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Cast - Tanya Reynolds. Summary - Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along. duration - 2 h 4 minutes. Year - 2020. Drama, Comedy.
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Po dlouhý době písnička, kterou jsem si zamilovala a klip je taky úžasný. 💞. I recognize this when I heard their names : Meg Amy Beth and Joe We talked about this in our discussion about dialogs and used a cartoon version of LITTLE WOMEN. Emma watson movie download. 90% suomalaisii kommenteis. Every gesture, every movement, every breathe and every flicker in his eyes just brings the character to life. Download movie maker 64 bit.
Emma's chance movie download. Who else watched this video when it came out, then watched the new one, and is now watching this one again after hearing that everyone hated this video. Critics Consensus Other adaptations may do a better job of consistently capturing the spirit of the classic source material, but Jane Austen fans should still find a solid match in this Emma. 84% TOMATOMETER Total Count: 180 73% Audience Score Verified Ratings: 836 Emma. Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Emma. Videos Photos Movie Info Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of EMMA. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along. Rating: PG (for brief partial nudity) Genre: Directed By: Written By: In Theaters: Feb 21, 2020 limited Studio: Focus Features Cast News & Interviews for Emma. Critic Reviews for Emma. Audience Reviews for Emma. Emma. Quotes Movie & TV guides.
She looks like shes gonna cry. PLOT TWIST: She didnt dye her hair. You No me from TikTok stil Emma. I haven't seen this movie yet, but I'm 100% sure it is about true love. WOOO! Great job Emma. Emma’s email marketing platform gives you all the tools you need to send campaigns that really connect with your subscribers. Get a Demo Let's make your emails better. With our powerful automation and personalization features, you can create and send email campaigns that reach the right customer at just the right time. View all features Emma HQ: Command central for your marketing. Our tiered Emma HQ platform makes it easy to manage your email marketing across multiple departments or locations, share templates and creative assets, and quickly approve every email before it goes out. Explore HQ Connect what matters with 100s of integrations. With our pre-built apps and integrations, you can use your data to power highly-personalized messaging—and see the full impact of your emailson your larger marketing initiatives. See our integrations We're always ready to lend a hand. Our in-house email experts can give you advice on your email marketing strategy, design custom branded templates, create engaging email content, and help you maximize your results over time. Request a service "Since the launch of our campaign in 2015, more than $2. 6 billion has been raised to support students, faculty, colleges, academics and athletic programs. " Diana Tomlin, Marketing Manager at the Texas A&M Foundation "Using Emma, we’ve discovered and acted on valuable opportunities that we had been missing before. " Sarah Matista, Director of Marketing for The Palm Restaurant Group "The fact that I can manage 2, 000 accounts from one dashboard is fantastic. " Kathleen Guzman, Marketing Communications Specialist for Liberty Tax Make your best work better with Emma. Let’s take your emails to the next level. Get in touch today to start building lasting customer relationships with email marketing. We use cookies to serve personalized content and targeted advertisements to you, which gives you a better browsing experience and lets us analyze site traffic. Review our cookie information to learn more. You can manage your cookie preferences at any time. ×.
”I want to be great, or nothing.” Okay that hit harder than expected. Marocco. Marrakech la mia seconda casa. Brava Emma non potevi scegliere posto migliore x questa bellissima canzone. ❤❤❤❤. Download movie amazon fire tablet. Quanto è bella questa canzone! Già dalla prima volta ascoltata in radio mi è piaciuta subito. Sia per il testo che per la musica. E poi la sua voce. 😍 Bravissima e bellissima.
