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Music by the Numbers: From Pythagoras to Schoenberg byEli Maor
- Music by the Numbers: From Pythagoras to Schoenberg
- Eli Maor
- Page:176
- Format: pdf, ePub, mobi, fb2
- ISBN:9780691176901
- Publisher:Princeton University Press
Google books ebooks downloadMusic by the Numbers: From Pythagoras to Schoenberg byEli Maor9780691176901
Music by the Numbers: From Pythagoras to Schoenberg by Eli Maor How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor argues that music has influenced math at least as much as math has influenced music. Starting with Pythagoras, proceeding through the work of Schoenberg, and ending with contemporary string theory, Music by the Numbers tells a fascinating story of composers, scientists, inventors, and eccentrics who played a role in the age-old relationship between music, mathematics, and the sciences, especially physics and astronomy. Music by the Numbers explores key moments in this history, particularly how problems originating in music have inspired mathematicians for centuries. Perhaps the most famous of these problems is the vibrating string, which pitted some of the greatest mathematicians of the eighteenth century against each other in a debate that lasted more than fifty years and that eventually led to the development of post-calculus mathematics. Other highlights in the book include a comparison between meter in music and metric in geometry, complete with examples of rhythmic patterns from Bach to Stravinsky, and an exploration of a suggestive twentieth-century development: the nearly simultaneous emergence of Einstein's theory of relativity and Schoenberg's twelve-tone system. Weaving these compelling historical episodes with Maor's personal reflections as a mathematician and lover of classical music, Music by the Numbers will delight anyone who loves mathematics and music.
harmony | Definition, History, & Musical Tones | Britannica.com
Harmony: Harmony, in music, the sound of two or more notes heard simultaneously. These relationships were first demonstrated by the Greek philosopher Pythagoras in the 6th century bce. In one of his most famous . The increased number of voices led to further enrichment of the harmony. A typical Music by the Numbers: From Pythagoras to Schoenberg eBook: Eli
How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century. Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, Dymocks - Music by the Numbers: From Pythagoras to Schoenberg
Buy Music by the Numbers: From Pythagoras to Schoenberg from Dymocks online BookStore. Find latest reader reviews and much more at Dymocks. First Principles - The Music of the Spheres
He wrote a massive work called Institutiones, which echoes Plato's teaching on the ethical content of music, as well as Pythagoras's on the power of number. Schoenberg contended that tonality does not exist in nature as the very property of sound itself, as Pythagoras had claimed, but was simply an arbitrary construct of Music by the Numbers: From Pythagoras to Schoenberg: Eli Maor
Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor Magic numbers: composers and their clandestine codes | Tom
The real importance of this discovery, as Kennedy says, is that it allies Plato with the heretical, Pythagorean idea that "mathematical law governed the universe and not Zeus". It's a clandestine code that ties Plato's work to the scientific arcana of music as it was understood by the ancient Greeks. And it may Maor, E.: Music by the Numbers: From Pythagoras to Schoenberg
Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor Music between the wars - Open University Digital Archive
Description Paul Griffiths considers the musical trends between the first and second World Wards, and reaches the conclusion that Neoclassicism in various guises was the most important influence on composers of the period. He illustrates the talk with music by Stravinsky, Schoenberg, Poulenc, Roussel, Weill, Bartok,
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