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Free download cunningham books. My mum always had these for when we had earaches they always cleared it up it was always fixed by the next day. Yesterday, the DSCC officially endorsed middle of the road loser, Cal Cunningham for the North Carolina U. S. Senate seat occupied by Trump ass-kisser Thom Tillis. Cunningham, however, is in a tight primary battle with popular state Senator Eric Smith, who currently leads him in the polls. Smith's campaign has had it with Chuck Schumer, who has been making these kinds of suicide plays all over the country- starving progressive candidates like Betsy Sweet (Maine) Maggie Toulouse Oliver (NM. who ended her campaign this week- and Andrew Romanoff (Colorado) of institutional Democratic support and funding. Even though these progressives are all far more union-oriented than their GOP-lite primary opponents, Schumer has been largely successful in preventing union financial support from flowing their way. Friday, the Erica Smith campaign went on record with what she thinks of Schumer and his tactics. "Todays endorsement by the DSCC. she wrote, removes the false veil of neutrality and confirms their attempt to sway this US Senate election away from the voices and voters of North Carolina. I have been in and out of sessions, all day, doing the work of the people of North Carolina. I am responding during the sixth recess and adjournment of the day! This Halloween endorsement is a trick and not a treat for North Carolinians. " The DSCC has been unofficially backing Cal Cunningham as their ‘heir apparent with personnel, resources, directed donations, infrastructure, and more since he entered the race in June. We have made multiple overtures to the DSCC about their under the table support for my primary opponent and they told us, unequivocally, that they were not, had not, did not intend to endorse in the Primary. In fact, I met one-on-one with the DSCC Executive Director in August and he assured us that the DSCC was not making any efforts in the North Carolina Primary. Our objective has always been to allow the voters- and the voters only- to be the decision makers in this primary election. The failure of the DSCC to disclose their ongoing support for Mr. Cunninghams campaign puts their thumb on the scale of our democracy and mutes the voice of North Carolina Voters. This is unacceptable. Enumerated evidence of DSCC support prior to formal endorsement: • Devan Barber: ◦ Cal Cunninghams campaign manager, was the Deputy Executive Director of the DSCC up until July 2019. Shortly thereafter, she suddenly becomes Cals campaign manager. ◦ Barber was also the political director at End Citizens United, who also endorsed Cal Cunningham over me despite Cal being in receipt of PAC money in 2011 while he worked with a major developer. Mr. Cunningham is, in fact, the only candidate in this campaign that has welcomed the support of Super PACs. • Senator Chuck Schumer He's also an idiot who gets it wrong most of the time In the second fundraising quarter of this year, prior to any endorsement from the DSCC, Sen. Schumer directed 55 of his very wealthy donors to contribute the maximum allowed donation to my opponents campaign- totaling 152, 000. All these donors have prior giving history to Sen. Schumer and had never given to Mr. Cunningham. These New York-based donations constitute more than a third of the total money raised by the Cunningham campaign, at that time. • Unauthorized Email list sharing There have been multiple reported instances of people being placed on Mr. Cunninghams mailing list despite them never signing up to receive his fundraising emails. These same people reported recently signing up with either the North Carolina Democratic Party or the DSCC. This may run afoul of campaign finance law and the Cunningham campaign should immediately cease this practice or disclose how these lists were acquired in accordance with the law. An Emerson poll in June showed me beating incumbent Thom Tillis by 7 points. Shortly thereafter, Mr. Cunningham was recruited by some who would consider themselves Democratic establishment to run for this statewide office. Three other polls conducted since June show that I remain in the lead! In the last independent statewide poll conducted by Meredith College, I am leading Thom Tillis, but Mr. Cunningham is trailing me and Tillis. This is after Cunningham has raised 1. 7 million, and reported spending 47, 000 on digital advertising. Having been outraised 12 to 1 by my opponent, I am still leading the field. That tells me that the voters support me over Cal. I am ahead of every candidate, including incumbent Senator Thom Tillis, in EVERY poll that has been conducted since this contest started and have yet to spend a dime on advertising. This endorsement cuts to the integrity and ethics of this election. If the DSCC has been involved all along, then it should disclose the details of its prior involvement to the voters of North Carolina. Ultimately, the voters of North Carolina will decide who their next United States Senator will be- NOT a handful of DC politicians making back room deals in windowless basements. In the spirit of Shirley Chisholm, I am Unbought and Unbossed. I am One of US for ALL of US! The big tent party of inclusion is how the Democratic Party became the party of the people. Our diversity makes us strong- our unity keeps us rising!  We remain the most qualified, progressive frontrunner in this race.  We continue working for US and for an America that works for US. We are “In It to Win It” and well see you on the trail! Labels: Cal Cunningham, Chuck Schumer, DSCC, Erica Smith, North Carolina, Senate 2020.