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Download emma movie jane austen. Really liked it Average rating 4. 00 · 601, 768 ratings 15, 599 reviews | Start your review of Emma Loved it! Why don't I read more classics?! I'll definitely need to read her other books. The BBC tv show was also adorable! “I may have lost my heart, but not my self-control. ” Personally, I may have lost my self-control, but not my heart. My motivation to read this book stemmed from J. K. Rowling stating that this was one of her favourite books. A few years ago I read my first Jane Austen, which was Pride and Prejudice, and I really enjoyed it. I thought Emma couldn't be that bad, it's a popular classic and its rating is good. To be honest, it's not bad, exactly, but the fact that it took me one whole month to get.. This is a book about math, mirrors and crystal balls, and don’t let anyone tell you otherwise. Village life? Sorta. The lives of the idle rich? I mean, sure, but only partially and incidentally. Romance? Barely. A morality tale of the Education of Young Lady? The young lady stands for and does many more important things than that. These things provide the base of the novel, the initial bolt of fabric, the first few lines of a drawing that set the limits of the author to writing about these.. Austen paints a world of excess. She’s just so fucking brilliant. That much so I found the need to swear. The sarcasm is just oozing out of her words. She doesn’t need to tell you her opinions of society: she shows them to you. Simply put, Emma’s farther is a ridiculous prat. There’s no other word for it. He spends his day lounging around eating rich and expensive food and doesn’t bother to exercise his body or mental faculties. The thought of visiting his recently departed governess, a.. My interpretation of the first 60+ pages of Emma: "Oh, my dear, you musn't think of falling for him. He's too crude and crass. " "Oh, my dear Emma, you are perfectly correct. I shan't give him another thought. " "Oh, my dear, that's good because I would have to knock you flat on your arse if you were considering someone of such low birth. " Yawn. I tried, but life's too short. Plus, I like 'em crude and crass. Cross posted at This Insignificant Cinder My dear Jane Austen, I hope you don’t mind that I write to you, expressing my gratitude for your brilliant handling of words. And as the post office is an object of interest and admiration in your novel “Emma”, I thought a letter would be the adequate way of communicating my thoughts. I must start by confessing that I don’t like your heroine at all. Obviously, this sounds like a harsh judgment on a classic character like Emma Woodhouse, and I wouldn’t have dared to be as honest with you as I am,.. Jane Austen famously wrote: "I am going to take a heroine whom no one but myself will much like. " My initial take: Truer words, Jane. Truer words. Emma is wealthy and beautiful, the queen bee of society in her town, and boss of her household (since her father is a hand-wringing worrywart, almost paralyzed by his fears). She’s prideful, self-satisfied and convinced she knows best, not just for herself but for pretty much everyone in her circle. When Emma decides she’s got a gift for matchmaking,.. 936. Emma, Jane Austen Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of High-bury and the surrounding estates of Hart-field, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village". The novel was first published in December 1815 while the author was alive, with its title page listing a publication date of 1816... I must begin by stating that I may be utterly biased here. Emma is the novel that introduced me to the treasure that are Jane Austen's masterpieces. I read it when I was fourteen, and fell in love with it right there and then. People often tend to mention that Emma Woodhouse is the least likeable heroine Jane Austen has created. It may be so, since she is rather headstrong, spoiled and with a strong tendency to plan other people's lives, without giving a second thought to all possible.. Emma woodhouse changes from being vain and self satisfied, blind to her own feelings and dangerously insensitive to the feelings of others, in a slow, painful progress towards maturity. 3. 5 stars rounded up because of the narration. I've noticed a lot of people hate Emma. She's spoiled by her circumstances and self-absorbed in a way that only someone who hasn't really known any sort of hardships can be. And I get why she isn't the heroine that anyone is really rooting for in a serious way. Because if the book had ended with Emma alone with her father, it wouldn't have really broken my heart. But here's the thing I found as I listened to this one: It wasn't really Emma that I.. Okay, when I first started the book and was reading how Emma was taking happiness away from Harriet Smith by telling her that Mr. Martin wasn't good enough for her - I didn't like Emma at all. Now I can understand how Emma only wanted to do good by Harriet and that was how it was back in those days. But, as Mr. Knightely pointed out, Harriet was not from some wealthy family and Emma was doing the wrong thing in trying to find her a great husband. Mr. Knightley went to