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Year - 1989. Duration - 95 Minute. writed by - Nora Ephron. Audience Score - 183013 Votes. Drama, Romance. Director - Rob Reiner. Married my now ex gave him 2 beautiful daughters, stay at home mom cook from scratch only to be asked at about the 32nd year what i had done for him all those years not to mention shovelling the driveway 2 times a day one winter because he had just had hernia surgery and i diunt want him to hurt so, hes gone, im not my youngest lives with me less money. but much more love, peace and truth in this house. and accused me of being no angel when i didnt do that with or to anyone. he has lots of money now, he even told me not to care about him anymore so. glad hes free to pursue his only love now, money, didnt want to marry me, either. hes 59 and not in very good health. but hes got enough money to pay for a housekeeper, prostitute, cook, nurse... i guess thats all i was to him, the thorn in his side he couldnt stand. so now hes alone, and anyone who wants him is welcome to him... as long as shes as coldhearted as he is but i dont know how a girl could be, then again, theres someone for everybody, right.
With incredible writing from Nora Ephron and witty delivery by Meg Ryan, Billy Crystal, Carrie Fisher and Bruno Kirby, many angles of the spawning of relationships are humorously recreated. There are also "real couples" seemingly 70 years or older who recant their coupling interview style, which creates a palette for our actors to work rcumstances surrounding the interwoven lives of our two star-crossed lovers are always ironic. It's beefed up by the iconic restaurant scene and held together by Meg's every woman fear that she'll turn 30 and still not be married. Billy loses his man card for letting out the age old men's secret that men & women can't be just friends.
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I think it would be interesting to cover Mad Max: Fury Road. You've talked a lot in the past about dialogue (ex. The Social Network and When Harry Met Sally) but Mad Max: Fury Road exhibits how you can display character and information with barely any dialogue.
Bad trailer, good movie. She does have lady in her name tought. p MVHH. Nice! Maybe this will cure my insomnia. yawn. already taking effect. When harry met sally. 1989. One of the only Romantic Comedies that's actually good. When harry met sally. yts. When harry met sally netflix. When harry met sally. cast. Thought this would be great movie. I was wrong. The female lead is stupid, so is her best friend. The male lead is a coward. The ending could've been better if she ended up with her other best friend who actually cared about her. It sucked 3/10. 1:50 His Face 🤣🤣🤣. When harry met sally online. When harry met sally cast. Where is Sandra Bullock I love her. I love this anime. When harry met sally. wikipedia. When harry met sally ending. Ummmmm? Jamie Lee Curtis in “True Lies”.
Nominated for 1 Oscar. Another 4 wins & 16 nominations. See more awards » Learn more More Like This Comedy | Drama Romance 2 3 4 5 6 7 8 9 10 6. 8 / 10 X A recently widowed man's son calls a radio talk-show in an attempt to find his father a partner. Director: Nora Ephron Stars: Tom Hanks, Meg Ryan, Ross Malinger 6. 6 / 10 Two business rivals who despise each other in real life unwittingly fall in love over the Internet. Greg Kinnear A woman flies to France to confront her straying fiancee, but gets into trouble when the charming crook seated next to her uses her for smuggling. Lawrence Kasdan Kevin Kline, Timothy Hutton Fantasy 7. 3 / 10 After wishing to be made big, a teenage boy wakes the next morning to find himself mysteriously in the body of an adult. Penny Marshall Elizabeth Perkins, Robert Loggia 7 / 10 A man in a legal but hurtful business needs an escort for some social events, and hires a beautiful prostitute he meets... only to fall in love. Garry Marshall Richard Gere, Julia Roberts, Jason Alexander Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love. Mike Newell Hugh Grant, Andie MacDowell, James Fleet 7. 1 / 10 The life of a simple bookshop owner changes when he meets the most famous film star in the world. Roger Michell Richard McCabe 6. 4 / 10 An English Duke from 1876 is inadvertedly dragged to modern day New York where he falls for a plucky advertising executive. James Mangold Hugh Jackman, Liev Schreiber 6. 7 / 10 A hopeless romantic Chicago Transit Authority token collector is mistaken for the fiancée of a coma patient. Jon Turteltaub Sandra Bullock, Bill Pullman, Peter Gallagher A man gets a chance to meet up with his dream girl from high school, even though his date with her back then was a complete disaster. Directors: Bobby Farrelly, Peter Farrelly Cameron Diaz, Matt Dillon, Ben Stiller Adventure History 7. 6 / 10 NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy. Ron Howard Bill Paxton, Kevin Bacon 7. 