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A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.

Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009.

At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018.

Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.

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1 win & 6 nominations. See more awards  » Edit Storyline Even for those who know little about dance, Merce Cunningham is a recognizable name - an iconic figure in his field. His mid-20th century collaborations with composer John Cage (his lifelong partner) and visual artist Robert Rauschenberg were central to an era of transformation. Cunningham resisted "avant-garde" or any other label. "I don't describe it. I do it. he once said. Now, with Cunningham, we have a chance to experience what he did. Filmmaker Alla Kovgan assembles the last generation of Cunningham dancers (led by Merce Cunningham Dance Company assistant director of choreography Jennifer Goggans) to present landmark works from the Cunningham repertoire. The film concentrates on the three decades from 1942 to 1972 when Cunningham was making his reputation. Gorgeously shot in 3D, Cunningham brings us closer to these works than any audience has ever been before. Taking an inventive approach with locations, the film places dancers in evocative backdrops such as a tunnel, a... Written by Toronto International Film Festival Plot Summary, Add Synopsis Taglines: One choreographer defined 20th century modern dance. See more  » Details Release Date: 13 December 2019 (USA) Box Office Opening Weekend USA: 18, 422, 15 December 2019 Cumulative Worldwide Gross: 211, 175 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  ».

Briggs Cunningham - Briggs Cunningham Skip to content BRIGGS CUNNINGHAM: American Racing Tradition TALE OF AN AMERICAN SPORTSMAN Briggs Cunningham Erin Burke 2020-02-05T14:49:00-05:00 New Cunningham Book Having been granted unprecedented access to hitherto unpublished archive material by the Cunningham family and the families of the team members, author Richard Harman has been able to trace the history of most of the Cunningham-owned cars in great detail. Briggs Cunningham was a competitor, patron and pioneering champion of road racing in the USA. In addition to the cars which bore his name with pride and competed against the best in the world, the Cunningham team raced many other models in the 1950s and 1960s in both the USA and Europe. Further, during his long life, Briggs owned a large variety of vehicles ranging from the mundane to the spectacular. When his racing days came to an end, he assembled his collection together to establish what was to become one of the best car museums in the world in Costa Mesa, California. 2 VOLUMES 840 PAGES 1, 500+ IMAGES REGULAR AND DELUXE EDITIONS AVAILABLE Dalton Watson Fine Books +1 847 945 0568 Click here for more details. Jay Lenos Restoration of Cunningham C-3 Coupe #5219 Click here or above to see the full story of the restoration and test drive from “Jay Lenos Garage”. For more videos on the restoration project, click here. Vintage Motorsport C-4RK Article Click here to read the C-4RK article in the Jan/Feb 2019 Vintage Motorsport Magazine. Boca Raton Concours Show – Sunday, February 12, 2017 This 1953 Cunningham C-3 #5223 recently won the Historic Vehicle Associations (HVAs) National Automotive Heritage Award. This was Briggs Cunninghams personal C-3 coupe, the one he never sold. Its the only Cunningham C-3 with power windows and automatic transmission. To read more, click here. 2015 Pebble Beach Gran Turisomo Award Winner 1952 Cunningham C4R #5217R, owned by Dr. Frederic Simeone & shown by Robert Williams Click here to read the full story as published by Andrew E. in GTPlanet. 