the trouble to help Mr... Oh my goodness, did I love. At one point, toward the end, when the thing that Austen was working toward happened, I literally fell down from the couch to the rug. Emma herself is a unique creation, a headstrong, misguided, self-confident girl who we can't help but love, because she is honest. The love complications are innumerable, the humor is excellent, and the writing is spectacular. Without the intensely crafted plot of Pride and Prejudice, say, Austen's sentences are left to carry the book,.. Emma, a young woman in Regency England lives with her rich, but eccentric widowed father Henry Woodhouse, in the rural village of Highbury, always concerned about his health (hypochondriac, in the extreme), and anybody else's, Mr. Woodhouse, constantly giving unwanted advise to his amused friends and relatives, they tolerate the kindly old man. Miss Woodhouse ( they're very formal, in those days), is very class conscious a bit of a snob ( but lovable), and will not be friends with people below.. I can't do it! I can't finish it! I keep trying to get into Jane Austen's stuff and I just can't make it further than 150 pages or so. Everything seems so predictable and sooooo long-winded. I feel like she is the 19th century John Grisham. You know there's a good story line in there somewhere, and if you could edit out 60% of the words it would be fantastic. Sorry to all the Jane Austen fans-you inspired me to try one more time and I failed! Although using this trite doesn't mean that the fact is any less true, it is still at the risk of sounding cliché when I say that Jane Austen's classic, Emma, is like a breath of fresh air when juxtaposed to the miasmal novels in the publishing market today; especially for someone who has been on a YA binge of late. You see, the reason why I went for Emma as my first Austen read is because my mother has seen the latest movie adaptation, and she claims it to be her very favorite. Mind you, she.. I'm beginning to put in more work in my hobby - my solitary one, reading - than I've put in my career. 400 pages of this stuff is the strong stuff. I have little to analyze here. That is because a lot of the things that can be construed, can be true of any book. Like Sam Harris said, even a cookbook, if improperly analyzed, can yield truths that can seem profoundly benevolent. If I say that the mixture of oil and aniseed symbolizes the purity of the cookbook, that's not conductive to a balanced.. Of all of Austen's books - and I've read them all several times - I learn the most from Emma. I believe that one of Austen's goals in writing is to teach us to view the rude and ridiculous with amusement rather than disdain. And in Emma we have the clearest and most powerful picture of what happens when we don't do this: when Emma speaks out against Miss Bates. Though rude on Emma's part, we can't help but love her for her mistake and feel her shame because we've all been there. When I feel I.. I hope not to raise any of my friends’ sensibilities when I tell you that although I liked Emma, I did not love it. Emma simply did not move me. "With insufferable vanity had she believed herself in the secret of everybody's feelings; with unpardonable arrogance proposed everybody's destiny. She was proved to have been universally mistaken. She had brought evil on Harriet, on herself, and she too much feared, on Mr. Knightley. " I liked the hilarity of her well-meaning but misdirected attempts.. Jane Austen seems to be a rather divisive figure as of late. You love her for her wit, her irony, her gentle but pointed depictions of manners and love. Or you hate her because she seems to be harking back to an age of prescribed gender roles and stultifying drawing room conversation. I am of the former camp. Emma may be one of her more divisive novels and the title character one of her more controversial creations. Or perhaps that should be – one of her more irritating creations. She exasperates.. "With insufferable vanity had she believed herself in the secret of everybody's feelings; with unpardonable arrogance proposed everybody's destiny. " Regarded as one of Jane Austen's most important works, Emma is a novel about a handsome, clever and rich young woman - Miss Woodhouse - who lives on the fictional estate of Hartfield, in the Surrey village of.. This was the perfect book to reread during my Christmas break. I am a devoted fan of Jane Austen's work, but even so, I find "Emma" to be particularly charming and insightful. The story of the "handsome, clever and rich" Emma Woodhouse, who is determined to be a matchmaker among her friends but is constantly making blunders, is one that always makes me smile when I read it. I especially like the descriptions of Emma's neighbors and of Highbury. Indeed, the novel is so vivid I feel as if I could.. It took me longer to read this than any other Austen novel. It's a lot denser than her usual effortless breezy brilliance and it's also more nuanced and a little darker. For the first time she creates a central female character who isn't likeable. Emma is smug, she's a snob and she's a classic control freak. She tends to disapprove of any coupling she herself hasn't helped bring about. She