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• Resume Brigadier Stéphane Ruiz is a young and light-heartened cop who moves to Paris to be closer of his little son after the divorce of his wife. Working in the impoverished suburb of Montfermeil, in the 93th district, where Victor Hugo wrote his famous 1862's novel "The Miserables", Ruiz joins the local Anti-Crime Brigade, being paired with veterans but unscrupulous colleagues Chris and Gwada, who are charged with the task to train Ruiz about the way Montfermeil's works and the people to meet. However, his first day in Montfermeil twists in bad way when the owner of a circus and his men meet where drug-lord Le Maire ("The Mayor") claiming for a stolen baby lion a few hours ago, blaming him by the theft. Avoiding a fight between Le Maire and circus' owner, the three cops patrol the hood looking for the animal, learning that a troubled kid named Issa is the thief, who stolen to have it as pet. But when Ruiz, Chris and Gwada locate Issa to recover the baby lion, Issa's friends attempt to liberate him from the cops. With the situation out of control, Gwada shots a rubber ball just when Issa tried to escape and hits him in the face, just in the moment that all they realize that a drone of a boy named Buzz recorded all the incident. Patrolling around, Chris and Gwada locate Buzz and start a prosecution to catch him after to learn that drone's card is gone. Hiding in a downstairs, Buzz escapes from Chris and runs to ask refuge to Salah, a Kebab's owner and leader of the each time more powerful Muslim brotherhood in the hood. While Issa's friends run to advise Le Maire about the drone and the record, Ruiz, Chris and Gwada moves where Le Pince ("The Clamp"), a bar's owner in addition to Le Maire's rival and Chris' partner in business, looking for help, at the same time that Ruiz goes to a pharmacy to heal Issa's hurts. But when a confident alerts about Buzz's location, Le Maire, the cops and Le Pince meet at the same time at Salah's local claiming by the card, not measuring the consequences of their acts
• User ratings 8,3 of 10 stars
• creator Ladj Ly
• 104 Minute
• Ladj Ly

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Profoundly moving, hard hitting moral drama elevated beyond being yet another 'banlieu' film through masterful use of cinematic language, combined with heartfelt performances from a largely non professional cast. France's ongoing tensions around identity, race and belonging expand, confronting you head on with dilemmas about the sheer difficulty of the human condition.
Looking for something going further than social realism? Comfortable being uncomfortable? Willing to question the assumptions of multiculturalism and the liberal enlightenment project? Prepared to wrestle with the effort of formulating just what questions need asking instead of expecting someone to bring you answers? Les Miserables will be for you.
Opening with shots of young black teenagers celebrating France's world cup victory celebrations in Paris in 2018, concluding this opening scene with a shot of the Arc de Triomphe superimposing the title Les Miserables, director Ladj Ly at once situates himself in a canon of French 'auteurs' while claiming space for these marginalised and excluded kids as being indeed French and, furthermore, spiritual descendants of the 19th century 'Les Miserables' of Victor Hugo's novel.
Montfermeil cite (housing project / estate) on the Eastern outskirts of Paris.
Following the world cup, three policemen, Chris, Gwada and newcomer to the team Stephane, are looking for a thief who's stolen a lion cub from a travelling circus - they have a limited amount of time - if the cub isn't returned, war will erupt between the various patriarchal groups who live uneasily alongside one another in the cite.
The liberal enlightenment project assumes the inevitability of 'progress. it's only a matter of time before everyone, everywhere in the world, adopts European (French) systems of democracy, liberal capitalism and so on. Human beings are rational and reasonable, living peacefully through democracy, state institutions and the rule of law.
The 'panopticon' is a system of total surveillance which emerged from 18th century British philosopher Jeremy Bentham. This can be seen to manifest in housing estates like Montfermeil - uniform, system built apartment blocks facilitating observation and control. However, the surveillance is subverted by the nerdy boy Buzz (played by the director's son, Al Hassan Ly) whose hobby is flying drones and who, through the drone, witnesses and records an act of police brutality.