2015 Pebble Beach Click here for many, many great photos from the event. Dan Gurney Receives Lifetime Award The Henry Ford Museum awarded Dan Gurney the “Edison-Ford Medal for ingenuity and a lifetime of innovative and entrepreneurial spirit”. While being interviewed by Charlie Rose (CBS) Gurney was asked how, after nine previous attempts, he finally was victorious at LeMans. Dan said that even though he was a faster one-lap driver than Briggs Cunningham, that Briggs had always finished higher at LeMans than he did. “Briggs realized that LeMans was not a race, but an endurance contest, ” he said. “Once I adopted Briggs strategy of driving the race car tenderly, I finally put myself in a position to win. ” Cunninghams at Greenwich GREENWICH, Conn. (January 17, 2018) — Recognized as one of the most prestigious classic car shows in the United States, the Greenwich Concours dElegance will celebrate its 23rd year of showcasing significant cars, motorcycles and one-off automotive creations on June 1-3, 2018. Production and race cars created in the 1950s by the iconic Briggs Cunningham will headline the entire weekend. The event takes place at Roger Sherman Baldwin Park overlooking the Greenwich, Conn. harbor on Long Island Sound. Miles Collier, one of Americas premier car collectors, and founder of The Revs Institute, has been named the Grand Marshal for this years event. Click here for more articles, photos, and videos of the Gathering III (2018. Cunningham in Hagerty Magazine To read the full article, click here. Cunninghams at Pebble Beach PEBBLE BEACH, Calif. (August 17, 2015) — An Italian Isotta Fraschini Tipo 8A Cabriolet that once turned heads and garnered top prizes in the classic era glided to victory at the 65th Pebble Beach Concours dElegance on Sunday. The competition drew 219 cars from 16 countries and 29 U. S. states to the 18th fairway of Pebble Beach Golf Links. It also raised over 1. 8 million to help people in need. Through the Pebble Beach Company Foundation, which celebrates its 40th anniversary this year, these charitable funds will benefit 100 local charities. Click here to read the full Press Release. Jay Leno Interviews Author Richard Harman C-4RK Recreation Project Chuck Schoendorf is recreating the C-4RK coupe. Click here for the project story. Click here to view project photos. Click here to watch a video of the engine running. Press Release The Corvette Hall of Fame has announced its 2019 Inductees, including Briggs Cunningham. The event will be held on Aug. 31, 2019. Briggs is being honored for his 1960 Corvette Team at Le Mans 24 Hour race in France. Click here to read the full press release. Click here to read the write-up by the National Corvette Museum. Cunningham Model Car Collection – Automobilia Resource Magazine, July/August 2019 To view the article, click here. Le Monstre (1950) Meets Current Cadillac Race Car Click here to read the article. Cunningham 2014 Nicholas-Joseph Cugnot Award Winner! In October, 2014 it was announced that Cunningham author, Richard Harman, won the Society of Automotive Historians prestigious Nicholas-Joseph Cugnot Award. The award is presented each year for the book which best advances the understanding of the history of the automobile in the previous calendar year. Harman will be presented with the award at the SAH European Dinner in Paris at the Automobile Club de France on February 3rd, 2015. Cunningham was also shortlisted for the Royal Automobile Club Motoring Book of the Year for 2014 and the 2013 International Historic Motoring Awards Publication of the Year! In honor of this outstanding book, Dalton Watson Fine Books has teamed up with Automodello, the elite producer of diecast collectible auto models, to bring you a very special limited offer! Now available as a set that combines the Cunningham Regular Edition and a signed and numbered 1954 Cunningham C-3 