yesmovies Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Google Drive Downloa

2020.08.22 22:06

Genre=Crime
Liked it=102297 votes
Paul Dini, Bruce Timm
country=USA
average Rating=6,4 of 10
duration=109 Minutes

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Watch Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn full movie subtitle Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn movie watch online fmovies. This review contains spoilers, click expand to view. If you're high on acid you might enjoy this movie since it has some wonderful visuals, but otherwise just avoid it, this is an awful film with few redeeming qualities. Margot Robbie puts in a decent performance as Harley Quinn, however I was confused if this was supposed to be about Harley Quinn or about the Birds of Prey, no matter what they were going for though, they failed. The film lacks solid direction and the narrative is just boring and at many times cliche. Unfortunately there is also a strong effort to push a far-left, woke and feminist social and political agenda in the film. This isn't done subtly and it is very on the nose. For example, every male character is portrayed as an idiot or an over the top misogynist. This will turn off a lot of audiences who just wanted to watch an entertaining film with a well written narrative and interesting characters without being lectured or preached to, which is exactly what this film is trying to do. You shouldn't have to tear down male characters in order to lift up female ones. An easy example is Sarah Connor from the first two Terminator films and Ellen Ripley from the Alien franchise, who are two of of most iconic characters in film history, wonderfully written and individuals you can look up to. Rosie Perez's character Renee Montoya doesn't work and it is also laughable to see a 55 year old woman beating up men younger and twice her size. On that note though I laughed at the end when Montoya was briefly fighting Harley Quinn, throughout the film, Quinn easily dispatches with any man who gets in her way, yet in this fight she struggles to overcome a much older, 55 year old woman (just thought id mention it). Laughably, Montoya is portrayed to be the only competent cop on the force and the men once again, are depicted as morons or misogynists. Roman Sionis/Black Mask, portrayed by Ewan McGregor, is an awful villain and is not really intimidating at all, they do their best to show him doing "evil" things, but instead I was just laughing at him. Not only is the character nothing like how he is written in the comic books and other source material, but instead he comes across like a child throwing temper tantrums, coming across like a much worse version of Kylo Ren. I do love Ewan McGregor, I think he is a wonderful actor and in this he puts in a decent enough performance, working with what he's given, however, I'm not sure if he was miscast or perhaps it's the dialogue or the screenplay as a whole, but it just doesn't work. It's sad to see how they butchered a lot of these well known characters, they are nothing like how they are written in the comics. The changes to them are bewilderingly stupid at times and the writer seems to know barely anything about them, showing little to no respect for the foundations of these characters laid out in the comic books. Perhaps she was drunk at 1am writing it and briefly read some summaries on the wiki and said "I totally got this", then proceeded to spew whatever she could onto the page before passing out blackout drunk. Just a guess. That being said, I did enjoy the look of the film, the visuals were quite enjoyable, at times the action was great and I loved the music. I wish I had more positive things to say but I'm struggling to think of any. Apart from Robbie and McGregor, the acting was alright, but nothing special. However, Cassandra Cain was just a terrible character though, actress Ella Jay Basco was fine and well cast, but the problem was with the writing and not her, just to make that clear. I don't mind flashbacks, but they weren't always used very well and some were repeated later in the film when we didn't need to see them, we already got the point you don't have to keep showing it over and over again. The Screenplay is objectively bad as well, which is quite sad since I do believe the Screenplay is the heart of any movie. Initially, when I heard this film was in production I was excited. I love the character of Harley Quinn and the DC universe is one of my favourites. Although Suicide Squad wasn't the greatest I still loved the portrayal of Harley Quinn and was curious to see how a standalone movie would go. But sadly I hated this film. No, it's not a 0/10 or a 10/10, that's just being silly. It's a below average film that had all the right tools and cast to make an enjoyable film, instead they wasted them. Many departments in the production did an amazing job and they should be proud of what they achieved, I truly mean that. Sadly though it is a forgettable film that you should just avoid. But if you're high one night and need to kill some time and have your brain switched off, maybe this is the film for you. There is a lot more to go into but since I'm almost at the word limit ill end it here. Have a lovely day and take care:D … Expand.

