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Drama Year: 2019 Rating: 8,6 / 10 Star directors: Céline Sciamma abstract: Portrait de la jeune fille en feu is a movie starring Noémie Merlant, Adèle Haenel, and Luàna Bajrami. On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait Rating: 34547 votes

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Portrait de la jeune fille en feu watch online putlockers. Watch full portrait de la jeune fille en feu youtube. A movie like a painting, a plot like a poem. Beautiful forbidden love story. It makes us believe in true love and a pain of separation. Great performances. Watch Full Portrait de la jeune fille en feu rouge. Watch full portrait de la jeune fille en feu providence. Portrait de la jeune fille en feu online. "Portrait de la jeune fille en feu" or "Portrait of a Lady on Fire" is a French movie from 2019 that is also almost exclusively in the French language, just 5 seconds of Italian or so on one occasion. Writer and director of these over 2 hours is Céline Sciamma, in France already a really established filmmaker, but this could turn out to be her international breakthrough because this film is really garnering awards recognition left and right on the entire planet and most recently the Golden Globes nominated it in the Best Foreign Language Feature category. And the prestigious Cannes Film Festival loved it too. This is a big success, especially as the film will not have a chance to get in at the Oscars at the Foreign Language Film category because France picked Les Misérables this year to represent the country, a film that by the way is nominated for a Foreign Language Golden Globe as well. But of course, this movie here does have Oscar chances in other categories, at least in terms of nominations. I think for the costume, cinematography and production design. We will see. I think it wouldn't be undeserving, but maybe it is still a bit of a long shot. However, one character's special green dress stays in the mind especially for me here, so maybe Costume is most likely or Cinematography because there some awards bodies nominated it already, more than for any other production aspect so far.
Okay, now let's take a look at the film at hand in detail, especially in terms of the story. We have a young painter here who comes to a remote mansion and she has the task to make a painting of the young woman living there with her mother. The young woman does not want it though because she feels she is not at a good place in life right now and does not want it to be documented because she has to marry a man she doesn't love at some point in the near future. And she already chased away the previous painter because she would not give him a look at her face, let alone her smile. So quite a challenge. The woman thinks the new woman is there to provide her with some company during walks, but the truth is different and the central character (I think the painter is slightly more central than the young title character) has to paint the title character from her imagination. Well, this is only half the truth. After she is finished with the painting she tells her model what she did and gets a very negative reaction when she sees the painting, so bad that she destroys her own work immediately, which shows she thinks very highly of the other's opinion. However, to the surprise of the really unhappy mother of the title character (she initiated it all) all of a sudden she agrees to get drawn by the artist and they start from zero again, but this time on equal terms. From this moment on, however, the film moves further and further away from the painting idea. Instead we see the two spend time outside, take walks, play games also with the young servant and try to help the latter with her pregnancy. I must say that lead actress Merlant here sometimes looked a lot like a dark-haired Emma Watson to me and Haenel who I have seen in other films as well reminded me a bit of Léa Seydoux, which explains the reference I made in the title of my review. It is a lesbian drama. There are no explicit sex scenes in here of course, this clearly wasn't the time and century for that, but we see bare breasts here and there and it certainly helps the girls that the mother is out for days.
There is also a frame to this movie. This frame takes place a few years later at an art gallery. We have a group of students paint the central character in an almost modern fashion and one of them found the painting referenced in the title and so the main character tells us the story behind it, although I really wonder if she was this explicit about her romantic relationship with the girl on fire. Anyway, just like with Adèle (not the Adèle in here) there is no happy ending here because time wasn't ready of course for the two being a couple. The final scene at the opera was pretty good though, even if maybe at the end the camera was a bit too long on Haenel's character. But it emphasized how hard she was struggling. She seemed to be deeply unhappy (despite being a mother) and her smile seemed forced and she also looked as if she had aged a lot unlike her painter. I would say that it was these specific scenes that made this film worth seeing. Another scene I remember fondly, maybe my favorite from the entire film, was the one when they talk about each other how nervousness, insecurity and anger showed in the other person, in the sense of through which physical signs like biting one's lip. This one was really well-written and well-acted. Sadly, the scene that includes the photo here on imdb as well as the title, namely the one where one character actually catches fire was not as memorable to me as I would have liked it to be. And I am also still undecided on the moments when the title character is a bit of an apparition to the main character. I initially did not like them, but when they see each other the very last time and she actually looks like this and is not an apparition anymore, this was a nice bit of closure.
Finally, a few words on the visual side. I already said that there they did almost everything right. The cliffs on the island are haunting and I kept wondering if eventually the title character would also jump down, but like she says early she wants to courir and not mourir, so this was not an option for her it seems. Instead she lives an unhappy life as the wife of somebody she doesn't love as we find out at the end. The other central female character is luckier. And happier despite not being born into a wealthy family. Or maybe because of that? It would be exaggerated to call her emancipated or so, but you get the message. She has a better chance to follow her dream and live the life she aspires, even if obviously there are obstacles for her as well, just like there are to all homosexual people who lived during that time. You also hear about how she is not allowed to draw men, at least naked men. Speaking of men, there are virtually no male characters in this film at all until almost the end and those you see or hear about, like the guy who got the servant pregnant, the man the title character is supposed to marry and others are really no additions who bring happiness to any of the several female characters in this movie. I don't mind the absensce of men here. It makes sense story-wise, but you also need to be careful because I am sure feminists would advertize this film in the sense that it is a pro that there are (almost) no males, but it is just a fact and should not be said it is good or bad because this film is too good to be pulled down by anti-male propaganda. So yeah, overall I would not say it is one of the best films of the year, but a pretty good and enjoyable one that did not feel like 2 hours and that is always good. It needs to be said though that this is an extremely slow movie that lives through the artistry of the individual scenes and not through a lot happening. Honestly, in terms of the action you could have fit it into a 20-minute short film. Also I don't really like gender statements, but I feel this is a film that maybe women will appreciate more than men and gays more than straight people. Overall, it's a thumbs-up for me. Certainly worth seeing.

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