Spectacular use is made of the cite with drone shots soaring above the apartment buildings. Implying freedom, escape yet there's something more sinister. Early on the viewer is implicated in Buzz's pubescent voyeurism using his drone to spy on women - we see from his point of view, implicating us in his voyeurism which confronts us with how so often people in these places are used by politicians and the mainstream media as objects to be exploited for entertainment or political purposes. What's our purpose in watching this? How many times have we watched prurient documentaries about 'tough gangs' or 'problem estates?
While 'District 13' or 'La Haine' spring to mind as obvious comparisons, Les Miserables shares some characteristics, including one crucial scene in particular, with Francois Truffaut's 'The 400 Blows. Both films show marginalised, excluded children. The same difficult age, 12 / 13, moving away from childhood into adolescence.
An academic called Anne Gillain wrote an essay about 'The 400 Blows' called 'The Script of delinquency' drawing on psychoanalytic theories from DW Winnicott and Melanie Klein. Returning to Gillain's work helps account for why and how Les Miserables is so much more than just another 'banlieu' social realist film.
Issa's mother in Les Miserables appears, like Mme Doinel, in 400 Blows, uninterested in her son. If I understood the dialogue correctly, when the cops call at the flat, she doesn't know where he is. Instead, she shows Gwada a room full of female friends counting out money. Clearly materialism and money are more important than children.
Stealing is central in both films - Gillain draws on psychotherapists Winnicott and reads stealing as being 'a gesture of hope' on the part of the child to reclaim the care and love to which they are entitled. Lead actor Issa Perica is perfectly cast as Issa - cub like himself with his delicate features, complexion, beige combat pants, sporting a T shirt with a lion motif explicitly identifying him with the animal. This however is an animal destined for a life of imprisonment as a circus animal. By stealing the cub Issa at one and the same time reclaims the nurturing to which he's entitled and by liberating the animal expresses his own yearning for freedom beyond the confines of his current life.
If women have little visibility in Les Miserables I read this as a comment by Ly on the macho posturing of the patriarchal society he reflects. Women, when they do appear, are strong figures. Teenage girls answer back when provoked by the cop Chris, an inadequate little bully of a man. An enraged mother intervenes against the cops' abusive questioning of four small boys.
If the state has abandoned these kids, literally excluding them and their families to the peripheries, other organisations or institutions don't offer much in the way of alternatives. There's the fast food restaurants and a fast food stand whose owner turns the kids away when they ask for food - the nurturing they seek, embodied by food, is denied them. Promises of reward and fulfilment through work unfulfilled for those too young to participate in economic activity.
Another form of imprisonment is implied through conformity to religion. During a scene when the boys are invited to the mosque, the camera is close in to the Imam and his co worshippers, wearing Islamic dress and beards. One of the boys yawns. Religion, with it's imperatives of dress, conformity of appearance, closes down possibility. By contrast, when they're left to their own devices - playing basketball, making slides from discarded car doors or goofing around in a paddling pool with water pistols, freedom expresses itself through camera work which opens out to long, expansive shots. Envisaged by the state as ordered, regimented public housing the cite becomes instead a locus of spontaneity - space around the blocks is reclaimed as somewhere to play. A similar binary operates in The 400 Blows with interior shots (carceral space) contrasted with exterior - the city as a place of exciting potentialities.
In Les Miserables carceral (prison) space manifests through cars. Patrolling the cite the three cops are confined to their car, unable to leave it for fear of attack. Ultimately, the custodians are metaphorical prisoners themselves, in contrast to the kids, who occupy the space of the cite.
There seems little to distinguish the cops from criminals. At one stage, Chris negotiates a favour with the criminal owner of a sheesha lounge. Where's the moral compass? The police here, as representatives of the state, behave in ways which are anything but reasonable and rational. Their lack of integrity shown by their appalling mistreatment of the children they're supposed to protect.
