description Faced with life's cruel irony, the unpredictable stories of a well-dressed pair of low-level hitmen; a gangster's statuesque moll, and a double-crossing prizefighter become inextricably intertwined, as the small-time crooks, Honey Bunny and Pumpkin, summon up the courage to hold up their favourite L.A. diner. Entrusted with retrieving a glow-emitting leather suitcase which belongs to their boss--the powerful crime kingpin, Marsellus--instead, the dark-suited gunmen, Vincent Vega and Jules Winnfield, end up with a bloody mess. Fortunately--with men like Mr Wolf always around to handle a crisis--there's time to cool off in a long twist contest, while at the same time, the proud champion boxer, Butch, makes the decision of a lifetime. Soon, things will come full circle, as, once more, Jules and Vincent find themselves in the perfect dead-end situation, exactly where it all began: an all-too-familiar cafeteria. Is truth stranger than fiction?. Actor John Travolta. 9 / 10. genre Crime. 1994. Writed by Roger Avary

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Pulp fiction. This comment may contain spoilers. The opening scene is the best part of the film using a book device to get the audiences attention. Then follows a broken narrative. And this film needs a broken narrative device to hold th e attention because the film is a trick Tarantino has used to hold th e audience is endless "what's going on" whether its Tim Roth and what does he see in the suitcase or th away it jumps between stories and going backwards and forwards.
The script. Its nothing more than overly stylised dialogue and the characters are one dimensional and flat. Every scene of dialogue is wrung out until its dead, and then give it another kick. The emptiness of the movie shows that Tarrantino did spent his while time watching videos and then aped what he saw, instead of learning how to write scripts and compose scenes. Its been getting more apparent in more recent films.

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