herself, devoted to her ailing and rather tiresome father, maintains she will never marry. The narrative.. ‘ Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised or a little mistaken. ’ Emma Woodhouse, the heroine and namesake of Jane Austen’s last novel to be published within her lifetime, spends her days of leisure playing matchmaker and offering the reader her keen eye for the character of the locals of Highbury. However, this keen eye may not be as accurate as she would wish it to be. Through her inaccurate impressions.. Still not the full review, just a warm-up exercise. :) You could not shock her more than she shocks me; Beside her Joyce seems innocent as grass. It makes me most uncomfortable to see An English spinster of the middle class Describe the amorous effects of "brass, " Reveal so frankly and with such sobriety The economic basis of society. - W. H. Auden, Letter to Lord Byron (1936) "While twelve readings of Pride and Prejudie give you twelve periods of pleasure repeated, as many readings of Emma give you.. Second revived review to celebrate the 200th anniversary of the death of Jane Austen. Sorry Jane, this is rather a feeble review. ***** The only thing I can remember about this beloved novel is that I read it on the bus to work. That's it. On the bus. Sorry. The three stars is because I like reading on buses. If you're into stuff like this, you can read the full review. Such a Beautiful Hindquarter of Pork: "Emma" by Jane Austen I wonder if a variation on the Unreliable Narrator is permissible here? Jane Austen’s Emma, while narrated solely by the author herself, is told exclusively from the title character’s point of view (chime in and correct me if there are scenes in which she doesn’t take part, however minor) so that Austen becomes Emma’s interpreter, and our interlocutor. It’s a very deliberate.. Upon my word! After reading a couple of chapters of Emma I do declare—with all due respect—that Miss Emma Woodhouse is one silly cow. I have sought assurance from my dear friend—the very learned Mrs. Roberts from a nearby vicarage—regarding correct usage of the term “silly cow”, and she has given me her approbation with the greatest felicity. Yes, Emma Woodhouse is clueless, so much so that the wonderful 1995 movie Clueless is entirely based on her story. Emma likes to make matches, and I don’t.. All these beautiful rereads I'm forced to do because of university are going to mess with my avg rating of this year, but I DON'T CARE. Sometimes I think I like Emma even better than I like Pride and Prejudice. It's so fresh, so sparkly, so linguistically nimble, I would deem it impossible if I hadn't read it twice, bought three copies of it, and watched the movie far too many times to count. “I cannot make speeches, Emma:” -he soon resumed; and in a tone of such sincere, decided, intelligible.. I'm pretty impressed with this busybody know-it-all. :) As a character novel, the entire thing is extremely dense and interesting and oh-so-convoluted. As a plot novel, it's not so much of anything. :) Fortunately, I was in the mood for something that would lift individual silly characters from the realm of the opinionated and silly and and arrogant to the level of real humanity with eyes flying open. Honestly, Austen is great at this kind of zinger. It's all about the self-realizations and the..
Shes soo cuteee😍😍. Download Movie. I love how there's so many F.R.I.E.N.D.S references in the comments. People who said that shit arent real fans. Fans shouldnt make the creators do anything they didnt want to do. Emma, fourth novel by Jane Austen, published in three volumes in 1815. Set in Highbury, England, in the early 19th century, the novel centres on Emma Woodhouse, a precocious young woman whose misplaced confidence in her matchmaking abilities occasions several romantic misadventures. Gwyneth Paltrow and Toni Collette in Emma Gwyneth Paltrow and Toni Collette in Emma (1996), directed by Douglas McGrath. © 1996 Miramax Films Plot summary Emma ’s introduction of the character Emma Woodhouse is among the most famous in the history of fiction. According to the narrator: Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. The force of the verb seemed is pointed. Emma is indeed beautiful, wealthy, and smart. However, she is also spoiled, meddlesome, and self-deluded. Although she is convinced she will never marry, Emma believes she is an excellent matchmaker. As she tells her father and her dear friend Mr. Knightley, she practically arranged the recent marriage between her former governess, Miss Taylor, and the widower Mr. Weston. (She did, after all, introduce them. ) After such a clear “success, ” Emma is determined to make another match. This time, she has set her sights on the village vicar, Mr. Elton. Both Emma’s father and Mr. Knightley caution her against interfering, but they ultimately fail to dissuade her. Get exclusive access to content from our 1768 First Edition with your subscription. Subscribe today Shortly thereafter, Emma befriends Harriet Smith, a 17-year-old student at a local boarding school. Harriet’s parentage is unknown; she is “the natural daughter of somebody” who many years ago placed her in the care of the school’s