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2. A crew of aquatic researchers work to get to safety after an earthquake devastates their subterranean laboratory. But the crew has more than the ocean seabed to fear
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4. Vincent Cassel, Kristen Stewart
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Underwater torpedo league. Google Underwater. Underwater habitat. Advertisers understand that providing consumers with the facts will not sell products. To get people to stop and pay attention, successful advertising delivers information simply and with an emotional hook so that consumers notice and, hopefully, make a purchase. Climate communication scientists use these same principles of messaging— visual, local, and dramatic —to provide facts that will get the publics attention. Such messaging is intended to help people understand risk as it relates to them, and perhaps change their behavior as a result. As social scientists studying the effectiveness of climate change communication strategies, we became curious about a particular message we found online. Some houses advertised for sale in South Florida were accompanied by banner ads with messages such as “Flooding hurts home value. Know more before you buy. Find out for free now. ” The ads were sponsored by the First Street Foundation through its website. The nonprofit foundation provides detailed aerial photos of present and future flooding as a consequence of rising sea level. My colleague and I decided to survey residents of coastal South Florida to better understand how information affected their attitudes and opinions. Did these messages developed by a nonprofit organization change the perceptions of coastal residents who live in low-lying areas about the threat of coastal flooding as a result of sea-level rise? Defining the danger to property by zip code Many studies of climate change communication and response have been based on national surveys or more local reviews of counties and states susceptible to a range of coastal flooding. We focused our survey on a single region and a population at greatest risk: those who live in zip codes along the South Florida coast where the probability of flooding in local neighborhoods is extremely high. Maps can be a way to see potential flood risk. [Image: floodiq /courtesy of the author] With permission of the First Street Foundation to reproduce their maps that represent what flooding in the future might look like, we developed a survey to understand the effectiveness of tailored messages. How would this messaging impact residents beliefs about climate change and sea-level rise? We also asked if residents believed their communities and homes were at risk. We surveyed more than 1, 000 residents living in 166 zip codes in South Florida between October and December of 2018. All those surveyed were at risk from either the direct or indirect effects of flooding to their homes, including a decrease in property values, as coastal property is perceived as a less desirable destination. We sampled residents of seven metropolitan areas, including Tampa-Saint Petersburg-Clearwater, Fort Myers, Key West, Miami-Dade County, Fort Lauderdale, West Palm Beach and Palm Beach, and Vero Beach. Half the sample received a map of their own city, rendered at a scale so that their city block was visible. The maps illustrated what could happen just 15 years from now at the present rate of sea-level rise if there were a Category 3 hurricane accompanied by storm-surge flooding. [Photo: Asael Peña/ Unsplash] Does visual information make a difference? The study was intended to assess how residents might perceive the vulnerability of their property and their communities to severe storms. We asked residents about their political affiliation and their support for policies such as zoning laws, gasoline taxes, and other measures to address climate change. Surprisingly, we found that those who had viewed the maps were, on average, less likely to say they believed that climate change was taking place than those who had not seen the maps. Further, those who saw the maps were less likely than those survey respondents who had not seen the maps to believe that climate change was responsible for the increased intensity of storms. Respondents who classified themselves as Republicans had the strongest negative responses to the maps. Those who saw the maps were no more likely to believe that climate change exists, that climate change increases the severity of storms, or that sea level is rising and related to climate change. Even more dramatically, exposure to the scientific map did not influence beliefs that their own homes were susceptible to flooding or that sea-level rise would reduce local property values. Consistent with national surveys, party identification was the strongest predictor of general perceptions of climate change and sea-level rise. However, the majority of homeowners denied that there was a risk to their property values, regardless of political affiliation. What does it take to change minds? We believe that the motivation of our respondents, their underlying beliefs when forming an opinion, is important when reflecting on these survey results. Specifically, people often process information or learn in a way that protects their existing beliefs or their partisan leanings. In the case of our respondents general beliefs about climate change and its connection to sea-level rise, those who belonged to the Republican Party may have dismissed the maps either because they challenged their partys stance on the issue or because they did not view the information as credible given their prior views. In the case of our respondents views about the future effects of sea-level rise on property values, all of the homeowners we surveyed, regardless of their partisanship, may have been motivated by their personal financial interests to reject the notion that sea-level rise would reduce their own property values. It is important to emphasize that targeted information about climate change may lead to unintended effects. While accurate and easily absorbed information is important, it will take a much more nuanced approach to change the way people understand information. As advertisers well know, it takes more than facts to sell any product. Risa Palm is a professor of urban studies and public health at Georgia State University, and Toby W. Bolsen is an associate professor of American politics and political science at Georgia State University. This article is republished from The Conversation under a Creative Commons license. Read the original article.