Cabriolet Tribute Edition Model by Automodello. Patterned on the C-3 once owned by the Cunningham family, the model is two-tone red with a tan interior and a hand-numbered certificate of authenticity, endorsed and signed by Lucie Cunningham, the daughter of the late Briggs Cunningham, is also included. The regular retail price of both pieces is 504 if purchased separately. Save 105 by purchasing as a set. A perfect holiday gift idea for any auto enthusiast! “An event early in Briggs Cunninghams life helped shape his lifelong passion for autos and auto racing: As a youngster after World War I, he went street racing with his uncle in a Dodge touring car powered by a Hispano-Suiza airplane engine. ‘Yes, I guess you could say my uncle influenced me towards automobiles and racing, he told author Dean Batchelor for his book Cunningham. ” – more Cunningham SmugMug Gallery We have been putting together a gallery of Cunningham pictures on SmugMug. The images are categorized under Cunningham Cars, Cunningham People, and Cunningham Sailing. This is a work in progress, as we hope to receive more images submitted from other Cunningham enthusiasts that we can add to the gallery. Click on SmugMug to view the gallery so far. Please submit any of your own photos by emailing them to Include a caption and any photo credits. The exciting book The Golden Days of Thompson Speedway & Raceway by Terry ONeil is almost ready and will be launched at: Thompson Vintage Motorsports Festival Saturday, June 23, 2018 The two (2) volume book set can be pre-ordered now so that you can get your copy very soon. Please click on the link below: Dalton Watson pre-sale New England Auto Racers Hall of Fame Induction Briggs S. Cunningham II called Westport, CT home for much of his life. An absolute pioneer in American Sports Car racing, he was a competitor, patron, sponsor, and successful car builder. Determined to put America on a level with the Europeans, he produced a list of high-performance race cars and competed on the international stage at Le Mans and Sebring, his cars winning at the latter seven (7) times. NEAR – Hall of Famers John Fitch and Phil Walters were among his drivers. Cunningham family associate Larry Black had the honor of welcoming the late Sports Car Icon to the Hall of Fame. To read the complete tribute speech, click here. Sports Car Digest The Cars of Briggs Cunningham were a featured class at the 2015 Pebble Beach Concours dElegance in California. This spectacular assemblage of Cunningham cars included competition cars and the Vignale-built cars. Click here for the full story & many photos. The International Motor Racing Research Center, Watkins Glen, NY is pleased to announce that the Cunningham Family, long supporters of the IMRRC, have generously permitted the Estate gift planning fund to be named the Briggs S. Cunningham Legacy Society. The purpose of the fund will be to assist in providing for the Centers future. For more details, click here. Hot Rod Suede Mechanically sound and a blast to drive, but otherwise unrestored, Cunningham C-3 No. 5207 is a rare car in even rarer condition. To read Tom Cotters related article in Autoweek, click here. 2020 SCCA Hall of Fame Inductee Class Announced Walt Hansgen Ten individuals, all who have made significant contributions to the Sports Car Club of America and world of motorsports, have been named as the Clubs newest Hall of Fame class — adding their names to a list of timeless superstars. The 2020 class, the largest group to be inducted at once into the Hall of Fame since its 2005 inception, includes three married couples and one individual who has now followed his fathers path into the Hall of Fame. Click here to read the related article. Website Disclaimer Please read the disclaimer prior to entering this website. You may access it by clicking here.