7 / 10 When a man with HIV is fired by his law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit. Jonathan Demme Denzel Washington, Roberta Maxwell Edit Storyline Harry and Sally meet when she gives him a ride to New York after they both graduate from the University of Chicago. The film jumps through their lives as they both search for love, but fail, bumping into each other time and time again. Finally a close friendship blooms between them, and they both like having a friend of the opposite sex. But then they are confronted with the problem: "Can a man and a woman be friends, without sex getting in the way? " Written by Greg Bole <> Plot Summary Plot Synopsis Taglines: Can men and women be friends or does sex always get in the way? See more » Details Release Date: 21 July 1989 (USA) Also Known As: Harry, This Is Sally Box Office Budget: $16, 000, 000 (estimated) Opening Weekend USA: $1, 094, 453, 16 July 1989 Cumulative Worldwide Gross: $93, 083, 444 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia For the infamous orgasm scene, the original script called for Harry and Sally to merely talk about women faking an orgasm, until Meg Ryan suggested that Sally actually fake an orgasm at the table. Director Rob Reiner loved the idea and put it into the script. See more » Goofs At the final New Year's Eve party Sally's lipstick disappears and reappears between shots. See more » Quotes [ first lines] Documentary Couple: I was sitting with my friend Arthur Kornblum, in a restaurant, it was a Horn and Hardart cafeteria. And this beautiful girl walked in and I turned to Arthur and I said Arthur, you see that girl? I'm going to marry her. And two weeks later we were married. And it's over fifty years later and we are still married. See more » Connections Referenced in Just Shoot Me! : Finch Gets Dick (1999) Soundtracks Where Or When Written by Lorenz Hart and Richard Rodgers Published by Chappell & Co. Performed by Ella Fitzgerald Courtesy of PolyGram Special Products, a Division of PolyGram Records, Inc. See more ».
Now Im gonna watch this movie just so I can watch this video. By the time Harry Connick Jr is crooning away at the end of When Harry Met Sally..., we all know that the film’s title characters are perfect for each other. But what else do we know about them? The answer is: not much. We know that Sally Albright (Meg Ryan) takes an hour and a half to order a sandwich, and that Harry Burns (Billy Crystal) rates Mallomars as “the greatest cookie of all time”, but we don’t know if they have any brothers or sisters, for instance, or if their parents are alive. We don’t know if they were bullied at school, or if they enjoy their jobs, or what their plans are for the future. We don’t know where they stand on the political issues of the day. And yet those omissions are one key reason why When Harry Met Sally... is still regarded as one of the finest romantic comedies ever made, 30 years on from its release in 1989. More like this: - Ten films to watch this July - The films that defined Generation X - What Alien can tell us about office life There are plenty of other reasons, admittedly, from the sublime dialogue to the flawless performances, from the finger-clicking music to the mouth-watering Big Apple cinematography. But the film’s true innovation is the way its director, Rob Reiner, and screenwriter, Nora Ephron, strip away the characters’ biographical details, just as they clear away all the obstacles on their path to happiness. Everything is removed from the film except Harry and Sally’s attitudes towards love, sex, friendship and each other. The result is a romantic comedy distilled to its essence: it has romance and it has comedy, and it has nothing else. Its candour about everything from post-coital hugs to faked orgasms was revolutionary It’s such a simple tactic, with such a delightful outcome, that it is easy to forget how bold and unusual it was. But it is far less easy to think of a romcom with anything like the same undiluted purity. Take a look at those being made around the same time, and you’ll see a fire chief with an inhumanly long nose (Roxanne), a stockbroker who steals her boss’s identity (Working Girl), a widow who is smitten by her fiancé’s angry one-handed brother (Moonstruck), and a fruit-and-veg wholesaler who is smitten with a mermaid (Splash). Take a look at When Harry Met Sally... and you’ll see some universal truths about being single and falling in love. It is so devoted to male-female relationships, to the exclusion of all else, that its working title was simply ‘Boy Meets Girl’. “The whole idea behind this film was to really examine how men and women bump up against each other during the dating dance that they do, ” says Reiner in the director’s commentary. “When we originally thought of this film, it was just going to be men and women talking about men and women, and that dance that happens before you finally wind up with each other. ” The idea occurred to Reiner because his first marriage (to actor-director Penny Marshall) had ended, and he had returned reluctantly to bachelor