Rated 3.3/5
based on 985 customer reviews
STREAM
writer Michael Green, Jack London
Year 2020
ratings 7,3 / 10
directed by Chris Sanders
Genre Family
“I was going to Pop Yogi in the face” Jack 2017.
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I t’s clear from the beginning that the dog Buck doesn’t fit in at home. He causes a lot of ruckus and trouble for his family. To make matters worse, one day Buck is stolen by someone desperate for money and finds himself held hostage. Later, he escapes, only to find himself captured again and put up for sale.
Buck is then adopted by a kind couple ( Omar Sy and Cara Gee), and becomes part of a team of sled dogs to help deliver mail. After a rough start, Buck builds his way to becoming leader of the pack. It’s a good life for him, until one day his owners are terminated from their job, as the telegram becomes more popular.
Buck and his dog pack are then adopted by a high-class individual ( Dan Stevens) who seems to know nothing about taking care of sled dogs. Upon pushing the dogs to their breaking point, Buck is cut loose and rescued by a loner named John Thornton ( Harrison Ford).
Entertainment Quality
The visual effects and camerawork are pretty impressive. From swooping backgrounds to well-paced action scenes, the crew did a great job making the adventure as realistic as possible. The CGI tricks don’t always work. There are times where Buck’s digital appearance is obvious, but he’s still among the most impressive visual creations I’ve seen. But at least for the films’ first two thirds, it remains exciting and entertaining.
As John, Ford gives a fairly memorable performance. In addition to a few moments of his classic “Han Solo” sarcasm, he gives the film a terrific sense of wit and emotional pathos as well. At 77 years old, he shows he can carry a movie very nicely (although he actually doesn’t play a big part until about half-way through). Sy and Gee are excellent casting choices for the couple that adopts Buck first, while Stevens is appropriately villainous. However, his character appears too late in the film to really develop into a proper antagonist.
Accompanying the performances, visual effects and cinematography is composer John Powell’s terrific score. He gives the right amount of excitement to the strong moments and the right amount of subtlety to the softer ones. And despite the strong action scenes, the film pauses long enough to make sure the characters receive enough time to develop.
On the downside, the film’s last act does lose some of the film’s overall luster. The structure of the film’s ending is a bit odd, as it rushes through a couple of key moments in the story. This prevents it from being as emotionally effective as it could have been. A simpler ending, with less going on, might have been even more effective.
Positive Messages
The value of persistence and perseverance is the main positive message. Buck provides an excellent example of that character trait. He works hard and earns the trust of his masters the old-fashioned way. And at the same time, he thinks of others’ needs ahead of his own. This trait rubs off on John, who has given up on everything in his life. Buck inspires him to get back on his feet and live his life for others instead of himself. Philippians 2:4 talks about how it is important to look out for others ahead of ourselves…
“Let each of you look not only to his own interests, but also to the interests of others. ” —Philippians 2:4
Besides that, Buck risks his life multiple times to save the ones he cares about. Selfishness and jealousy are all portrayed as negative character traits through a rival leader. Also, the film encourages us to treat others (including animals) with love and encouragement. This balance and comparison is seen through the couple in a positive light, and the villain of the story in a negative light.
Negative Content
LANGUAGE: At the very beginning, a person reacts in anger to Buck’s antics saying (off-camera), “D*** it, creature! ” There’s also a use of “h***” and an unfinished, “son of a…”.
ADULT CONTENT: None. The closest we get is a shirtless Harrison Ford swimming in one scene.
DRUGS/ALCOHOL: John clearly has a drinking habit (we see shot glasses and alcohol bottles a handful of times), though Buck tries and eventually succeeds at making him leave it. We see characters holding alcohol filled shot glasses a handful of times. One other scene has John going into a bar, ordering whiskey and drinking it. Others are seen drinking there as well.
VIOLENCE: The MPAA rating mentions “some violence and peril, ” which is accurate. There are a handful of scenes that may be too intense for young children. Buck causes some slapstick mayhem at the beginning, knocking people over and causing things to fall and break. We later witness (through shadows only) Buck being cruelly abused by a club.
