Domino, Christophe. Fechner—Smarsly, Von Thomas. Redakteurin, Von unserer; Hasse, Amy. Rowlands, Penelope. Santacreu, Elisabeth. Scarborough, James. Thiele, Carmela. Balken, Debra Bricker. Bonami, Francesco. Brougher, Kerry. Cohen, Michael.

Donohue, Marlena. Jarrell, Joe. Leovy, Jill. Littlefield, Kinney. McKenna, Kristine. Morgan, Kitty. Munchnic, Suzanne. Pincus, Robert L. Jarmusch, Ann. Lister, Priscilla. Pincus, Robert. Sherman, Lola. Mumma, Phil. Brenson, Michael. Goodman, Jonathan. Esterow, Milton. Princenthal, Nancy. Art in America April : — Artforum International 24, no. McEvilley, Thomas. Evren, Robert. Celant, Germano. Jankowski, Wanda. Wolfe, Clair. Part I: Structuring the Conceptual Environment.

Fagan, Beth. Oregonian Portland, OR , 1 December Willamette Week Portland, OR , Rocchia, Andy. Oregon Journal , 18 November Treib, Marc. Baker, A. Time , 20 January Rosing, Larry. Art in America March—April Matos, Jose. Artforum 12 February : Arts Magazine 48 February : Russell, John. The New York Times , December Perreault, John.

Village Voice , 13 December Drath, Viola. Wilson, William. Times , 8 August Rose, Barbara. Gruen, John. New York , 27 October Krauss, Rosalind. Artforum December Ratcliff, Carter. Art International December Seldis, Henry J. Stiles, Knute. Baker, Elizabeth C. Art News May Frankenstein, Alfred. Simon, Rita.

Arts Magazine May Wasserman, Emily. Artforum 6, no. Kozloff, Max. Artforum January : Waldman, Diane. Art News January : Ives, Colta Feller. Arts Magazine December : Kramer, Hilton. The New York Times , 19 November Leider, Phillip.

Lewis, Carolyn. County Museum, July Lieder, Phillip and Hopkins, Henry T. Light Upon Light Exhibition exhibition catalogue. Bright Golden Haze exhibition catalogue.

Inside the Getty. Edited by William Hackman and Mark Greenberg. Los Angeles: Getty Publications, —, illustrated. Robert Irwin: untitled dawn to dusk. Marfa, Texas: The Chinati Foundation, Destination Art : Artworks Worth the Trip. New York: Phaidon, , illustrated. Text by Matthew Simms. New York: Pace Gallery, Robert Irwin: Site Determined exhibition catalogue.

Solomon, Alan. New York: Circle Books, Space Shifters exhibition catalogue. London: Haywood Gallery, 90—97, illustrated. Robert Irwin: Drawings exhibition brochure.

Text by Robert L. San Diego: Quint Gallery, Agee, William C. Modern Art in America. Blackness in Abstraction exhibition catalogue.

Texts by Adrienne Edwards. New York: Pace Gallery, 31, illustrated. Rivenc, Rachel. Los Angeles: Getty Conservation Institute, —, illustrated. Washington, D. Miller, Dana, ed. Text by Adam D. Robert Irwin: Cacophonous exhibition catalogue. Interview by Jennifer Winkworth. Robert Irwin. Edited by Marianne Stockbrand. Hankins, etc. Bruno, Giuliana. Surface Matters of Aesthetics, Materiality, and Media.

Chicago: The University of Chicago Press, 72—3, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. George, Herbert. London and New York: Phaidon, , illustrated.

Govan, Michael and Anna Bernardini. La Jolla, California: Quint Gallery, Atkins, Robert. James Turrell: A Retrospective exhibition catalogue. Texts by Michael Govan, Christine Y. Kim, Alison de Lima Greene and E. Decade: Contemporary Collecting — exhibition catalogue. Texts by David Pagel and Heather Pesanti. Extreme Abstraction: Revisited. Gielen, Denis. Second edition. Berkeley, California: University of California Press, — Dreishpoon, Douglas. Text by Holly E.

Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira editore spa, illustrated. New York: Henry Holt and Company, Brilliant: White In Design. New York: The Monacelli Press, , illustrated. Paul Getty Museum, illustrated. Phenomenal: California Light, Space, Surface exhibition catalogue. Texts by Arne Glimcher et al.