headmistress, Mrs. Goddard. Despite the obscurity of her birth and her perceived inferior social status, Emma decides that Harriet is a perfect match for Mr. Emma sets about improving her friend, first, by discouraging her interest in Robert Martin, a young farmer whose family is renting land from Mr. Knightley. Harriet clearly has feelings for Robert (and Robert for her). Emma convinces her otherwise; she tells Harriet that Robert is beneath her. When Robert writes a letter asking for her hand in marriage, Harriet, with Emma’s counsel, refuses him. When Mr. Knightley visits Emma, he excitedly tells her about Robert’s intent to marry Harriet. After Emma informs him that Harriet has already rejected Robert’s proposal (with her help), Mr. Knightley is furious. He criticizes Emma for interfering, claiming Robert is a respectable man and a good match for Harriet. Mr. Knightley storms out. He does not visit Emma again for some time. In his absence, Emma continues to push Harriet and Mr. Elton together. With Robert out of the way, and Harriet and Mr. Elton spending more and more time together, Emma begins to celebrate the success of her endeavour. All seems to be going well until Christmas Eve, when Mr. Elton reveals to Emma that he is in love with her, not Harriet, and has been spending time with Harriet only to please her. Humiliated by her attempt to pair him with Harriet, Mr. Elton resolves to retire to Bath. Emma is forced to tell Harriet about Mr. Elton and spends the next several days consoling her. Meanwhile, two new visitors arrive in Highbury: Jane Fairfax, the beautiful orphaned niece of Emma’s neighbour Miss Bates, and Frank Churchill, the dashing young son of Mr. Initially, Emma dislikes Jane. She condemns her for being too “cold” and too “cautious. ” (The narrator suggests that Emma is in fact jealous of Jane, because Jane had previously met Frank, whom Emma has taken a liking to. ) Mr. Knightley defends Jane, reminding Emma that, whereas she is privileged, Jane has no fortune and must soon leave to work as a governess. Mrs. Weston suspects that Mr. Knightley harbours some romantic feelings for Jane. Emma adamantly denies this. Emma’s initial interest in Frank does not last. After a while, she begins to imagine him as a potential match for Harriet, and, when Harriet confesses her love for a man of a higher social status, Emma assumes she means Frank. As it turns out, Harriet is in love with Mr. Knightley, who, at a recent village ball, saved her from the embarrassment of being snubbed by Mr. Elton and his new wife. Suddenly, Emma realizes that she, too, loves Mr. She realizes that if she had let Harriet marry Robert, she might have avoided this whole mess. And thus the denouement begins. Not long after Harriet’s confession, Frank makes a hasty departure from Highbury. As he later explains in a letter to Emma, he and Jane have secretly been engaged all along. His flirtation with Emma was just a ruse—a way to buy time until his relatives agreed to his marriage with Jane. Emma and Mr. Knightley discuss this surprise turn of events. To Mr. Knightley’s surprise, Emma confesses that she never loved Frank. Knightley, in response, professes his love for Emma. She is overjoyed, and they implicitly agree to be married. Emma briefly worries about Harriet and how she will receive the news of their engagement. Emma is pleased to learn that Harriet has decided to marry Robert after all. The novel thus concludes with three marriages: Jane and Frank, Harriet and Robert, and Emma and Mr. Analysis and interpretation Marriage and social status are the two foci of Emma. Most of the drama in Austen’s novel revolves around who loves whom and what that means, given their social station. Social status in 19th-century England was determined by a confluence of factors, including, but not limited to, family name, sex, birthright, reputation, and wealth, and it dictated much about the course of a person’s life. Members of the higher social classes were not expected to intermarry, let alone interact, with members of a lower class. In fact, in some cases, such marriages were considered inappropriate. Jane Austen Jane Austen. © North Wind Picture Archives Through Emma, Austen subtly satirizes her society’s obsession with social distinctions. At the beginning of the novel, Austen’s heroine is confident she knows who “the chosen and the best” are in Highbury and who constitutes the “second set. ” Keeping with her social code, Emma discourages Harriet from pursuing a relationship with Robert. As Emma explains, Robert is not a “gentleman. ” He is therefore destined to become “a completely gross, vulgar farmer, totally inattentive to appearances, and thinking of nothing but profit and loss. ” Emma is similarly appalled when Mrs. Elton presumes to call Mr. Elton and Mr. Knightley “Mr. E” and “Knightley. ” Mr. Knightley challenges Emma’s notions of class distinction, pushing her to contemplate whether such distinctions truly matter. When Emma criticizes Robert for his ungentlemanly demeanour, Mr. Knightley impassionedly defends Robert, claiming that he “has more true gentility than Harriet Smith could ever understand. ” After all her attempts to make suitable matches fail, Emma