As he tries to get used to his new job, Buck is shown causing the sled, its owners, and the pack to fall down a small hill and crash in a couple places, throwing its owners on occasion (but they aren’t shown to be hurt too badly). Later on, the head of the pack gets jealous and viciously attacks Buck. It’s relatively bloodless, but involves a lot of snarling, growling, and hard hits. Buck seems nearly dead at one point.
An avalanche occurs, causing some destruction, and sending Buck and his pack fleeing for refuge—narrowly outrunning the chaos. Guns are fired a few times. A person punches and beats up John at a bar. We see a tiny bit of blood on his beard. A rabbit is killed by a villainous sled dog. We hear about a child’s illness and passing. A club is used to abuse dogs into submission. A whip is used at a couple of points to force dogs to mush.
***SPOILER*** An intense ending scene involves a character setting a hut on fire and shooting John in his side. Buck knocks the intruder into the hut as it collapses, while John slowly dies (we see a little bit of blood on his hands and his face). ***END SPOILER***
Like the novel, part of the film’s worldview in the end is godless “naturalism” that involves a return to primal nature. However, in the book, this theme and survival of the fittest are clearly more emphasized. A 1903 illustration of Buck’s fight “to the death” with Spitz in Jack London’s Call of the Wild. Disney’s film fight has been softened.
OTHER: John’s reasons for being out on his own involve some bad personal choices. He abandons his wife after the unexpected loss of his son. Meanwhile, Buck is abused and mistreated throughout his adventure, with one particular owner treating him and his pack very inhumanely for awhile. Buck’s “call” and “listening to his own voice” are personified through a wolf with red eyes in a few scenes. While his appearance is never explained, it is implied that he is a sort of “spirit guide” for Buck. Some talk of “ancestors” a few times, without really going into more spiritual explanations.
Conclusion
Based on the 1903 classic novel by Jack London, this isn’t the first time “Call of the Wild” has been adapted to the big screen. Starting with a silent film in 1923, it has seen multiple versions on TV and in movie theaters over the past century. What makes this version stand out, however, is that it involves animals that are all CGI and digitally-created. While this decision wasn’t applauded by everyone, it was intentional by the filmmakers as they believed certain situations in the movie would be too much for real dogs to perform.
The familiarity of the novel and Ford’s star-power aside, this movie interested me mostly because it featured animation director Chris Sanders (“Lilo and Stitch, ” “How to Train Your Dragon, ” “The Croods”) making his live-action debut. Sanders embraces a clever balance between witty enthusiasm and more serious and down-to-earth themes in his directing style, which he successfully brings here. Having worked with the “human-and-his pet” theme twice before, he seemed like a perfect choice to adapt this material.
A couple of mild criticisms notwithstanding, the end result here is a very solid movie. Sanders and crew manage to create stunning action scenes that succeeded in keeping me on the edge of my seat, while providing enough substance in the right moments to help you care for the characters. And I found the CGI work to be more impressive and evoke more empathy and emotion than the recent Lion King remake.
For families looking for something to watch, “Call of the Wild” does carry a few caveats worth a parent’s consideration. There are a handful of scenes that may be too intense and loud for younger children (particularly sensitive moviegoers ages 7 and under). There are also a couple of mild profanities, and some alcohol use, though it’s not shown in a positive light.
So, this “Call of the Wild” may fall short of being an instant classic. But, for older elementary schoolers, families, and movie fans, this version of “Call of the Wild” is still a rollicking, fun, entertaining and heartwarming adventure worth taking.
Violence: Moderate
Drugs/Alcohol: Mild
Profane language: Mild
Vulgar/Crude language: Mild
Nudity: Minor
Occult: Minor
Sex: None
Editor’s Note: In the Jack London novel, Buck is half St. Bernard and half Scotch collie. This film adaptation is reportedly the first to correctly portray Buck’s mixed-breed heritage.
See list of Relevant Issues—questions-and-answers.
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About The Author
Andrew CampbellBio Non-professional / Unprofessional Film Reviewer for One Movie Punch - Member Austin Film Critics Association