Finally, staircases and trash feature prominently in both les Miserables and The 400 Blows, although as different signifiers. At one point Stephane is at the foot of the stairs of an apartment block, in the foyer, calling for reinforcements, unable to give his position. There's no address on the building, this is nowhere and everywhere. Montfermeil stands for every marginalised, excluded community, indeed estates like this are to be found on the fringes of every French town and city, populated in the main by those considered 'not enough French.'
I'm saying no more. Hopefully after reading this you'll be off to watch les Miserables as it should be seen - on the big screen. Enjoy.

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An intense and powerful drama that shows the raw reality of life in French inner cities. At times breathtaking, LES MISÉRABLES is doubtlessy the strongest banlieue film since LA HAINE. Ly's debut feature is more than impressive.

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For his first "fiction" movie (which uses only real facts as inspiration) he made a masterpiece. Watch Online 燃燒å³å­çš„c.a.r.m. Watch' Lesmisérables'Online'Yidio, Les full movie vimeo, Les How Les,misérables,movie,viooz Les misérables OnLinE free 123movies…. Watch Online 南方車站的e e k. Watch Online レ・ミゼãƒa à z. Watch Online 燃燒å³å­çš„c.a.r.e. Watch Online 燃燒å³å­c.h.a.m. Average rating 4. 17 · 636, 347 ratings 14, 854 reviews | Start your review of Les Misérables One of the "biggest" book I've ever read, and I remembered Mick Foley's "warning" about a big book. "A big book is like a serious relationship; it requires a commitment. Not only that, but there's no guarantee that you will enjoy it, or that it will have a happy ending. Kind of like going out with a girl, having to spend time every day with her - with absolutely no guarantee of nailing her in the end. No thanks. " Haha... Well, I took my chances reading this big book. I made my commitment, I spent.. Les Misérables can be translated from the French into "The Miserable Ones", "The Wretched", "The Poor Ones", "The Wretched Poor" or "The Victims". So, as you will have concluded, this is not a happy book. In fact, it is the very opposite of fluffy happiness. It is a story about the lowest and darkest parts of French society in the first half of the nineteenth century. Hugo takes the reader on a 1200+ page journey around France and into the lives of criminals, prostitutes, those wasting away under.. Let's say that I could choose a single book with the guarantee that every man, woman, and child would read it. I would not choose my top three favorites, nor would I choose the one whose remnants are permanently inked upon me. I would choose this one. You argue, the length! The time period! The cultural barriers! It's just another long expounding by some old dead white guy whose type has suffocated literature for centuries! Women will be frustrated with poor representation, people who aren't.. I'm in the minority unfortunately. I thought the book was okay. I was hoping it would blow my mind and be a favorite like The Count Of Monte Cristo, as I was afraid of that book too, but alas, it was not =( I might as well put the ole spoilers tag up on here! Oh and even though Jean's name will be changed in the book, I'm sticking with Jean so I won't get all messed up! FANTINE 1)An Upright Man 2) The Fall 3) In The Year 1817 4) To Trust Is Sometimes To Surrender 5) The Descent 6) Javert 7) The.. 873. Les Misérables, Victor Hugo Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. Beginning in 1815 and culminating in the 1832.. I chose to read the hefty Victor Hugo classic for my thirtieth birthday, &, let me tell you, the experience was One Biiiig Bitch. I mean, why EVEN go to the 200 + year old text when the Broadway musical exists! THAT work of art exudes all beauty and majesty in one continuous song that unites the characters through time; ultimately giving us a true theme, or feeling of genuine victory over adversity. The plot, one gorgeous telenovela of a story, replete with jailbreaks, insurrections,.. What makes a favourite book? In this case, I will have to say: one single character that broke my heart and shaped my idealism and stirred my anger: Gavroche Thénardier. "Si l'on demandait à la grande et énorme ville: Qu'est-ce que c'est que cela? elle répondrait: C'est mon petit. " One of those street children that see and hear more during their childhood than most people ever experience, who carry pain and neglect with them on their daily adventures to survive in a hostile, careless.. This will be another review-as-I-go! First, a thank you to Rachel for recommending the Fahnestock and MacAfee translation, which is wonderful so far! Next, a question: Why have I been so drawn lately to these 1, 500 page 19th century behemoths? War and Peace, The Brothers Karamazov, Crime