Underwater sound effect. I looked up how long a free diver can hold their breath for, the record is 22min and about 16sec so I think most free divers can hold their breath for like 14min-20min. Get it by Tomorrow, Feb 5 Price may vary by color FREE Shipping on eligible orders Get it by Tomorrow, Feb 5 Get it by Tomorrow, Feb 5 Only 1 left in stock - order soon. FREE Shipping on eligible orders Get it by Tomorrow, Feb 5 FREE Shipping on eligible orders Get it by Tomorrow, Feb 5 Price may vary by color Get it by Tomorrow, Feb 5 FREE Shipping on eligible orders Get it by Tomorrow, Feb 5 FREE Shipping on eligible orders Get it by Tomorrow, Feb 5 Price may vary by color Only 4 left in stock - order soon. FREE Shipping on eligible orders Get it by Tomorrow, Feb 5 Get it by Tomorrow, Feb 5 FREE Shipping on eligible orders Get it by Thu, Feb 6 Only 3 left in stock - order soon. FREE Shipping on eligible orders Price may vary by color FREE Shipping on eligible orders FREE Shipping on eligible orders In stock on February 10, 2020 FREE Shipping on eligible orders FREE Shipping on eligible orders Only 19 left in stock - order soon. FREE Shipping on eligible orders Price may vary by color.

2 Play 0:00 0:00 Settings Fullscreen level 1 Is this an aluminum lizard? level 2 Hes a fancy silver lizard level 2 How many do I have to hunt to get the full armor set? level 2 Its a wall of air between the lizards skin and the water surrounding it. level 2 He found the Metal Mario cap, and sunk to the bottom. level 2 No, hes a Brit and as such its an Aluminium Lizard. level 2 In case you're not joking; that's the effect of having a thin layer of air stuck to its scales. level 2 I was leaning towards mercury myself, but aluminum is also an acceptable element. level 2 Don't worry the metallics are much nicer than the chromatids. He is just a little bud We are here to appreciate the awesome majesty and incredibly cool aspects of nature. 🔥 Reddit Inc 2020. All rights reserved.

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Learning about Underwater Photography Underwater photography is a unique photographic genre that often requires the use of scuba gear, but can also be done while swimming, snorkeling, in an underwater vehicle, or by using automated cameras.  While underwater imaging requires lots of specialized equipment and techniques, the payoff is worth it. Underwater photographers have access to many amazing subjects, including fish and other marine life, cave systems, shipwrecks, aquascapes, diver portraits, and more. Lighting Achieving proper lighting is one of the primary challenges underwater photographers face. Even in crystal clear water, light levels drop off significantly starting at just five feet deep because most of the light reflects off the waters surface. In addition to light loss, the white balance of the ambient light becomes increasingly blue as you descend, which diminishes the vivid colors of your subjects. For these reasons, you should use flash if taking pictures at depths greater than five feet. Its also very important to get as close to your subject as possible to reduce the amount of backscatter (small water particles) and white-balance issues in your photos. Other considerations include the direction of the lighting, the best time of day to shoot, and what specific lighting gear you need for your shoot.  For more information, read Learn to Light Underwater. To view lighting products, check out the Underwater Lights & Strobes page. Cameras and Housings There are many different camera options for underwater photography. For casual shooters or those who want a one-time solution, check out the Fujifilm Quicksnap 800 Waterproof Disposable Camera. For more serious shooters, we stock lots of underwater housings that can transform your everyday point-and-shoot, SLR, or mirrorless camera into an underwater camera. If youre snorkeling or shooting in shallow water, you can use more affordable waterproof pouches that resemble heavy-duty zip-lock bags with glass lens portals. Some pouches can go as deep as 30 feet. If youre shooting in deeper water, you need a hard-shell housing to protect your camera. Hard-shell housings are specifically made for certain camera models so that you can control your cameras exposure and functions with ease. Skills and Training The majority of underwater photographs are taken while scuba diving, so being a certified scuba diver is a good idea. Displaying good diving technique also improves the quality of the images, since a calm, skilled diver will not disturb marine life or the environment as much as an inexperienced diver. If you want to take your underwater photography to the next level, B&H has the equipment and know-how to get you there. Please contact us if you have any questions.

