Writer=David Desola. director=Galder Gaztelu-Urrutia. Spain. Emilio Buale, Zorion Eguileor. 2019. rating=107226 vote

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The Platform wants to have something to say about class-struggle within a ruthlessly capitalistic society, but its ham-fisted allegory is confused and self-contradictory at best, making sense in individual moments. but not where it really counts, in the overall big picture.
The "message" of the film, such as it is, is excruciatingly obvious from the first scene, and is only coherent in individual bite-sized segments. Perhaps this makes it an ideal message-film for the era of Trump and Twitter and the small and illiterate thought - but I doubt that was the intent.
To be fair, the film's main premise is an interesting one. The vertical stack of cells, and the ever-descending banquet, create a visceral a depiction of the unfair, top-down distribution of resources and income. However, the film never gets very far beyond its initial premise.
The premise is undercut by the early-film revelation that many of the "prisoners" chose to be imprisoned here, for reasons which often seem fairly trivial. Also, since not much information is given about the "outside world, and since we're never quite sure if this prison is run by a privately-owned business or by the "government, it's never very certain exactly what this prison is meant to represent. If it is designed to represent the entirety of a capitalist society, then what does it mean that some of the people are here as punishment, but others are here because they erroneously thought it would help them quit smoking, or get them in better physical shape?
Likewise, I have no idea what to make of the fact that the people in this prison wake-up on a different level every month. Sure, this creates some cheap dramatic tension. but in real life, those who "have not" don't often switch position with those who "have, and so this plot-device complicates the film's central message in ways that I'm not sure are intentional.
As a midnight-movie gorefest, The Platform is certainly more successful. although its single setting and budget constraints render it considerably more repetitive along these lines then it really needed to be. Some character development or an interesting backstory might have been nice. but alas, this film is not as invested in those things as it is in depicting acts of cannibalism.
Overall, I would describe the movie as a violent, repetitive, and extremely juvenile science-fiction fantasy which believes it has big things to say about class struggle but ultimately can't summon anything more meaningful than a handful of pithy tweets. It all leads up to an ending which is unsurprising and shallow, but seemingly convinced of its own profundity.
Grading on a curve, being lenient due to the film's budget constraints (which really aren't the main problem) I might be generous and give it two out of ten stars. Not a film I will be recommending to anyone.

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