life. He and his friend Andrew Scheinman told Ephron all about their experiences, Ephron added the female perspective, and she turned their confessional conversations into a screenplay which was then made even better by Crystal’s improvisations. The big question on the posters was: “Can men and women be friends, or does sex always get in the way? ” But that was just one of the topics the film broached. And in the days before people used the internet to share their most intimate affairs with the world, its candour about everything from post-coital hugs to faked orgasms was revolutionary. “The only way the movie would work, ” says Reiner, “was if we really exposed what men and women really felt and really thought about. ” Several times, the film acknowledges that it is leaving out everything except those thoughts and feelings. At the beginning, Harry and Sally are two strangers who have graduated from Chicago University. They drive to New York together in Sally’s car, and because they’ve got 18 hours to kill, Harry says to her: “Why don’t you tell me the story of your life? ” In a more conventional film, that would be Sally’s cue to recite a heart-warming childhood anecdote about a family pet. But in When Harry Met Sally... she changes the subject. ‘We get to see them grow up’ Years later, Harry and Sally try to pair each other off with their friends Jess (Bruno Kirby) and Marie (Carrie Fisher). But when they bring up their backgrounds and occupations – “Harry is from New Jersey. ” “Sally writes for New York magazine. ” – Jess and Marie couldn’t be less interested. It doesn’t matter what people do or where they are from, the film suggests. What matters is how much they like each other. And that is the issue faced by Harry and Sally themselves. In most romcoms, the prospective lovers are kept apart by living in different cities (Ephron’s own Sleepless in Seattle) or different countries (Four Weddings and a Funeral). They have to deal with a surprise pregnancy (Knocked Up), a cultural gulf (My Big Fat Greek Wedding) or a toweringly stupid magazine article (How to Lose a Guy in 10 Days). But once When Harry Met Sally... reaches its present-day section, its hero and heroine are single, living in New York, and getting on well. There is nothing stopping them becoming a couple except their own fears and hang-ups. Why else would Sally spot Harry lurking in a bookshop’s Personal Growth section? His personal growth is the closest thing the film has to a plot. When Harry met Sally… and Seinfeld showed that a comedy didn’t need to have a gimmicky high-concept scenario “So many romantic comedies condense the action into one night or one weekend, “ says Tamar Jeffers McDonald, the author of the BFI Film Classics guide to When Harry Met Sally... “One of the amazing and audacious things about this one is that it gives the characters time to mature and see other people and make their mistakes. Eventually, they’re battle-worn and weary, and they’ve become the people who they actually are. We get to see them grow up. ” In the DVD’s ‘making of’ documentary, Ephron sums it up like this: “There are two traditions of romantic comedy, the Christian tradition and the Jewish tradition. In the Christian tradition, there is a genuine obstacle. In the Jewish tradition pioneered by Woody Allen, the basic obstacle is the neurosis of the male character. ” True enough – but she and Reiner take this Jewish tradition even further than Allen does – and apply it to both Harry and Sally. In Annie Hall, for example, Alvy (Allen) loathes California, while Annie (Diane Keaton) wants to move to Los Angeles to pursue her singing career. To some extent the film is a culture-clash comedy concerning the differences between a Jewish Brooklynite and a WASP from Chippewa Falls, Wisconsin. In When Harry Met Sally..., the differences are far smaller and subtler, and that’s why it is unique. Well, unique on the big screen, anyway. The film premiered in July 1989, in the very same month that Seinfeld debuted on television, and in some ways the romcom and the sitcom are freakishly similar. Both feature a cynical Jewish joker, his platonic (most of the time) female best friend, and his anxious male best friend. And both include discussions of apartment-hunting in Manhattan, the appropriate interval to leave before asking out a divorcée, and, yes, faked orgasms. Together, they showed that a comedy didn’t need to have a gimmicky high-concept scenario. If it was funny and insightful enough, it could focus solely on what it was like to be on the dating scene in New York. On television, this lesson was learnt by the makers of Friends, Sex and the City, How I Met Your Mother, and many more. But in cinema, there have been fewer attempts to imitate When Harry Met Sally..., perhaps because the original gets everything so right. Like Mallomars, it is the greatest of all time. Love film? 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"I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible."