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Alternative Title: underwater swimming Underwater diving, also called underwater swimming, swimming done underwater either with a minimum of equipment, as in skin diving (free diving) or with a scuba (abbreviation of self-contained underwater-breathing apparatus) or an Aqua-Lung. Competitive underwater diving sports include spearfishing and underwater hockey, sometimes called “octopush. ” Scuba divers. Photo by Mass Communication Specialist 1st Class Josh Treadwell/U. S. Navy Read More on This Topic human respiratory system: Swimming and diving Fluid is not a natural medium for sustaining human life after the fetal stage; human respiration requires ventilation with air. Nevertheless, … Moorea: lemon shark Watch a skin (free) diver tag lemon sharks in the waters off Moorea, French Polynesia. Contunico ZDF Enterprises GmbH, Mainz See all videos for this article Underwater diving is as old as swimming and has been perpetuated into the present by pearl divers and sponge divers. Skin diving requires only a face mask or goggles, a short breathing tube (protruding from the mouth and kept above water) and flippers, or foot fins. A wet suit, a dry suit, or the latter over the former may be used in cold water. Skin diving was first popularized in the 1920s and 30s in the Mediterranean and off the California coast, notably by the American diver Guy Gilpatric, whose The Compleat Goggler (1938) gave great impetus to the sport and aroused the interest of the French naval engineer and diver Jacques Cousteau. The goggles, flippers, snorkel (the name given the air tube from the German submarine air exhaust and intake device that allowed submerged operation) and face mask were all developed into their basic forms in the 1930s. Attempts to construct diving apparatus go back to the 19th century, but the sport of scuba, or Aqua-Lung, diving dates from 1943, when Cousteau and the French engineer Émile Gagnan developed the first fully automatic compressed-air Aqua-Lung. Cousteau also did important work on the development of underwater cameras and photography and popularized the sport in Le Monde du silence (1952; The Silent World) written with Frédéric Dumas, and in other writings and television and film productions. Clubs formed after 1943 as fast as scuba equipment became available; national associations were formed in France, Italy, Great Britain, Canada, and the United States; and in 1959 Cousteau formed, with 15 national organizations (later more than 50) the Confédération Mondiale des Activités Subaquatique (CMAS; World Underwater Federation. The fish hunted for food and the coral hunted for ornament by primitive divers are still sought by contemporary skin divers and scuba divers. An improved spear gun devised in the 1930s is used for food hunting, and special underwater cameras are widely used for recreational and scientific purposes. In addition, scuba diving has been useful scientifically in oceanography, in the study of fish and other marine organisms, and in the study of water pollution, as well as in the exploration of ships on the ocean floor and for salvage work, in which the earlier diving helmet with air line from on shipboard has been largely replaced. common sea fan Scuba diver viewing an orange-coloured common sea fan ( Gorgonia ventalina) on the Great Barrier Reef near the coast of Australia. Debra James/ Get exclusive access to content from our 1768 First Edition with your subscription. Subscribe today This article was most recently revised and updated by Robert Lewis, Assistant Editor.

