2019

Star=Kang-ho Song

Country=South Korea

genres=Thriller

Duration=2 hour 12 min

Brief=The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park are all about status, Mrs. Park has a flighty, simpleminded mentality and temperament, which Min tells Ki-woo to feel comfortable in lying to her about his education to get the job. In getting the job, Ki-woo further learns that Mrs. Park is looking for an art therapist for the Parks' adolescent son, Da-song, Ki-woo quickly recommending his professional art therapist friend "Jessica", really Ki-jung who he knows can pull off the scam in being the easiest liar of the four Kims. In Ki-woo also falling for Da-hye, he begins to envision himself in that house, and thus the Kims as a collective start a plan for all the Kims, like Ki-jung using assumed names, to replace existing servants in the Parks' employ in orchestrating reasons for them to be fired. The most difficult to get rid of may be Moon-gwang, the Parks' housekeeper who literally came with the house - she Namgoong's housekeeper when he lived there - and thus knows all the little nooks and crannies of it better than the Parks themselves. The question then becomes how far the Kims can take this scam in their quest to become their version of the Parks

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Gisaengchung watch free live. Top Rated Movies #26 | Won 4 Oscars. Another 255 wins & 222 nominations. See more awards » Edit Storyline The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. Park... Written by Huggo Plot Summary Plot Synopsis Taglines: Uncontainable desire. (US teaser poster) See more » Did You Know? Trivia First film since The Departed (2006) to win the Academy Award for Best Director without being nominated for Best Cinematography. See more » Goofs When the Kim's are sneaking out of the house while the Park's are sleeping they are barefoot. When we see them running home they have their shoes. If they had left their shoes at the entrance the Park's would likely have noticed them. It would be more likely they would have left them in the garage. See more » Quotes Moon-gwang: Don't fucking call me sis, you filthy bitch! Alternate Versions Also available in a black-and-white version. Instead of opting for a simple digital bleaching, Bong Joon Ho worked with a colorist and cinematographer to make sure each scene retained its texture. See more » Connections Featured in FoundFlix: Parasite (2019) (2020) Soundtracks In Ginocchio Da Te Performed by Gianni Morandi Sony Music See more » Frequently Asked Questions See more » Details Release Date: 8 November 2019 (USA) Box Office Budget: $11, 400, 000 (estimated) Opening Weekend USA: $393, 216, 13 October 2019 Cumulative Worldwide Gross: $254, 218, 961 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

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Gisaengchung watch free movie online. Gisaengchung watch free episodes. It's safe to say the Joon-ho Bong is one of the greatest original storytellers of our generation. The man's filmography speaks for itself. Barking Dogs Never Bite, Memories of Murder, The Host, Mother, Snowpiercer, Okja, and now, Parasite - that's the kind of portfolio to be proud of. Now let's talk about the movie in question here.
Parasite is a darkly funny social satire that paints a subtle (yet not-so-subtle) picture of different social strata. On one hand, we have Kim Ki-taek (the brilliant Song Kang-ho) an out-of-work driver who lives in a dingy apartment with his wife Choong Sook (a mighty effective Jang Hye-jin) and his two college-age kids Ki-woo and Ki-jyeong. On the other, we have the well-off family of Mr Park that comprises of himself, his wife Yeon-Kyo, and his two children Da-Hye and Da-song.
A series of events leads to Kim ki-woo getting employed by the Park family as Da-Hye's tutor. Then, we come across the master-plan executed by Kim Ki-woo to get each one in his family employed by the Parks. This stretch of street-smarts versus rich-naivety while engaging and funny, still seemed like it was missing the 'element of twist' commonly associated with Bong's films. But what awaits you beyond the first hour is utterly inventive. It's indeed twists-and-thrills galore, with performances by every single cast member rising to the occasion.
Parasite, as a film, should claim a rightful genre to itself. It's a masterful blend of so many genres: comedy, family, drama (plenty of it) survival thriller, satire, horror (rarely) and many more. The social inequality trope isn't used for stirring extra sentiment. Instead, Bong cleverly plays around the concept and shows how intelligent film-makers can tell a story revolving around every section of the society without pandering to either. Most of all, Bong's attention to detail is impeccable and this pays off in several scenes.
The film boasts several scenes (not moments, scenes altogether) that are worthy of further discussion. The subtext is impressively underplayed, with the second hour leaving no stone unturned. The climax is the best thing about Parasite (as is the case with most of Bong's movies) and it makes a giant statement - both in terms of storytelling and as a cinematic finale. Parasite is the kind of film that needs multiple viewings; a second or a third viewing will reveal even greater context about each of the meticulously-created characters. Also, two thumbs up for the production design and cinematography departments for making everything in the film appear so very real.
Verdict: This time around, the 'monsters' are human, and they're more than fierce! A MUST-WATCH.

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