finally begins to realize that social distinction does not equate to a constitutional difference in character. By the end of the novel, Emma has learned her lesson, and she decides that “[i]t would be a great pleasure to know Robert Martin. ” In terms of its subject matter, Emma was by no means revolutionary: Austen herself described the novel’s subject (“Three or four families in a country village”) as an ideal subject for any novel. However, Emma was revolutionary in terms of its form and style. Before Austen, novelists generally used either first- or third-person narration to tell their stories. Austen combined the two styles, first in Sense and Sensibility (1811) and then again in Emma. From the outset, Austen characterizes Emma as a self-deluded young woman. Austen’s style of narration allows the reader to share in Emma’s delusions: The longer she considered it, the greater was her sense of expediency. Elton’s situation was most suitable, quite the gentleman himself, and without low connections; at the same time not of any family that could fairly object to the doubtful birth of Harriet. He had a comfortable home for her, and Emma imagined a very sufficient income; for though the vicarage of Highbury was not large, he was known to have some independent property; and she thought very highly of him as a good-humoured, well-meaning, respectable young man, without any deficiency of useful understanding or knowledge of the world. Here Austen distinguishes the voice of the third-person narrator from that of the heroine. Using phrases like “quite the gentleman himself” and “a comfortable home for her, ” Austen evokes Emma’s consciousness through a type of subjective narration called free indirect discourse. Its intended effect is to close the distance between the reader and the character, thereby helping the reader to see through the character’s eyes. In this passage (and throughout Emma), Austen passes between Emma’s own thought processes and a more straightforward, traditionally third-person narrative voice (“she considered it, ” “Emma imagined”). Emma was one of the first novels—if not the first novel—to employ sustained free indirect discourse. As such, some critics locate it among novels such as James Joyce ’s Ulysses (1922) and Virginia Woolf ’s Mrs. Dalloway (1925) as one of the great experimental novels of the 19th and 20th centuries. Publication and reception Austen began writing Emma in January 1814. She finished the novel a little over a year later, in March 1815. In the fall of 1815, Austen submitted Emma to London-based publisher John Murray. Murray offered Austen £450 in return for the copyrights of Emma and two of her previous novels, Sense and Sensibility (1811) and Mansfield Park (1814). Upon receiving his offer, Austen called Murray a “Rogue” and resolved to retain the copyright herself. Murray eventually published Emma on commission, with Austen herself paying for advertising and an initial print run of 2, 000 copies. First editions of the three-volume novel hit bookshop shelves in December 1815. Like her previous novels, Emma was published anonymously. Austen’s novel was received by friends and family members with mixed reviews. In general, they criticized the plot for its lack of action and romantic drama. Contemporary critics expressed more favourable views, praising the authenticity of Austen’s characters and, especially, her heroine. Critics also appreciated Austen’s “amusing” sense of humour. An anonymous reviewer for the Quarterly Review —long believed to be Sir Walter Scott —said of Austen and Emma: The author’s knowledge of the world, and the peculiar tact with which she presents characters that the reader cannot fail to recognize, reminds us something of the merits of the Flemish school of painting. The subjects are not often elegant, and certainly never grand; but they are finished up to nature, and with a precision which delights the reader. Irish poet Thomas Moore wrote in a similar vein. He described Emma as “the very perfection of novel-writing. ” Legacy Austen did not expect readers to like the protagonist of Emma. About her, Austen famously said, “I’m going to take a heroine whom no one but myself will much like. ” Generations of readers have proved Austen wrong. “Handsome, clever and rich, ” Emma is undoubtedly one of Austen’s most beloved characters. Modern readers have by and large embraced Emma and her flaws. Feminist critics have identified her as an archetype of the modern woman, whose prospects and future happiness do not depend on marriage. Austen’s novel continues to be tremendously popular with modern audiences. Emma has been adapted for the stage and screen several times. Notably, in 1995, Clueless was released, a contemporary take starring Alicia Silverstone as Cher (Emma), Paul Rudd as Josh (Mr. Knightley), Brittany Murphy as Tai (Harriet), and Jeremy Sisto as Elton (Mr. Elton). Unlike the original novel, Clueless is set in Beverly Hills, California, in the mid-1990s. The film achieved cult status in the 21st century. Other notable screen adaptations of Emma were released in 1996 and 2009. Haley Bracken.
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Emma. Rated 8.6 / 10 based on 830 reviews.