and Punishment, and now this. Am I just a glutton for punishment? Or just showing off? I hope not. When I think about it, I think it has to do with the moral scope and depth of the work and the way these books.. This is the longest book I've ever read (one might call it a beast) and it is without a shadow of a doubt, the best book I've ever been privileged enough to read. I mean, WOW. I struggle to put into words how I feel about this. Hugo had me smiling, laughing and most of the time crying, all in one chapter. This is in no way a happy tale, as one can probably tell by the title, but it has affected me more than I had anticipated. Hugo certainly knows how to captivate the reader, and captivate, he.. I saw the movie version of this before reading it and I was utterly shook by the powerful nature of the story. When I read it I hoped for the same experience, instead I had one more powerful. In life there are few truly great men: there are few men that are truly and incorruptibly good. Jean Valjean is such a man; he is a paragon of goodliness: he is a superb character. At the beginning of the novel he sacrifices everything: he steals a loaf of bread knowing full well of the consequences. He.. It is a couple of years since I read and reviewed this book. I asked a question in a spoiler, "How come Valjean never recognised Thénardier no matter how many times he met him? " And just now I had an ah-ha moment and realised it was because Victor Hugo himself might well have had prosopagnosia. How did I get to this? I reviewed Oliver Sacks' On the Move and made a point about his prosopagnosia, face blindness, I have it too. It just struck me that although it is very odd for the hero never to.. “They fought hand to hand, foot to foot, with pistols, with sabers, with fists, from a distance, from up close, from above, below, everywhere at once, from the roofs of houses, from the windows of the tavern, from the basement windows of the cellars that some of them had slipped down into. It was one against sixty. The façade of Corinthe, half-demolished, was hideous to behold. The window, speckled with shot, had lost both glass and frame, and was just a shapeless hole, crazily stopped up with.. "We can only suppose that its new life as a musical - and what an appropriate fate for that most operatic novelist - will help to bring Les Misérables to the attention of a new generation of readers, reminding them perhaps that the abuses Hugo catalogues are still alive elsewhere, awaiting their own chroniclers in the brave new world of the twenty first century. " - Peter Washington, Introduction There are few novels which one can consider true masterpieces and among the greatest pieces of writing.. I dreamed a dream of reading this book - and I accomplished it! Surprisingly easy to read - even though it did take quite some time. Hugo does go off on quite a few tangents, but the whole experience was fantastic! I'm obsessed with everything Les Miserables. The novel, the musical, the movies, especially the latest adaptation of the musical. I actually saw the musical before I ever read the novel. It's musical score is second to none and yes I have been known to shed tears during the performance. The novel is epic, a timeless classic and described by some as "the greatest story ever told". I don't know about that but it is one of the most detailed and intricately constructed novels I have ever read. The.. I noticed a few friends currently reading this masterpiece. I read the unabridged version over 20 years ago. ( with a class) I enjoyed reading Goodreads member, Chrissie's process with this book and the many comments. Highly recommend reading her process, followed up by what others have to say. I was blessed reading this -with a class - and with my daughter who was only in the 8th grade at the time. Her brilliant literature teacher got each parent and student involved ( my husband was too)... In my vacation, over the last two weeks, I visited the birthplace of Victor Hugo in Besançon, his home in Paris where his children were born, and his grave in Pantheon. I also read his “Les Miserables” again, that is 21 years after I read it for the first time in my High School in France, and I was surprised to see how differently I reacted to this book. Then I realized the book has not changed over these 21 years, but it’s me who has changed! At the school, I was obliged to read this book as a.. There are many books that bring up morality and the meaning of "right" and "wrong", but none capture it as well as Les Misérables. This timeless classic needs to be remembered for as long as there are people on this earth. SIDE NOTE: What's your favourite film adaptation of this book? I personally prefer the 1998 version but both versions are very well-made. :) 1466 pages!! And I've isolated the best single sentence in the whole book. It describes how you die