The Mika show　/ Thailand

year: 2017location: New-Territories / Bangkok pathology:

_ disruptive identification prop: 1.5x1x1.5 m / 300 kg Rubber Fiber Concrete / special chemistry New-T / topographic scanning sensors in real time / disruptive trajectories / multiple feed-back / heuristic approximation. duration: 5:00 / pitch:| Childish innocence & cruelty | transfer & identification | Lewis Carroll illusion as a part of the game | overlapping realities | isolated altered mind sheltered | A little girl // plays with her toys in her room / She believes / as is customary / dolls are alive / But as the child / she is in control of this illusion / She instructs the dolls and robots / Dolls gone wild / both Pygmalion / by-passing the ‘’illusion’’ signal to control the robot scripture G-CODE / and dirt sardonically / The little girl pouts and reprimand the dolls in their hysteria // but as the game enrolled / she enter the realm of the doll house / through some kind of rabbit-hole crack // the three innocent witches could play again / an endlessnessless game CREDITS ; from a concept by New-Territories, Francois Roche , M4 with RMIT University, 2017 / Editing / Yurgos Hussen / Actress / Mika Tamori / Scenario-Fabrication-Shooting / Gwyll Jahn / George Mollett / Guillermo Marquez Musso / Krystal Rawnson / Austynn Machado / Daniel Anderson / Troy Borg / James Morton / Madeleine Di Salvo