Sony dsc t10 software

But for reviewing your images, it does a nice job. No matter which way I turned the camera, I could see the picture. So sharing with a group of friends actually works. White Rose. The live histogram makes it a snap to tell if you need to change the EV setting. Here we used More importantly, Sony includes both a live histogram when you're shooting and a display histogram.

LCDs do not show bit color. Big secret. They show just bit color, so my shots of red roses looked absolutely horrible on the LCD. But they were fine on my computer screen which does display bit color. The histogram helps you evaluate what you've really captured.

Slip the lens cover down and the camera is ready to shoot. Slip it up and its off. After seeing so many digital cameras with delayed-reaction Power buttons, this was a refreshing change. Maybe it's mechanical, but it's also sensory.

It's ready when it feels like it's ready and off when it feels like it's off. From 6. Zoom is bit confining with just 3x optical. And Sony is conservative but intelligent with its digital zoom, limiting it to just 2x. So you're not going to get intimate shots across the soccer field with the T Shot-to-shot performance is really a matter of menu options.

The single shot mode is quick enough for normal use. Burst mode captures several images in rapid succession as long as you hold down the shutter button.

Multi-Burst takes 16 images very quickly. So you have your choice. The menu system sticks Scene modes at the very end of the non-looping navigation system. Not convenient. But not much missed either. Of all the digicams we've tested, this one seems among the least likely to require a Scene mode. The proof of this was a little trip I took to the new de Young museum here in San Francisco unfortunately, we can't publish those pictures.

Not my first. I had been there before with one or another digicam. The lighting is misleading. There are some very dark areas and others that appear bright. But even the brightest areas are dim. You're allowed to take photos in the permanent collection and there plenty of images worth capturing. But the dim light makes it tough. But the T10 actually came home with some printable images.

And it did it without bumping the ISO up to ridiculously high levels. Instead of increasing the noise, it lowered the shutter speed and relied on SteadyShot to do the job. And it really did. Most remarkable was a Tiffany vase in such dim light I thought I should take off my glasses to look at it. The focus assist lamp which might draw a guard's attention honed in on the vase and SteadyShot made the most of it.

And I didn't have to do anything special. Just point and shoot. No Museum mode. No VR button. Just fire away. ISO Using a noise reduction filter can clean up much of the noise of an ISO shot. As shot top , Noiseware middle , Photoshop bottom. But that keeps noise in the shadows low. But, as I've pointed out before, a noise reduction filter in an image editing program can clean up much of that.

Here are three samples to demonstrate. The full image is in our gallery, but this is just a very small crop that includes highlight and shadow detail of a plastic product case. The top one shows the image as shot. The second shows it after processing in Imagenomics innovative Noiseware software.

The third shows Photoshop's noise reduction filter. Transferring images from the camera card proved to be a little awkward. It's the strangest cable I've ever seen, with connectors for all sorts of things in addition to USB. Instead of multiple cables, Sony packs this octopus cable with the T At the end opposite the USB plug is the proprietary camera connection. It almost looks like the camera should pop into a dock, but it doesn't. It connects to this cable. That's awkward because with the cable connected to the bottom of the camera, there's no obvious way to rest the camera during the transfer.

We laid it on its stylish face so we could read the screen. Even if the T10 looked like debris from a Soviet space capsule, its image stabilization would make it a winner. Toss in sensitivity that goes into orbit at ISO and you have a serious toy.

And add that fashion statement to make it too compelling to ignore. She could be on to something there. The DSC-T10 continues a Sony tradition of high quality in the subcompact category, packing more features into a smaller space than most anything else out there, but this time with the added bonus of optical image stabilization and high ISO settings.

Like those of other recent T-series models, we found the lens on the Sony T10 to be of higher than average quality for a subcompact camera, and image quality was quite good as a result. The 7. The biggest news of course, is the T10's Super SteadyShot image stabilization, which we found to be very effective. This will let you get crisp shots even when faced with hand-holding the camera under surprisingly dim lighting assuming of course, that your subject is stationary as well.

Of course, a tripod is always recommended when things get really dark, but we were very pleasantly surprised to see just how dark it could get, while we were still snapping sharp photos. On the other side of the coin though, we found the Sony T10's higher ISO modes rather noisy when shooting after dark, diminishing their usefulness, and its flash was as anemic as those of all the other subcompact cameras we've tested.

All in all though, we found the Sony DSC-T10 a delight to use, and its Super SteadyShot image stabilization made a huge difference in our ability to hand-hold long exposures. Bottom line, this would be a great camera to take along on a vacation. Super compact, able to handle a wide range of conditions, and able to save a lot of shots from what would otherwise be fatal camera-shake blur.

An easy Dave's Pick as one of the more worthy digital cameras on the market, but we'd really like to see lower high-ISO image noise after dark. Navigate Review Jump to review page Imaging Resource rating 4.

Good contrast on a sunny day. ISO with SteadyShot made this possible. One cable with many plugs. Panasonic G95 Review. The Display button cycles through a range of display modes, enabling a histogram, as well as eliminating the information overlay almost but not quite entirely. Playback Mode Display : In Playback mode, the LCD monitor reports basic information such as the image resolution, battery level and time, folder number, image series number, file name, and the date and time the image was captured.

Pressing the Display button enables an expanded information display with basic exposure information and a small histogram. You can also eliminate the information display entirely, by pressing the Display button a third time. Pressing the wide-angle side of the zoom control brings up a nine-image thumbnail display of previously-captured images, handy for times when you want to scroll through the images quickly.

Pressing the telephoto side of the zoom control reverses the process, and continued pressing smoothly zooms in on the currently-displayed image, to a maximum 5x magnification.

When zoomed, the arrow keys scroll the enlarged view around the image as a whole. Navigate Review Jump to review page Panasonic G95 Review. Top Sony Cameras Sony A Sony A Sony A7 II.

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