Free download cunningham movies. Free download cunningham mp3. You can only say only 6 foot 3 when you're up against Tyson Fury. Nick Allen December 13, 2019 2019 has seen many great documentaries, across the various styles in which to tell a true story. But theres been nothing quite like Alla Kovgan s “Cunningham, ” an exhilarating testament to documentaries as a boundless form of art. A celebration of New York choreographer Merce Cunningham, the film dreams beyond restrictions many visual storytellers seemingly adhere to. As its narrative tells brief bits about Cunningham's life, and puts his other-worldly dance routines center stage while accompanied by flourishes from 20th century avant-garde music, “Cunningham” honors the tools of filmmaking—sound, action, dialogue—with the harmonious blending of three art forms: music, dance, poetry. Advertisement The first words heard from Cunningham are essential to understanding his art, but also to enjoying Kovgans film. “I never was interested in dancing that referred to a mood or or a feeling, or in a sense expressed the music. the dancing does not refer, it is what it is. Its that whole visual experience. ” That statement provides a path that most art doesn't: Dont interpret. Just watch. Its an inviting, liberating, intoxicating mindset, and perfect for a movie whose immense pleasure comes from beholding continually inspired creativity, simultaneously from an intentional debut director and an instinctual renowned choreographer.  In lieu of a typical structure, Kovgan presents Cunningham's life as like a string of performances, in which we sometimes get to see footage of him doing one (sometimes with close-ups of his massive feet) as matched with a modern dancer (more specifically, a member of the last Cunningham group. The performances are shown chronologically, and span his work from 1942 to 1972 (Cunningham created until 2009, the year he died at age 90.   While it is most concerned with the philosophy behind his dances, Kovgan's editing does create some narrative, with audio snippets of students talking about studying with Cunningham, and later forming a troupe that went on tour in 1964 for an international tour in Europe and Asia (where their audiences werent always pleased. A decent chunk of the story focus also concerns his relationship with avant-garde composer John Cage, and reflections from students about getting onto Cunningham's wavelength of instinctual movements that come with no explanation. You could accuse Kovgan's film of not having enough connective tissue between some of these story elements, but "Cunningham" never wants to be fulfilling as simply a biography to begin with.  The film touches upon some of Cunningham's most famous collaborations, like with the cathartic cacophony of Cages music, the pop art of Robert Rauschenberg, or Andy Warhol s silver clouds, the metallic balloons shaped like pillows. There are plenty of collaborators that arent even mentioned (Brian Eno, Radiohead, Roy Lichtenstein) same goes with the accomplishments and awards Cunningham received. But an emphasis on history is not missed; his work speaks beautifully on its own. In Kovgans hands, even archive practice footage feels worthy of a museum.  “Cunningham” actively considers the past and present—audio interviews of Cunningham talking about his approach plays over modern-day footage of dancers enacting the philosophies of his words. The routines are the film's true focus, as with one of the first we see: a large empty space with windows for natural light to paint the floor; dancers in pastel-colored leotards are observed by a steady camera that gently goes back and forth with them. The dancers have a precise flow, and the ease of their full-body expressions is just one eye-popping element. Aside from hearing Cunninghams words (about his interest in “extending movement possibilities” by mixing dance and modern ballet) moments of silence are filled in by a near-meditative sound of feet landing and swiping across the floor. Each aesthetic piece at play demands attention, and it makes for an addictive spectacle.  Other routines that follow contain more sounds, more props, more movie. Cunninghams “RainForest” from 1968, and accompanied by the experimental squeaks by David Tudor, has three dancers in nude-colored, torn tights kicking around Warhols silver clouds, all along a reflective floor. In its preservation of his work, Cunningham" offers one impressive staging after the next, like a piece that has dancers in the woods, or a rooftop at night. Meanwhile, Kovgan's camera becomes its own force, sometimes looking down on the dancers, running side to side with them, or putting its focus on their surroundings.  Astonishingly, this is Kovgans first feature project, and yet her way of presenting her surplus of footage, photos, and letters is far beyond many of her peers. Many filmmakers would cut from one clip to the next, but Kovgan dares to often put her footage side by side, slightly overlap them like photos dropped on a table, or move the clip itself across the screen. The information of "Cunningham" is always in motion, in defiance of docs that seem to start and stop with each talking head. A similar kinetic effect occurs when archive footage is shown as a smaller box with a larger, defining photo of Cunningham in the background—like watching a video with your computers desktop visible in the background, but the two boxes orchestrate a grandiose sense of character with a full, striking image (Kovgan's approach is more like the 21st century storytelling in an " Unfriended " movie than a typical doc. Kovgan proves exceptional at making an audience understand a subject through unconventional filmmaking, just like Cunningham was clearly gifted at filling a stage with ideas, without having to say what it all means. Reveal Comments comments powered by.

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