New York: The Pace Gallery, illustrated. Primary Atmospheres: Works from California — exhibition catalogue. New York: David Zwirner, 18—25, illustrated. Robert Irwin exhibition catalogue. Ferus exhibition catalogue. Text by Kirk Varnedeo. New York: Rizzoli International Publishers, 78—89, illustrated. First published in by Gagosian Gallery.

Circa Breaking Ground in American Art exhibition catalogue. Text by Roni Feinstein. Kleeblatt, Norman L.

Jones, Norman L. Kleeblatt and Irving Sandler. Los Angeles: Los Angeles County Museum of Art, 9, 11—12, 96—97, , —, , —, , , illustrated. The Margulies Collection. Miami: The Martin Z. Margulies Foundation, , illustrated. The Panza Collection exhibition catalogue.

Texts by Giuseppe Panza and Evelyn C. Robert Irwin: Primaries and Secondaries exhibition catalogue. Texts by Hugh M. Davies and the artist. New York: Guggenheim Museum Publications, illustrated. Stockholm: Moderna Museet , Stockholm, 92, illustrated. Los Angeles: University of California Press, Collins, Judith. Sculpture Today. London: Phaidon Press Limited, —, illustrated.

Dreishpoon, Douglas and David Bonetti. Buffalo: Albright-Knox Art Gallery, 12, 17, 18, 56, , , illustrated. Gielen, Dinis. Leeds: Henry Moore Institute, Panza, Giuseppe. Giuseppe Panza: Memories of a Collector.

Translated by Michael Haggerty. New York: Abbeville Press Publishers, Elemental Form exhibition catalogue. Text by Robert Storr. Harper, Glenn and Twylene Moyer, eds. Edited by Glenn Harper and Twylene Moyer. Translucence: Southern California Art from the s and s exhibition catalogue.

Pasadena: Norton Simon Museum, [7]. Varnedoe, Kirk. Bishop, Claire. Installation Art: A Critical History. London: Tate Publishing, 56—59, Extreme Abstraction exhibition catalogue. Text by Claire Schneider. Monocromos: de Malevich al presente. Seeking Transcendence. Text by John Stringer. Perth: Art Gallery of Western Australia, 11, illustrated. Cooke, Lynne and Michael Govan.

Dia: Beacon. New York: Dia Art Foundation, , , —, , illustrated. Farquharson, Alex, ed. Brian Wilson an Art Book. London: Four Corners Books, illustrated. Art As Object — exhibition catalogue. Los Angeles: Museum of Contemporary Art, Moorehouse, Paul and Lynne Cooke. Bridget Riley: Paintings and Drawings — London: Ridinghouse, , illustrated. New York: Solomon R. Guggenheim Museum, , illustrated. Zelevansky, Lynn. Beyond Geometry: Experiments in Form, s—70s exhibition catalogue.

Imagination: Perception in Art. Edited by Peter Pakesch. Fabozzi, Paul F. Upper Saddle River, N. New York: Gagosian Gallery, illustrated. Giorgio Morandi exhibition catalogue. Texts by Donna de Salvo, Matthew Gale, et al. London: Tate Gallery Publishing, Ltd. Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace.

Essay by Arne Glimcher. Milan: Leaonardo International, Gain access to exclusive interviews with industry creatives, think pieces, trend forecasts, guides and more. We charge advertisers instead of our readers. If you enjoy our content, please add us to your adblocker's whitelist.

We'd really appreciated it. Art Jan 3, Read Full Article. What to Read Next. An ethereal design proposal from the acclaimed Parisian artist. Jan 3, 2, Hypes 0 Comments.

Robert Irwin used all these means in more than one architecture. Robert Irwin has come a long way from an artist to an installation creator: through hardships to the stars — from simple to complex. He was involved in the improvement of the international airport in Miami. The works of Robert Irwin are exhibited in many museums around the world. And delighted the audience just the same as 35 years ago.

Perception changes depending on the intensity of light at different times of the day, from the place where the viewer is at the moment. The veil appears sometimes transparent, sometimes dull white. The room seems to be either single or divided into several others of a smaller size.

Robert Irwin used minimal funds but thought out every detail. The viewer is left to comprehend what he saw through his own experience, remaining as if alone with the outstanding work. Save my name, email, and website in this browser for the next time I comment.