My favorite Rob Reiner film has always been When Harry Met Sally, a romantic comedy that I never expected to enjoy as much as I did. It's the best Woody Allen film not directed by Woody Allen. Meg Ryan and Billy Crystal's quirky chemistry in this movie is probably one of the best I've seen in any film. Reiner is a director that is hard to categorize since he has worked with different genres: thriller with Misery, fantasy/adventure with The Princess Bride, coming of age with Stand by Me, mockumentary with This is Spinal Tap, drama with A Few Good Men, and comedy with The Bucket List. He's made his share of bad films (his latest films are probably his weakest) but he seems to have excelled in every genre without establishing a common trademark. You could watch When Harry Met Sally back to back with Misery and you'd never guess it was directed by the same person. The secret to his success with this rom-com is that the relationship feels true to life as he first introduces these flawed characters that don't seem to care too much for each other, but over the years they begin bonding and establishing a strong friendship. These characters are so relatable and we can see ourselves or our friends in the film. It reminds us of that friend of the opposite sex we had and how easy it was to blur the line between friendship and love. It makes us think of that universal question: Can a man and a woman be best friends without falling in love with each other? A lot of credit must be given to Nora Ephron's Oscar nominated screenplay because the dialogue and debates between the main characters are authentic and sharp at the same time. There are so many memorable scenes, including the fake orgasm which turned Meg Ryan into such a star, but the final tear jerking scene is my favorite because Billy Crystal delivered his lines in such a perfect way. Even the scenes where old couples are being interviewed in documentary style works perfectly and serves a purpose other than simply serving as transitions taking place in the story. The honesty that comes through in each conversation between Harry and Sally and the incredible chemistry between them is what makes this one of my go to films when it comes to recommending a romantic movie. Did I mention that the film takes place in New York of all places?
Amazing, I just love these! 2:09 cracks me up every time! XD So sweet. When harry met sally restaurant. My first memory of When Harry Met Sally… is that I wasn’t allowed to watch it. When I think about the film now, I see it as a romance—an inverted one, where love does not come until 12 years after first sight, but a love story nonetheless. But When Harry Met Sally… ’s unwholesome raciness—the faked orgasm, the f-bombs, the woman who meows in the throes of passion—featured prominently in the film’s marketing campaign. So did the film’s central, provocative, deeply heteronormative question: Can men and women ever “just” be friends? And it needed an R rating to answer that question, too! The film glowed with forbidden allure. My parents held the common, irrational conviction that watching sexuality was much worse than watching violence. I somehow saw The Killing Fields before I watched When Harry Met Sally…; if you can’t guess from the title, The Killing Fields is a harrowing movie about genocide in Cambodia. So what I first learned about When Harry Met Sally…, besides its cast, was that Meg Ryan fakes an orgasm in the movie. Someone had to explain the joke to me after an assembly in which a visiting lecturer made a joke about having a When Harry Met Sally… moment to an auditorium full of middle schoolers. (No one laughed. ) I wasn’t entirely sure what an orgasm was, let alone how to fake one. But it seemed like a power move. Now this movie is one of my formative texts, those stories shelved in your brain that gradually become a part of your psychology. It goes without saying that it’s magnificent, a combination of talents at the height of their powers, coupled with filmmaking that treasured its characters, atmosphere, and setting. Meg Ryan and Billy Crystal in Katz's Deli, the site of the famously faked orgasm. ©Columbia Pictures/Everett Collection. When Harry Met Sally… is a collection of finely hewn set pieces—nearly all of which pivot around nothing more than a conversation. (Marie with the Rolodex at the Central Park Boathouse! Jess and Harry doing the wave in Giants Stadium after Harry’s divorce! The “wagon wheel, Roy Rogers, garage sale coffee table”! ) I’ve seen it so many times that I don’t watch it so much as remind myself of what happens next, mouthing the dialogue to myself. I realized that I have unconsciously adopted a hairstyle close to Ryan’s in the film, a curly shag with bangs. Writer Nora Ephron and director Rob Reiner used When Harry Met Sally… as a canvas to explore heterosexual partnership, infusing the leads played by Ryan and Billy Crystal with facets of their respective personalities. Ryan was in her first role as Ephron’s muse and stand-in, playing