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キGenVideosサ Download Justice League Dark: Apokolips War

2020.06.11 13:33


Year 2020. genre Action. runtime 90Minute. audience Score 8284 vote. . Country USA

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Justice league dark apokolips war raven and damian. Justice league dark: apokolips war wikipedia. Justice league dark: apokolips war release. This reminds of Anti-Aqua in KH3. Yes she had fallen into darkness but there is no denying the kernal of truth in what she said. Justice league dark: apokolips war streaming. Justice League Dark: Apokolips war 3. Justice League Dark: Apokolips ward. DC's line of one-shot animated features are the exact opposite of their live action feature film line: mostly well-written and fun adventures that pay respect to their source material. Justice League: Dark, is said to be the finale in the line of DC Animated releases that have been consistently getting released for almost the past 10 years.
I haven't stayed consistent with the continuity of all of the releases, but I think post-Flashpoint Paradox (which was great) they've been on a timeline inspired by the events of the New 52, which was represented by Justice League: War, which came out a few years ago.
I'd heard a lot of hype going in about how good this was, and watched the first "Dark" to get in the groove for it, and that installment was much tighter, had a better script, and even better action scenes that made use of the darker, magical-leaning characters in the DCAU more effectively.
Despite the "Dark" label, this is a mash-up of the standard Justice League, the Dark squad, and the Suicide Squad, with cameos from members of the Bat and Superman-family, as well as Teen Titans. It could've used a different title to make it clear this was going to be a universe-wide event. Some of this was set up in last year's Death and Return of Superman, which was effective and well told.
Apokolips War clearly should've been more than one movie. The story itself takes beats from the competition's latest live-action entry of Avengers: Endgame, so they might as well have taken the tactic of splitting the story up into 2 full-length animated features. This is the end of a universe we're talking about here, and an epic struggle that leads to an entire reality being reset. 90 minutes just doesn't feel fitting.
The movie begins with a foolhardy, undercooked plan from the Justice League to simply storm Apokolips after finding out that Darkseid intends on attacking Earth, with no strategy or planning, and no thought towards the idea that maybe, just maybe Cyborg, who's built with tech more Apokolips, might be a liability. To set up for the very bleak end scenario, the start of the movie has to make a lot of contrived writing decisions. Batman would be smart enough to look into Cyborg's circuitry, Wonder Woman would've come up with a better strategy than taking the entire league to Darkseid's front door and leaving Earth unguarded while they launch a full-frontal assault. Constantine wouldn't just wimp out with no motivation while the love of his life gets shredded to pieces. And I also don't buy that characters like The Flash and any member of the Green Lanterns would get beaten so easily, even if Darkseid did have Parademons that had some Doomsday DNA in them (there's so many that the stock would get diluted eventually, right? Think the actual Jango/Boba Feet versus a basic Clone trooper.
In other words, a lot of what happened feels like the writers knew where they wanted the story to end up, but took shortcuts that were never addressed to get there. Zatanna never so much as slightly chews out Constantine for letting her die once he sees her in the afterlife, there's so many moments that feel skipped over or less focused-on because they had to speed along to an epic conclusion.
I notice that the DC animated films do better when they scale down and work with a single group of characters. The Bat-family related installments are clearly the strongest, with something like Death and Return of Superman featuring other League members but staying mostly focused on Superman. The original "Dark" was Constantine and other similarly darker, magic-focused characters, and didn't spread out too far. It falters when they try to bring everyone together.
Altogether, Apokolips War isn't garbage by any means. The animation and voice-acting is for the most part high-quality. The only gripe about the voice acting is that there seems to be odd, long-pauses in between the character's dialouge sometimes, like the pace is off with too much space from line to the next, and Rebecca Romijin as Lois Lane is not a solid casting choice. She was the most flat performance in Death and Return, and doesn't up her game here, sounding too cold and impersonal to be the tough, strong-willed yet compassionate woman Superman loves. She'd be better cast as a villain, like she was in the X-Men films. For anyone used to the great Clancy Brown as Lex Luthor, it's also hard to get used to Dwight from The Office as Lex Luthor, who has his moments, but sometimes still sounds a little too weasly and timid to be the cruel industrialist.
The fight scenes are also, as always with nearly any DC animated feature, on a high level, with plenty of creative power uses, solid counters, and a great pace to them. DC animated nails the action if nothing else, even in the lesser installments.
The storyline of heroes and villains of Earth uniting to fight off Darkseid was explored much more effectively in the conclusion of the Bruce Timm animated Justice League Unlimited show, especially Superman getting to let loose against Darkseid and give his "world of cardboard" monolouge. Apokolips War doesn't come close to any moments on that scale.
Overall it's worth watching if you've enjoyed the other entries in the New 52 line of animated films, but isn't quite the explosive conclusion it should be. It'll be interesting to see what projects DC's division has in store for the future now that this continuity has been reset, like DC does with their print line every 3 to 5 years, or seemingly whenever the writers get bored.