3 / 5 stars 3 out of 5 stars. Mesmerising Margot Robbie returns as the hyperactive supervillain in a crass but weirdly watchable Suicide Squad spinoff Kick-ass variant on nymphet … Margot Robbie in Birds of Prey. Photograph: Claudette Barius W atching Birds of Prey, I was reminded of a line from the recent Fox News sexual harassment drama Bombshell – when Kate McKinnon looks deep into Margot Robbie ’s eyes over cocktails and says, wonderingly: “That’s quite some face you’ve got there. ” Robbie’s capacity for pop-eyed, crazy-cyborg grinning is certainly put to work in this weirdly watchable supervillain comedy, a hyperactive aspartame overload written by Christina Hodson and directed by Cathy Yan. It’s a spinoff from DC’s little-loved Suicide Squad, in which Robbie plays Harley Quinn, clothed in an eccentric kick-ass variant on nymphet: Lolita meets Cynthia Rothrock. She was the inamorata of Jared Leto’s Joker in that film and now returns as an antiheroine in her own right. Harley and the Joker have broken up (he dumped her) and, in a rage-filled search for closure, Harley steals a gasoline tanker and drives it into the chemical factory that was the site of their first romantic encounters – jumping clear at the last moment. The resulting explosion and its aftermath precipitate a meeting of five women from all over Gotham who operate on different sides of the law: 1980s-style cop Renee Montoya (Rosie Perez), mob heiress turned crossbow killer Helena Bertinelli (Mary Elizabeth Winstead), nightclub singer and martial arts enthusiast Dinah Lance (Jurnee Smollett-Bell) and pickpocket Cassandra Cain (Ella Jay Basco). Harley is to find herself in conflict with all of them but is also in league with them prima inter pares. The quest for a mega-valuable diamond animates the jittery, fragmented narrative, which zooms all over the place and brings in hideous club-owner and rich criminal Roman Sionis ( Ewan McGregor), who among his many sins is a culturally insensitive collector of African art. Hodson’s script, with its insistent voiceover, narrative shuffling, wackily choreographed punch-ups and exotic villains introduced in surtitle freeze-frame, is a cheeky borrowing from Kill Bill (with one assailant’s resemblance to Frida Kahlo incidentally coming in for some derisive commentary) and I enjoyed the influence of screenwriter Shane Black (the creator of Lethal Weapon and Kiss Kiss Bang Bang) in the description of Montoya, particularly that supremely ominous moment when she is told to hand in her gun and her badge. As Harley sagely puts it: “No cop ever gets stuff done until after they’ve been suspended. ” As well as the DC origins, there is also an echo of Frank Miller’s Sin City graphic novels, filmed by Robert Rodriguez. This film is a blitz of bad taste, a cornucopia of crass, and it is weirdly diverting – more than you might expect, given the frosty way Suicide Squad was received critically – and engagingly crazy. Watching it feels cheerfully excessive and unwholesome, like smoking a cigarette and eating a chocolate bar at the same time. • Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is in cinemas in Australia on 6 February, and in the UK and the US on 7 February.

Birds of PRey: And the FanTAbulOus EMAncipation of One HarleY Quinn Full Movie 2020,

'Harley's still not sure what she's expecting when the chair takes a sharp right and she's wheeled into a small room, but it's certainly not shoulders hunched in on themselves and clad in a white t-shirt; it's not the slight of a vulnerably exposed neck, the soft-sharp jaw, the loosely done ponytail of the woman whose heart Harley had ripped from her chest days (weeks, months, a year, maybe? ) ago. Her eyes are dull and dead, and Harley wonders how much of the woman she'd been faced with before was actually part of the girl in front of her. It's the same face, the same features; but this girl is plain; no makeup, hardly even an expression behind thin-rimmed circular glasses. The only thing interesting about her is the silver in her ears; studs in her lobes and a bar up higher, in her cartilage, and that isn't even that interesting. "I wanted to thank you, " the girl starts, and her voice is a soft, quiet sort of thing, but it commands Harley's rapt attention nonetheless. It's dry and sweet, and kind of sexy, and Harley presses her tongue against the backs of her teeth, anticipating. ' [].

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Birds of PRey: And the FanTAbulOus EMAncipation of One HarleY Quinn Full Movie 2020,

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