The way that dude laughs... I'm starting to have CGI-fobia. It's just too much. Underwater producers. Underwater song. Underwater acoustic communication modules. Underwater google. ലെ തമ്പ്‌നിൽ കണ്ട ശ്വേത ചേച്ചി : Iam waiting. 💪. Underwater 2020. I have to admit - this looks like it might actually be good. Underwater robot. No, this isnt a documentary about the sorry situation faced by too many American homeowners.  Howard Hughes takes RKO into SuperScope and color for this attractive, somewhat tame sunken treasure adventure starring his captive glamour star Jane Russell. No off-color advertising slogans this time around, but the show shapes up as a swimsuit catalog for Jane as well as her handsome co-stars Richard Egan and Gilbert Roland. Plus, the Latin rhythms of the incomparable Pérez Prado! Underwater! Blu-ray Warner Archive Collection 1955 / Color / 2:1 widescreen (SuperScope. 99 min. Street Date January 29, 2020 / available through the WBshop / 21. 99 Starring: Jane Russell, Richard Egan, Gilbert Roland, Lori Nelson, Robert Keith, Joseph Calleia, Eugene Iglesias, Ric Roman, Dámaso Pérez Prado, Max Wagner. Cinematography: Harry J. Wild Film Editors: Stuart Gilmore, Frederic Knudtson Original Music: Roy Webb Second Unit Director: William Dorfman Underwater photography: Lamar Boren Written by Walter Newman story by Hugh King, Robert B. Bailey Produced by Harry Tatelman, Howard Hughes Directed by John Sturges Underwater! is a pleasant, colorful treasure hunt adventure, surprisingly short on tension and thrills but awfully pretty to look at. Set in Cuba and filmed almost everywhere but Cuba, its strongest asset is its advertising campaign, which used huge color posters of star Jane Russell submerged in the deeps, her celebrated body drifting with the undersea current. Screenwriter Walter Newman contributed to a few great pictures ( Ace in the Hole, The Man with the Golden Arm, Cat Ballou) but here fails to add any new wrinkles to a surprisingly sedate, tension-challenged adventure tale. The best thing that can be said about the picture is that it allows us to look at four really good-looking actors for 90 minutes. No mess, no stress, pleasant music: consider it a mid-fifties Comfort Food movie. (Note: dont be deceived by the weak illustrations — the Warner Archive disc is beautiful, rich and colorful. The image on the right enlarges if opened in a new window →) Married one year and still happy, Johnny Gray (Richard Egan, then of GOG and Wicked Woman) and his lovely Theresa (Jane Russell) are just squeaking by working from their cabin cruiser, when their dreamer/treasure hunter friend Dominic Quesada (Gilbert Roland) talks them into searching for the wreck of a Spanish galleon containing a vast treasure in gold. Historian pal Father Cannon (Robert Keith) explains how to find the convoy ship with the precious cargo; Johnny and Theresa sell their boat for seed money, and Dominic talks acquaintance Gloria (Lori Nelson of Revenge of the Creature) into conducting the search on her large, handsome yacht, The Sans Souci. It was a gift she received from a zillionaire who has since made himself scarce… were his initials H. H.? They soon find the wreck, but three problems arise. Sleazy shark hunter Rico Herrera (Joseph Calleia of Gilda and Touch of Evil) is always nearby, intent on stealing whatever they find on the ocean bottom. The wreck they uncover turns out to be hanging on the brink of a subterranean abyss. Using force to break open its ancient strong rooms is risky with such an unstable hulk. Finally, Dominic is beginning to suffer from a physical condition that really means he shouldnt be diving any more. Theresa ends up helping in the salvage operation more than she should. A LOT of Underwater! consists of extended diving scenes, a little of which goes a long way. Even when SCUBA diving was relatively new, the dreamy shots of divers swimming underwater soon become soporific. The film could easily lose fifteen minutes of swim fin and bubbles scenes without losing much. The acting ensemble is okay, but is a little undernourished for dramatic conflict. The dialogue is best when suggesting the healthy relationship between Johnny & Theresa, who accept the lack of privacy but let the audience know what theyd like to be doing. According to author Glenn Lovell, Howard Hughes didnt decide on Jane Russells costars until the last minute, Richard Egan is a fine leading man personally picked by Ms. Russell, who needed ‘a big man capable of throwing her around. The actor had been playing supporting roles for Fox, sometimes villains, and hadnt hit the jackpot with any of his