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1. Star Juan Saavedra, Aomi Muyock
2. Gaspar Noé
3. Audience score 36387 votes
4. synopsis Murphy is an American cinema school student, living in Paris. He had a French girlfriend, called Electra, whom he dated for two years. One day, they met and had a no-strings-attached threesome with another woman, a young blonde Danish teenager named Omi, as a way to add some excitement to their love life. But later, he had sex with her behind Electra's back, as a result of which Omi became pregnant. This unplanned pregnancy ended the relationship between Murphy and Electra on a horrible note, and it forced Murphy to marry Omi. In one morning, Electra's mother, Nora, phones him to ask if he's heard from Electra, because she hasn't heard from her for three months, and given her daughter's suicidal tendencies. For the rest of this day, he recalls his past two years with Electra in a series of fragmented, nonlinear flashbacks; how they first met in Paris, their quick hookup, and their lives over the next two years which is filled with drug abuse, rough sex and tender moments
5. genre Drama
6. year 2015

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Through his raw and often disturbing approach to cinema, Gaspar Noé continues to demonstrate himself to be one of the most innovative directors of today. I am quite fond of The Butcher trilogy (Carne, I Stand Alone, and Irreversible) as well as what I consider to be his magnum opus, Enter the Void. Frankly, Love is not as great as those other films mentioned, but is still quite good in its own right, and offers a lot more under its surface than one may expect or notice.
Noé once said "there is no line between art and pornography. You can make art of anything. Anything that is shot or reproduced in an unusual way is considered artistic or experimental." With this belief in mind, explicit filmed sexual content can be art, but that does not necessarily make it good art. Good art in my opinion, often raises comments or questions on something in life or philosophy, whether it is in its context or its subtext. Love, I think, is good art, through its creative and experimental approach in film making and the commentary and questions it raises.
The film on the surface, is an erotic melodrama with easy-to-hate characters and an abundance of explicit sex scenes. However, I strongly believe this is all intentional on the behalf of Noé, as he offers commentary and visual insight inside the intimacy of a sexual charged relationship.
It should be NOÉ surprise that the film's commentary is on sex and its effects on a relationship and the individuals. The film was released in 3D, allowing the audience to view the couple in their most intimate state as close to the viewer's eyes as possible, whether they'd like to or not. The sex scenes are mostly honest as they are neither simulated nor rehearsed.
The opening shot acts as a thesis for the film to come, as two naked characters engage in a sexual act; the film going straight into the "action." The film is told non-chronologically as Murphy, the young cinephilic protagonist and wannabe film-maker, looks back at his past relationship with Electra that ended due to unfaithfulness that lead him to having an unplanned child and staying with the mother, whom he grew to detest.
Told through flashbacks, the story unfolds revealing more details about his sexually charged relationship with the emotionally unstable Electra. Most of the explicit sex scenes, once properly examined, appear to not be shown to arouse the viewer, but rather demonstrate the joy and pleasures of sex, and the importance sex can be within a relationship. Interestingly in more quick and less explicit nature, sex is also shown throughout the film in a more negative context, or leading to negative consequences when Murphy is shown cheating on Electra.
I would argue that the film showcases that sex is meant to be between two people alone but presents the opposite side of the argument as well before refuting it. Murphy feels he must own Electra, going as far as to defend his manhood and his possession (Electra) by smashing glass against another man's head who appears as a threat to him and his relationship. Infidelity and excessive experimentation leads to tension and heartache within the relationship. The long sensual threesome scene fulfills both Murphy and Electra's sexual fantasy, but ultimately leads to Murphy having sex with the other woman again in secret and accidentally creating a child. This forever ruins his trust with Electra, all due to sex corrupting his mind.
Murphy, throughout the film is a regular man corrupted by sex. To be frank, he is a jerk. Almost every conflict arises from the characters giving into unhealthy sexual temptation and then facing the consequences of it. Murphy faces the consequences of his actions and begins to regret and fall into depression, especially after hearing Electra had gone missing. He never meets up with her again, she remains in the past, only for him to further take responsibility. He looks back at his relationship and while most of it was in fact sexually excessive to an unstable and unhealthy degree, he truly loved Electra on an emotional level. Their mutual emotional bonding can be demonstrated in a flashback in which the two simply talk and stroll a park. The audience never learns the final whereabouts and fate of Electra's character, which I believe works well for the film. She is in the past, Murphy must take action and become a man. His biggest regret is not having a child with her. The film seems to argue that the objectively greatest thing about sex is the fact it can lead to another's birth. Two people create another. He made a baby, who he admittedly loves, with a woman who he doesn't. Murphy realizes he had never experienced the greatest thing love could had offered between him an Electra, the miracle of birth.

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