fussiness to the point of painful, adorable tenderness. Crystal was the recipient of Reiner’s projections, creating in Harry a brooding jokester who prefers sports to feelings. The story springs past Harry and Sally’s tortured relationship to explore other characters—notably Carrie Fisher as Marie, Sally’s best friend, who inelegantly falls for Harry’s best friend, Jess, played by Bruno Kirby. The main story is broken up by little interviews with happily married elderly couples. (The dialogue comes from interviews with real-life couples, but actors were hired to perform the lines onscreen. ) It’s an ecstatic survey of marriage, a loving portrait of loving. And though it is candid about sex, the film is barely racy; there’s only one actual sex scene, and it’s not particularly hot. It’s not heaving bosoms and rippling abs; it’s bookish New Yorkers and a dozen-odd old people talking about their love lives. Ephron and Reiner’s love language pushed the envelope in 1989 in a way that seems rather tame now: As I grew up and began to dabble in romantic partnerships myself, When Harry Met Sally… felt like the rare option I wanted to emulate and embody, and I studied it like a textbook. In many ways, it’s a manual for romantic partnership—a funny, entertaining film that’s closely attentive to the nuts and bolts of falling in love. Billy Crystal, director Rob Reiner, and Meg Ryan. © Columbia Pictures/Everett Collection Still, I understand where my parents were coming from. Watching When Harry Met Sally… as an adult, it feels as if the movie spills some secrets that grown-ups aren’t supposed to share—about the messiness of attraction, the circuitous path of romance, the erotic tension in spirited antagonism. It’s about how another person can become a part of you despite your best intentions. Behind the film’s wryly entertaining tone, there’s a wild liveliness that animates the characters, a combination of deep-seated longings and carnal passions. Harry has to learn to confront his feelings. Sally has to learn to assert her orgasm. Ryan is translucent with her character’s emotions, and Crystal’s never been as darkly alluring, or worn his facial hair better. They have the opposite of a meet-cute in the opening scene—a meet-hate. But Harry and Sally’s mutual antipathy still fuels their curiosity about each other, extending their initial conversation into a years-long back-and-forth that becomes their lifelong partnership. The famous question that begins their charged, decade-long dance—the idea of sex—haunts their relationship for more than 10 years, shutting down intimacy, sparking their anger, and occasionally, making them dishonest. When they do have sex, it changes everything. The film is constructed around the idea of Harry and Sally’s friendship—and their romance only progresses because they attempt to be friends. But by the end, their friendship succumbs to love; the sex thing, as Harry said from the start, never went away. Billy Crystal. © Columbia Pictures/Everett Collection. Thirty years after it premiered, I’m finally in the kind of romantic partnership the movie depicts. I’m not entirely sure if studying the film has prepared me for this marriage, as I sort of hoped it would. But it was a little affirming, and a little painful, to watch the movie again and feel so close to its ups and downs—the push and pull of intimacy, the slow pace of personal growth. When Harry Met Sally… has served as this example I could keep in my pocket of what love should feel like—an endless, unspooling conversation with a partner who, like a counterweight, provides equilibrium. A postscript: My husband and I are going to be have a Hindu wedding ceremony later this summer, and in an effort to understand what we’re promising each other, I looked up the translations of the Sanskrit vows. Amusingly, the bride and groom are charged to love one another as friends, even as they explicitly vow to maintain an active sex life. (Other vows: fidelity, mutual support, rights to livestock. ) Sex doesn’t seem to diminish the friendship, but rather to enhance it—and it seems as if that’s the hidden postscript of When Harry Met Sally…, lurking under its sexy, rated-R veneer. Perhaps some men and some women can’t just be friends. But spouses better be friends already. Celebrities Who’ve Turned Their Divorces into Art By Ron Galella/WireImage/Getty Images Nora Ephron The late writer’s first novel, Heartburn, published in 1983, was the exact application of her own advice (recounted in the HBO biographical documentary Everything Is Copy) to “become the heroine rather than the victim of the joke. ” In Heartburn, which was later adapted into a film starring Jack Nicholson and Meryl Streep, Ephron wrote about the funniest, saddest, and most jarring parts of her divorce from renowned Watergate journalist Carl Bernstein. In the documentary, late director Mike Nichols summarized Ephron’s healing process: “She... cried for six months and wrote it funny. In writing it funny, she won. ”.