outside leading parts. Although always an asset, hed be best remembered playing third fiddle to Elvis Presley. Still an ingenue at 21 or so, Lori Nelson looks so good in Technicolor that her part might have been minimized so as not to compete glamour-wise. Her Gloria plays as an innocent despite the evidence that shes been holidaying as a rich mans playgirl, but we never learn more about her status. Her relationship with the nice-guy Dominic goes no further than a couple of Latin dance moments. Howard Hughes many delays kept Lori on the picture almost a year, tying up the progress of her career. The smaller actors were delighted to remain on the payroll for 700 a week, just waiting for calls to the set that never came. Robert Keiths Priest/treasure hunter is basically along to make portentous speeches about the mysterious lost gold. And finally, the great Joseph Calleia is pitch-perfect as a sneaky Cuban interloper. Curiously, the film sidesteps the expected ‘lust for gold mayhem of later, similar big-budget epics like The Deep. I always like it when a kill-off narrative surprises us with a satisfying harmonious finish, but Underwater! isnt that. Its pleasant, but slow. Jane Russell amply displays her winning personality and great looks, but the show doesnt do her justice. The filmmakers decided that Russells Theresa should be a Cuban, and thoughtlessly gave her lame Spanish dialogue, which she only partially delivers in a lame Hollywood- Mexican non-accent. Its depressingly false. Theres no story reason why Theresa needs to be a Latina, and it robs the popular actress of the ability to do what she does best, seem natural and credible. Underwater! is a really curious production. Just as in Foxs Hell and High Water this is a 90% ocean-going adventure, yet the main cast didnt get near the ocean. Russell, Egan, Roland, etc., do almost all of their emoting on a boat in a studio tank. Gorgeous long shots of the boat on the water appear to use doubles. Were told that few underwater shots, filmed in a new tank built for the movie, featured the three stars. Theyre doubled for most SCUBA diving scenes by Jack Ackerman, Wally Young, Frank Donohue, Mickey McNab and stuntwoman Pat Deane Smith for Jane Russell. None received on-screen credit. In Blu-ray HD, Richard Egans double sometimes looks like a 20-year-old, slightly slimmer and with longer blonde hair. The diving masks help with the disguise, but in the case of Jane Russell, we can become confused. One would think that RKO would have issued a ton of publicity if the glamorous star had done any underwater work herself. When ‘Theresa is trapped in the sunken ship, it really looks like our star. Is stuntwoman Smith a really good body match in the revealing one-piece swimsuit?  The real underwater divers clock almost as much on-screen time as do the stars. Around 1985 I cut a video reel for one of the Medved brothers, for a show-and-tell engagement where hed talk about some Golden Turkey titles, among them Underwater! The author used a swimming scene in which it appeared that Russell underwent a momentary wardrobe malfunction, exposing a nipple. I wasnt looking all that hard this time through, but I didnt catch any such moment. If it isnt Ms. Russell in the first place, how big of a deal could it be? The underwater photography (by Lamar Boren, of Thunderball and The Day of the Dolphin) is quite handsome. Several scenes play out in an elaborate underwater set for the sunken galleon. From a mechanical viewpoint the construction is quite impressive, with realistically crumbling walls and beams. But it seems awfully intact for a wreck 300 or 400 years old, with doors on hinges that still operate, hatch caps that pop right off, etc. The underwater miniature effects are less convincing, coming off like setups from a much older movie. In the live action scenes the visibility in the water is only a few yards, but in the shot of the miniature ship perched on the undersea cliff, the water seems sharp and clear for hundreds of feet. On land, a pleasure boat dock in Newport Beach stands in for a Cuban marina. We see a lot of car traffic in the background. The show is restricted to some docks, the boat decks and interiors, and a night club or two. There we are treated to one of the few on-screen performances of the Latin dynamo Pérez Prado and his orchestra. They perform two instrumentals, one of which is ‘Cherry Pink and Apple Blossom White, a 1951 song that made a comeback around this time as a cha-cha-cha number. Orchestrated for strings by Roy Webb, it is used as Underwaters theme song. The director of Underwater! is John Sturges, a