in warfare: If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight,.. I don't believe I've ever been this ambivalent about a book. I don't remember having ever read anything that I loved and hate the way I do this. Okay, it got four stars, so maybe there are more loveable than loathsome parts, but still, thinking about it tugs my heart in both directions. When it's good it's excellent, and completely deserves 5 stars - more even. The descriptions of the moral complexities a man is faced with are spectacular and Jean Valjean's internal struggles are always a wonder.. I put off tackling this novel for more years than I can remember. This was mostly because I wanted to read it in French and the length of the book daunted me somewhat. That, and the fact that every time I was in the local foreign language bookstore they didn’t seem to have all of the volumes. The fact that I was relying on a local bookstore rather than the Internet to obtain a book in French indicates how many years it’s been since I gave reading the novel any serious thought. The last two.. “Teach the ignorant as much as you can; society is culpable in not providing a free education for all and it must answer for the night which it produces. If the soul is left in darkness sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness. ” A literary masterpiece. This is truly one of the best books I've ever read and I'm glad I took my time with it. So many characters, so many stories woven into one; a powerful & soulful book. Victor Hugo is.. 4. 5 stars. This book is a masterpiece. I don’t even know how to review something so beautiful and complex, so I’m just gonna list a few of the MANY amazing quotes from this work of art. Teach the ignorant as much as you can; society is culpable in not providing a free education for all and it must answer for the night which it produces. I have been loving you a.. Love and Revolution. Two words so closely related to each other that the one shouldn't exist even as a notion without the other. Love (not just the caring, Jesus-kind of love, but eros), this primitive angel, old as mankind and subject to all human flaws, is the fuel that ignites the all-embracing, all-changing Revolution, the flame of which is merely destructive without any will to create when devoid of Love. I could write pages upon pages about Les Miserables but I don't think there's any.. Most people are familiar with the story of Les Mis because of the theatrical version which is itself a masterpiece, but most people don't bother to read the book. I read the unabridged novel and consider it among the most influential books of my life. (If you decide to read the unabridged version be warned; it holds hundreds of boring pages dedicated to subjects not directly related to the plot--such as the history of the Paris sewer system, the rules of convents, and battlefield strategy. ) Les.. This is one of the most beautiful and best books ever written about human suffering; a true masterpiece. It is no exaggeration on my part to say so, and those who have read and liked it would agree with me. I have seen the musical and a miniseries, but the book surpasses them all. In my opinion, nothing can be compared with the book. Reading this was such a rewarding experience. While many areas including politics, progress, religion, morals are discussed in this lengthy work, the story as we.. It feels like sacrilege to say as much, but I think I may have enjoyed reading an abridged version of this book more! If I were rating the story of Jean Valjean, Cosette, Javert and Marius, I would definitely give this a 5 star rating. It’s a fabulous story of redemption, full of wonderfully drawn characters, a gentle humour and some amazingly emotionally wrenching scenes. But, for me, the frequent, lengthy and occasionally eye wateringly boring transgressions detracted from my enjoyment of the.. Sometimes you realise that there is a gulf of taste between yourself and other people. With me that realisation comes from Les Miserables. There are masses of reviews on Goodreads from people who give every appearance of honestly loving this book, personally I find it ridiculous. Obviously this an issue of perspective, as a non-church goer I find it natural that a bishop, a senior Christian, would model Christian qualities (view spoiler).. Oh. Hugo. Damn you are wordy! I mean, Charles Dickens can go on, but read Victor Hugo and you will come to appreciate Chuck's brevity. Such being the case, and a convent having happened to be on our road, it has been our duty to enter it. Why? Because the convent, which is common to the Orient as well as to the Occident, to antiquity as well as to modern times, to paganism, to Buddhism, to Mahometanism, as well as to Christianity, is one of the optical apparatuses applied by man to the Infinite...

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