When harry met scenes. When Harry Met salle de bain. Here are some things you might not have known about the award-winning—and much-beloved—1960s-set coming-of-age tale, which made its debut on January 31, 1988. 1. The basic concept for The Wonder Years began as a film script. “We played around with writing a screenplay that used narration as a device, ” series co-creator Carol Black told New York magazine in 1989. “We just started to think that there was a lot of potential fun in that ‘cause you can really play with the contrast between the narrator’s point of view and what the characters are doing. And you can go inside their head and expose what they’re really thinking when they’re saying something different … And then we just sort of jumped from there to thinking that effect is accentuated when you have an adult narrator looking back on childhood. ” Black created the series with her husband, Neal Marlens; the couple had previously worked on Growing Pains. 2. The Wonder Years was inspired by A Christmas Story. From the coming-of-age theme to the use of narration, A Christmas Story inspired the spirit of The Wonder Years. Peter “Ralphie” Billingsley even appeared in the series's final two episodes as one of Kevin’s roommates. 3. The Wonder Years ’s lack of laugh track and single camera setup were revolutionary. The Wonder Years set itself apart from other shows of its time, production-wise, with its single camera setup, use of a narrator, and complete lack of laugh track. “ The Wonder Years [showed the television industry] that it’s OK to create a show like that—to take out the laugh track, to try different camera styles—to take a risk, ” Josh Saviano, who played Paul Pfeiffer, told Salon in 2013. 4. Fred Savage was the obvious choice to play The Wonder Years ’s Kevin Arnold. Casting kids is never an easy task. To help them in finding their lead actor, Marlens and Black interviewed five casting directors for recommendations. All five of them suggested Fred Savage, who at that point was best known for his role in The Princess Bride. “By the time we actually settled on a casting director, we had already resolved that we should see Fred, ” Marlens told The Philadelphia Inquirer in 1988. “Knowing nothing about him, we arranged to screen some unedited footage of a film he was making at the time, Vice Versa … [We saw] a marvelous actor with a natural quality, which essentially means he has no quality at all except being a kid. It sounds funny, but it’s a rare thing to find in a child actor. It’s the same thing we looked for and discovered in Josh Saviano and Danica McKellar. ” 5. The Wonder Years is set in Anytown, USA. Though no specific location is ever given for Kevin Arnold’s hometown, that’s not the doing of the series’s creators. Neal Marlens wanted to set The Wonder Years in Huntington, Long Island—his hometown—and additional elements were also pulled from Black’s hometown of Silver Spring, Maryland. But it was at ABC’s insistence that no city or state was ever mentioned. Still, many eagle-eyed watchers have combed through the series for clues—like Jack Arnold’s license plate and Wayne’s driver’s license—that place the show in California, where it was filmed. 6. The Wonder Years premiered after the Super Bowl. After more than 80 million viewers tuned in to see the Washington Redskins crush the Denver Broncos (final score: 42 to 10) on January 31, 1988, they were treated to the series’s premiere—which Marlens called “a bit of Americana after the quintessential example of Americana. ” 7. The Wonder Years won its first Emmy after just six episodes. Though it wasn’t an immediate ratings bonanza, The Wonder Years was a critical smash from the get-go. On August 28—with only six episodes screened—Marlens and Black took home the 1988 Emmy for Outstanding Comedy Series. 8. Fred Savage became the youngest Lead Actor Emmy nominee. In 1989, at the age of 13, Savage became the youngest actor to be nominated for an Emmy in the Outstanding Lead Actor in a Comedy Series category. He was nominated again in 1990. 9. Danica McKellar’s toughest competition for Winnie Cooper was her sister. When it came down to casting the role of dream girl Winnie Cooper, there were two final contenders: Danica McKellar and her sister, Crystal. “It was practically a tossup, ” casting director Mary Buck told the Los Angeles Times in 1990. After choosing Danica for the role, Crystal was hired for the recurring role of Becky Slater, Winnie’s one-time rival for Kevin’s affections. 