dependable, no-nonsense filmmaker with good credits at Columbia and MGM. Twice in four years Sturges was called in to bail out a sea-going production suffering from technical woes. Both this production and Warners 1958 The Old Man and the Sea initially tried filming in the rough waters of Hawaii. A huge concrete underwater set for the galleon didnt work well, and weather delays and breakdowns further dragged out the schedule. Hughes seagoing unit was forced to relocate, partly in Silver Springs, Florida. Glenn Lovells book emphasizes Sturges talent for ironing out actor tantrums as well. He already had a reputation for taming ‘difficult actors, especially Spencer Tracy. Nobody on Underwater! caused problems, but later in the ‘sixties Sturges found he was spending more time dealing with powerful, demanding stars — Steve McQueen, Frank Sinatra — than concentrating on moviemaking. Underwater! was one of several RKO pictures with a delayed release, thanks to Howard Hughes mismanagement: On Dangerous Ground, Jet Pilot. Sturges never saw his executive producer in person, and its difficult to tell if his talent was appreciated. The end result gives no hint of the films production difficulties. Walt Disneys epic 20, 000 Leagues Under the Sea, with its far more ambitious, experimental underwater visuals, was filmed on a more expedient schedule, and was released first. Foxs early CinemaScope show about sponge fishermen Beneath the 12-Mile Reef also starred Gilbert Roland, and had already been out for a year. So many films of 54-55 exploited the new aqua-lung breathing equipment, that by the time Howard Hughes and Jane Russell swam by, the novelty of big screen features with underwater scenes had already began to fade. Universals The Creature from the Black Lagoon had scooped Hughes as well with underwater scenes filmed in 3-D. The studio tried to promote Underwater! with an underwater premiere in Florida, but the projection didnt work, Richard Egan reportedly got drunk, and Jane Russell left in protest when screening guest Jayne Mansfield ‘accidentally lost the top of her bikini for the benefit of the press photographers. Super Duper Ramalama Ding Dong Scope Howard Hughes originally planned to film Underwater! in 3-D, but the craze had faded before production began. By mid-1954 Foxs new CinemaScope format was in use by other studios as well. Some predicted that ALL feature filmmaking would soon be anamorphic (which actually happened in Japan, four years later. Howard Hughes instead rolled the dice with the Tushinskys clever SuperScope format. Rather than lining up to rent an expensive Bausch & Lomb CinemaScope lens, RKO simply took a horizontal ‘stripe out of the middle of a normal 35mm frame. An optical printer blew it up and squeezed it so that it would yield an extra-wide image projected with a ‘scope lens. The added granularity was partly counteracted by Technicolor printing. It was a poor mans workaround in the ‘fifties format wars — a distributor could charge more for a ‘scope film, and exhibitors liked the idea of booking less expensive films while still being able to use those big screens and lenses they had to shell out for. In a couple of years, SuperScope introduced SuperScope 235 which used the entire 35mm picture width, including the soundtrack area. Its essentially the same as todays ‘Super 35′ format, the one favored by James Cameron in the 1980s and 1990s. Theres no accounting for Howard Hughes misuse of his contract talent Jane Russell, either. In the late ‘forties when she was sex-wise the hottest star in the industry, he withheld her from the screen, averaging fewer than two pictures a year. Underwater! appears to be Janes last RKO film. Interviewed in the ‘seventies, she and Robert Mitchum still couldnt say exactly why Hughes made the decisions he did, undermining and sabotaging his studio and his stars. Beyond this film and her big hit with Clark Gable in Foxs The Tall Men, most of Ms. Russells subsequent work was feature guest shots, and on TV. The Warner Archive Collection Blu-ray of Underwater! is a beauty — it surely hasnt looked this good since it was new. It was printed, not filmed, in Technicolor, and the new scan makes Harry J. Wilds color cinematography glow. Jane Russell and Lori Nelson look gorgeous; costumer Michael Woulfe had covered most of RKOs pictures since 1946 and created Janes racy gowns for The French Line. Let me say one more time not to judge the films looks by the few images I could round up on the web — the disc itself is dazzling. The 2. 