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Pro tools tips tricks vol 3

2022.01.19 02:49




















Kenny explains it thoroughly in this video tutorial. Track Lanes. Track Lanes is a welcome addition to Pro Tools 8 and in this video, you explore how to get the most out of this time saving feature. Comping Tracks in PT8. Now that Pro Tools 8 has added a playlist feature which allows you to view all your playlists at once, there's a whole new way to compile vocal tracks. In this video, Kenny shows you how to take advantage of this welcomed feature. See a very different way of trying out different plug-ins and effect chains to see what works best in the context of your mix.


Solo Modes. Explore the different Solo modes and their specific uses in Pro Tools 8. Latch, X-Or and Momentary are all discussed. Advanced Grouping. Most people constantly use Groups in sessions, yet there is so much more to Grouping than having the faders moving together. Kenny breaks down all the more complicated things that you can use Groups for in Pro Tools 8. Headphone Mixes. Setting up headphone mixes in Pro Tools can seem quite complicated and monitoring each artist's mix can be even more difficult to figure out.


This tutorial shows you the best way to set up multiple headphone mixes and gives you the ability to monitor any of them in a very simple way. Monitoring in Mono. While Pro Tools 8 has yet to provide a simple Mono button, Kenny shows you how easy it is to create one for yourself. It is important to check your mixes in Mono and with this simple tutorial, you can learn how.


Automation Enable Window. Learn about the very important and powerful Automation Enable Window. Step by step you'll discover what each button does. Discover how to route all the controller data so that any standard MIDI or USB controller can be mapped quickly for changing any parameter or automating instrument plug-ins.


Explore Pro Tool's first drum machine. While a bit limited it can be very inspiring. DB Organ. Besides this being a killer organ plugin, you can run any sound thru it's unique amplifier, learn how. Mini Grand. A really good Piano that fits nicely into Pro Tools 8's new bag of tricks, learn about its options and uses.


Structure Free. This basic sample player still has some powerful features with the ability to easily create your own patches, discover how. Pro Tools 8's synthesizer which is about as powerful as they come, sounds great and is simple to program after watching this video tutorial. Explore the power of this staple of a plug-in. It's like having a multi-timbral keyboard workstation built into your computer. See how to use it like a pro.


Printing Virtual Instruments. Reason with Pro Tools. See how Kenny creates a killer template so he can work with Reason in Pro Tools, super fast. This is a must see for anyone who uses Reason with Pro Tools. Import Session Data. Learn some great ways to utilize the Import Session Data feature.


Prepare Session for Mix Engineer. This tutorial walks you through the steps of preparing your session to be sent to another engineer for mixing, editing or other production work.


Bounce to Session. Learn how Kenny bounces his mix within a session and why he chooses to use this alternative method. Using a Macro Program. Kenny using lots of time-saving tools in his Pro Tools workflow.


One of his indispensable tools is a Macro Program that allows you to perform actions, that would normally take many keystrokes, in one keystroke. Window Configurations. Window Configurations allow you to save presets of how you have the various windows in Pro Tools arranged, their visibility, and tons of other great stuff.


This is another great way to use the functions in Pro Tools to customize your workflow and workspace. You'll see how to "Beat Detective" a whole song, create dynamic delays, custom keyboard shortcuts, slick window configurations and much more Kenny says, "You're going to dig it! There are many things our users love about Groove3, but a couple always stand out at the top when asked why people choose us as their learning resource.


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Sample this tutorial Dynamic Delay Learn how to mimic an expensive hardware delay unit with this great technique. ProMedia Training is the premier authorized Avid Pro School since , having certified more students in Pro Tools than any other organization, preparing them for a Pro Tools career in audio engineering, recording, mixing and related multimedia training for musicians, producers, recording engineers, worship facilities and corporations.


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Get great tips, tricks, free video tutorials and more by signing up for our newsletter. You can also call us Toll Free anytime during business hours at Toll Free Upcoming Pro Tools Training. Internal Side-Chain Techniques To try some of these techniques, place the Dyn3 Compressor on the insert slot of the track or channel you wish to compress in either the Mix or Edit window.


Frequency Conscious Compression The idea behind this is that by adjusting the frequencies present in the side-chain signal we can make the compressor ignore or react less to certain elements of the signal.


This allows you to hear the signal in the side-chain circuit instead of the main signal. Turn the Frequency Select knob in the Low Filter section to the right to remove the low frequencies from the side-chain signal compare your results by disabling and enabling the low filter section.


Deactivate the listen button to return to listening to the main signal. Set the compressor controls as desired. Place the compressor on an insert on the vocal track you wish to de-ess, play the song. Enable the EQ section of the side-chain and adjust the controls to highlight the sibilant frequencies. Note the use of the bandwidth filter rather than slope in the EQ shown above , which can be more affective. Solo Frequency Bandwidth Mode External Side-Chain Techniques As demonstrated by the previous de-essing technique used by Bob Clearmountain, the ability to modify or replace the side-chain signal offers greater control, flexibility and creative possibilities.


Setting Up the External Routing Place a compressor on an insert of the track that you wish to apply the compression to. Decide which track you want to use to drive the side-chain this could be a duplicate of the track used in step 1 or an entirely different signal. Deactivate the listen button if applicable to return to listening to the main signal.