10. Kevin and Winnie’s first kiss was the real thing. In the series’s premiere episode, Kevin and Winnie share an awkward first kiss, a coming-of-age ritual neither of the young actors had yet to engage in in real life. “The one good thing about getting your first kiss on camera is that you know for sure it’s going to happen, ” McKellar said in 2014. For his part, Savage called it terrifying. “We were both really scared and nervous and—and—didn't know what was going to happen or … if we were going to do it right. ” 11. A mutual crush between Fred Savage and Danica McKellar was inevitable. Though they swear the relationship eventually morphed into a brother-sister sort of bond, both Savage and McKellar admitted to having mutual crushes in People. “I was in love with her for the same reasons every other boy fell in love with her, ” Savage said. “You won't meet a sweeter, nicer girl—and she's gorgeous. ” “In the beginning we had a mutual crush, ” added McKellar. “Then things went into the teasing stuff and then into a more comfortable, brother-sister thing. ” 12. It was Dan Lauria’s suggestion that The Wonder Years ’s Jack Arnold be a veteran. “I really didn’t contribute that much, but the one thing I did contribute to the character is that when we were shooting the pilot I said to Neal, ‘Look, I’m a vet. I’m a Vietnam veteran and a Marine, and I think if the story is that I’m a vet, that’d fit the character, ’” Dan Lauria recalled to Paste. “Before we even finish the pilot, he said, ‘Well, if we go, Dan, we’re going to make you a Korean War vet to fit the frame. ’ And so they did, and it paid off. There were a number of episodes where it was mentioned that I was a veteran and when my daughter left for college I gave her my old duffle bag from the service. We always had the Vietnam War in the background on the TV at the dinner table. So there were actual news clips. ” 13. Some of Kevin and Winnie’s dialogue in The Wonder Years was lifted from real life. “Kevin and Winnie’s relationship was, in some ways, defined by my friendship with Fred and some of the things that we would say, ” McKellar told Collider. “The writers would actually take lines from things that we were saying to each other, off camera, and put it into the script. There was this whole episode dedicated to, ‘Do you like him, or do you like him, like him? ’ That was an expression that he and I used when we were talking about some guy that I had a crush on, in real life. And then, it showed up in a script, a few weeks later. There were a lot of blurred lines. ” 14. A growth spurt caused Winnie and Kevin’s breakup on The Wonder Years. Kevin and Winnie’s on-again, off-again romance was one of the series’s key storylines. But on at least one occasion—between the show’s third and fourth seasons—the breakup was more of a practical decision when a growth spurt saw McKellar standing much taller than her sub-five-foot onscreen beau. The couple was kept apart just long enough for Savage to catch up to his co-star’s height. 15. Jason Hervey’s brother was the real Wayne Arnold. “There were so many things that I borrowed from our real life experiences, ” Hervey told Uproxx of his brother, Scott. “I’ll give you an example: Juliette Lewis was my girlfriend on the show at the time, and it was the driver’s license episode. We took Fred—I mean, Kevin—to the mall because my mom made us, and I dropped him off at the absolute, absolute furthest end of the mall parking lot and I said to him, ‘Well, technically, this is the mall. ’ And when I picked him up, of course, he was already flirting with this girl, and sure enough Wayne pulls up and I tell him to get in the car, and then every time he went to reach for the door, I kept jerking it forward. And obviously, the first day of 7th grade, my brother did that to me in real life, and just embarrassed the hell out of me. ” 16. Growing up was part of The Wonder Years ’s demise. The Wonder Years was a show about growing up, which is partially what led to its wrapping production after six seasons. “There has always been a question of just how long the wonder years last, ” executive producer Bob Brush told the Los Angeles Times in 1993, following the series’s finale. “As the kids were developing and getting older, there were of course new stories to tell, but the tension and constraints of the deadline of the concept of the wonder years were beginning to press on us … When [Fred Savage] became 16 and 17, there were really things he needed to get to that we couldn’t do at 8 p. m., especially with the kind of venerable cachet that the show had obtained with its audience. We would get notes from the network saying, ‘You could do this on any show besides The Wonder Years. '” 17. The Wonder Years enlisted The Sopranos creator David Chase’s help. In an effort to breathe a more mature life into the series, producer Ken Topolsky commissioned Sopranos creator David Chase to write a script. “When it’s a suburban kid who has a pretty good life and he’s complaining about mom not letting him do something, you just want to smack him, ” Topolowsky told The Wall Street Journal. “That’s when we felt that Kevin’s wonder years were over. ” Though he calls Chase’s script “phenomenal” and “one of the best, ” its storyline—which included hard drug use—would have been too big a leap for the family-friendly series. 