1 SuperScope aspect ratio isnt much wider than 1:85; it looks bright and sharp on a big monitor. The opening SuperScope logo identifies the film as an RKO SuperScope Production. Pérez Prados music, and composer Roy Webbs soundtrack score, sounds rich and strong on the monaural DTS Master HD audio track. No extras are included. * A note from “B”, 1. 26. 20: “Dear Glenn: I am saddened to learn of the recent passing of Martin Hart, the creator/proprietor of the internets invaluable American Widescreen Museum. This site remains the ‘nets greatest resource for matters involving wide-gauge movies — if you wanna know about the development of ‘Scope, Cinerama, Panavision, VistaVision, Todd-AO, Technirama and other widescreen formats, or learn about early color technologies and sound processes, this is the place to go. Profusely illustrated (almost 5, 000 images) with scads of technical information (much of it far too complex and arcane for me) theres no site like this. Martin Hart would also gladly answer questions — even some idiot ones — via e-mail. Over the years he generously explained to me some details about Cinerama projection, dye-transfer printing, the Tushinsky lenses, Camera 65 and other now almost arcane matters. He was kind and articulate, and his site was amazingly thorough and comprehensive. He will be greatly missed. Best, Always. — B. ” Reviewed by Glenn Erickson Blu-ray rates: Movie: Good. Video: Excellent Sound: Excellent Supplements: none. Deaf and Hearing-impaired Friendly? YES; Subtitles: English (feature only) Packaging: One Blu-ray in Keep case Reviewed: January 25, 2020 (6195unde) Final product for this review was provided free by The Warner Archive Collection. Visit CineSavants Main Column Page Glenn Erickson answers most reader mail: Text Copyright 2020 Glenn Erickson.

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MAGNIFICENT! Absolutely mesmerizing - thank you so much for uploading. Underwater basket weaving. Underwater rugby. Underwater forest. Underwater volcano. 20 seconds until it shows up. Underwater movie reviews. Find the best for your family See what's streaming, limit strong violence or language, and find picks your kids will love with Common Sense Media Plus. Join now Kristen Stewart sci-fi survival thriller has scares, swears. Get it now Searching for streaming and purchasing options. Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free. Get it now on Searching for streaming and purchasing options. Your purchase helps us remain independent and ad-free. X of Y We think this movie stands out for: A lot or a little? The parents' guide to what's in this movie. When life gets scary and you feel powerless, stop feeling and start doing. Teamwork can help you overcome extreme challenges. Positive Role Models & Representations Women and men in work environment demonstrate teamwork, each bringing different skills, abilities to keep others calm in stressful situations. Norah is a smart, capable, brave, resourceful, quick-thinking computer engineer - in keeping her head and thinking of others, she becomes a hero. Male members of the crew aren't hypermasculine stereotypes. Sci-fi violence includes frightening life-threatening explosions, discovery of dead bodies. Humans implode inside deep sea suits and battle terrifying monsters. Characters are in intense peril. When changing in and out of diving suits, male and female characters strip down to non-revealing underwear; this eventually leads to two female characters spending several scenes running around in only their skivvies. Two characters are dating but don't engage in PDA. Strong language includes "ass. damn. goddamned. hell. and multiple uses of "s- t" and "f- k. " Drinking, Drugs & Smoking What parents need to know Parents need to know that Underwater is a sci-fi thriller about a team of researchers who face unknown peril at the bottom of the ocean. This is a monster movie that's meant to scare you. and it definitely does. But while you can expect deaths (including people imploding inside deep sea suits) near-constant peril, and lots of tense moments, nothing is especially graphic. It's basically an oceanic  Alien, down to centering on a tough woman, Norah ( Kristen Stewart)  who has to figure out how to outsmart a terrifying creature. She makes a fantastic role model as a modern-day Ellen Ripley - although, just like Ripley, she ends up taking care of some of her tasks in her underwear. The male members of the crew aren't hypermasculine stereotypes (one even carries a stuffed animal) and the group demonstrates both courage and excellent teamwork. Strong language ( s- t. f- k. etc. is used but isn't constant. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews Adult Written by Rar0274950 January 10, 2020 Lame Not a family movie. Too scary for my liking. The focus of making the movie scary took away from the storyline. Waste of money. Teen, 17 years old Written by Nathan750 January 8, 2020 Teen, 16 years old Written by RealStuff January 8, 2020 Not Bad At All This movie is perfectly fine for +11. Its “Not Bad At All”. When I was watching it I didnt even realize there was bad language and I didnt jump when I was su. Continue reading What's the story? In UNDERWATER, Norah ( Kristen Stewart) and her team of researchers are investigating the ocean depths when some kind of earthquake damages their lab beyond repair. With their oxygen running out, their only hope of survival is to put on diving suits and walk across the ocean floor to reach another station. But as they set out on their journey, they realize that a dangerous unknown creature is lurking in the dark waters. Is it any good? Yes, this is an Alien knockoff, but that doesn't mean it's not enthralling. and it's modernized in a way that may appeal more to older teens. To that end, director William Eubank  includes a couple of great lines in Underwater that will connect directly to Gen Z, tapping into a message of how to deal with feeling helpless in an out-of-control world. It's a little pat, but it's still empowering (and if the film winds up resonating with teens, the lines could end up on memes. That message is a nice cap on a film that, while thoroughly entertaining, feels made to trigger anxiety attacks. You never know what monster will jump out or which character will die next (unfortunately, the film does stick with the scary movie cliché of the type of character who always dies first. Stewart's trademark acting style. nervous and uncomfortable. works well here; her character doesn't know what the next second holds, but she just keeps moving forward, one foot in front of the other. Norah is the embodiment of the airplane emergency instructions: She puts on her own oxygen mask first by summoning her own survival skills and then helps the others put their masks on. in some cases, dragging them along behind her. Norah is so far from Stewart's weak-willed Twilight  character Bella that, by movie's end, we've seen a total transformation of not only Norah but Stewart herself. Talk to your kids about... Families can talk about how Underwater compares to other monster movies. Why do you think audiences enjoy watching humans battle made-up creatures? How does it make you feel when the movie's over? How did the film present counter-stereotypes in terms of gender roles? How does that compare with other movies you've seen, particularly older ones? What parts of the movie did you find scary? How did the filmmakers prompt that emotion? Would the scenes have felt the same with different music? Lighting? Do movies have to be violent to be scary? How does the crew demonstrate teamwork? Much of the teamwork we see also takes courage. What actions did you see that count as courage rather than just a survival instinct? What did you think about Norah's statement that feelings of powerlessness are just feelings. that you should stop feeling and start doing? Is that a message you can apply to real life? Movie details In theaters: January 10, 2020 Cast: Kristen Stewart, T. J. Miller, Jessica Henwick Director: William Eubank Studios: Twentieth Century Fox, Walt Disney Studios Motion Pictures Genre: Science Fiction Topics: Great Girl Role Models, Monsters, Ghosts, and Vampires, Ocean Creatures, Science and Nature Character Strengths: Courage, Teamwork Run time: 95 minutes MPAA rating: PG-13 MPAA explanation: sci-fi action and terror, and brief strong language Last updated: January 13, 2020 Character Strengths Themes & Topics Great Girl Role Models See all Monsters, Ghosts, and Vampires Science and Nature Our editors recommend Dated but still extremely scary. Not for younger kids. Undersea UFO adventure is breathtaking but intense. Bloody shark tale is extremely tense, gripping. '70s classic horror tale is still scary as ever. A classic action-adventure for older kids. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.

Underwater cameras.

Before The Beat. ͡ ͜ʖ ͡) After The Beat: ▀̿Ĺ̯▀̿ ̿.

Underwater swimming pool.

1. wwwleytonsimpskorn.blogia.com/2020/020701-free-stream-underwater-yesmovies-watch-here-kickass-hd-1080p.php
2. https://www.goodreads.com/group/show/1071456-underwater-watch-free-online-now-watch-here-william-eubank
3. www.goodreads.com/group/show/1071533-underwater-watch-full-no-sign-up-countries-usa-torrents-without-signing
4. https://seesaawiki.jp/sujimusu/d/voo0urEO6bJvG