18. Daniel Stern wasn’t The Wonder Years ’s original narrator. Though Daniel Stern’s voice is the adult Kevin Arnold we all know and love, it was Arye Gross who narrated the original pilot. Eventually, the series premiere was re-recorded with Stern. 19. Marilyn Manson was not Paul Pfeiffer. It’s one of those Internet rumors that never seems to die. But somehow, somewhere, someone decided that Josh Saviano, the actor who played Kevin’s BFF Paul Pfeiffer, was in fact Marilyn Manson. Which is simply not true. Though that hasn’t stopped the shock rocker from getting in on the fun. “I met [Marilyn Manson] once, ” Savage told ABC News. “He came up to me, and he goes, ‘You know, we worked together. ’ I was like, ‘I do. I do know that. ’” 20. Paul Pfeiffer really did become a lawyer. In the series finale, Kevin shares that Paul attended Harvard and became a lawyer. Which isn’t too far off base. In reality, Josh Saviano attended Yale and became a lawyer. 21. The Wonder Years fans were disappointed that Kevin and Winnie didn’t end up together. Executive producer Bob Brush knew that fans of the series wouldn’t be happy that it didn’t end with Kevin and Winnie’s happily ever after. “Some viewers will be surprised that nothing works out the way your fondest wish would be, ” Brush told the Los Angeles Times. “The message I wanted in there is that that’s part of the beauty of life. It’s fine to say, ‘I'd like everything to be just the way it was when I was 15 and I was happy, ’ but it seemed more nurturing to me to say that we leave these things behind and we go on to forge new lives for ourselves. ” 22. The little boy’s voice in The Wonder Years ’s finale is Daniel Stern’s son. As the series concludes, the voice of Kevin’s little boy is heard asking his dad to come outside and play catch. The voice is Stern’s son. 23. The Wonder Years gave a boost to many young actors’ careers. Juliette Lewis, Jim Caviezel, Alicia Silverstone, Giovanni Ribisi, Mark-Paul Gosselaar, David Schwimmer, Carla Gugino, and John Corbett (then known as Jack) are just a few of the actors who found some of their earliest roles on The Wonder Years. Even Robin Thicke got in on the action, as a young man doing his teenaged best to pick up a girl. 24. Jack Arnold dated Maggie Seaver. Before The Wonder Years, Marlens and Black had created Growing Pains. Which is how Dan Lauria heard about the role of Jack Arnold. “I had done a part on Growing Pains, and I was going out with Joanna Kerns [who played mom Maggie Seaver on the show] at the time, so I heard about it through her, ” Lauria told Paste. “My agent couldn’t get me in, and Joanna said, ‘Well, why don’t you call Neal? He likes you, you guys got along. ’ ‘Cause we both grew up on Long Island, so we would tease each other [about] which school was better at sports. And I said, ‘No, I don’t want to do that, it’s so unprofessional, ’ and Joanna went in and actually called Neal, and she came out and said, ‘Neal said be there tomorrow at 10 o’clock. He thinks you’re perfect. ’” 25. Fred Savage will always be Kevin Arnold. Though he has made the transition from actor to producer and director of shows like It’s Always Sunny in Philadelphia and Party Down, Savage told GQ that “The persona of The Wonder Years is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly. I think now I've established myself as a director, but starting out, I'd be foolish to think that every opportunity that came after The Wonder Years didn't stem from The Wonder Years. So I owe so much of everything to that show. ”.
When Harry Met sally. Can you beat some of the lines in this film? As a guy, which I am, I identified with Harry's lines so much, and you can't help but side with him. The chemistry between the two actors, Billy Crystal and Meg Ryan is superb, and you believe in them when they talk, you feel for them when they look at each other. Even the friends are well casted, Carrie Fisher and Bruno Kirby. It's such relaxed acting and filming that you do nothing but watch these people fall in love, and pretty soon you feel like you're involved as well. With a fantastic soundtrack, direction, script and acting, it's a great film.
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- Author: EH Hong
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